| Netflix | Release Date: April 27, 2018 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
5
Mixed:
4
Negative:
1
|
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Critic Reviews
IndieWireApr 25, 2018
Basic sympathy is where the usefulness of The Rachel Divide ends. Ms. Brownson hasn’t figured out how to construct a movie around a figure who essentially owes her fame to the obfuscation of her past. Anything Ms. Dolezal says has to be taken with such a large grain of salt that it’s not clear why it’s worth listening.
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The PlaylistApr 27, 2018
Brownson’s misguided and desperate attempts to humanize Dolezal only expose how deeply selfish and self-absorbed this woman is. There is something sick, twisted and insulting about America’s fixation with Rachel Dolezal and the way her lies have given her a platform, albeit a negative one, that most Black people don’t have.
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Dolezal desperately tries to align herself with absurd terms like “trans racial” in order to try to find some way of making her way of life acceptable, but she always comes up short, and it is impossible to have any sympathy for her because she is so transparently a manipulator and a guilt-tripper.
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