The Paper

Beyond letting its characters talk fast, use jargon and interrupt each other, "The Paper" misses most of the genre's real flavor. Its progress is methodical and sane. Read full review

A perennial innocent himself, Howard responds to the blunt professionalism of the hack pack with as much enthusiasm as Billy Wilder and Howard Hawks before him - but spoils it by insisting that somehow the tabloids have integrity. He likes his sincerity straight. Read full review

Director Ron Howard attempts the Great American Newspaper Picture and mostly pulls it off. The film's greatest weakness is that he and screenwriters David and Stephen Koepp (the latter a journalist himself) love those scrappy newshounds too much; THE PAPER doesn't even try for the appropriately acid bite of, say, any version of THE FRONT PAGE. Read full review

The story is blatantly contrived, milking every situation for maximum emotion and suspense; still, the picture has a lot of old-fashioned charm if you overlook its lapses into needless vulgarity, and its shameless insistence on giving male characters more dignity than their female counterparts. Michael Keaton is terrific as the hero. [18 March 1994, p.12]

The Paper never stops for breath long enough to be dull. But all this tumult also leads to a feeling of shellshock, of having every contrivance not nailed down thrown at the audience. Part of the problem is that many of these subplots, like Henry’s marital difficulties, are no more than Hollywood serious, dealing with adult situations in a bogus way that would be better avoided. Read full review