| IFC Films | Release Date (Streaming): July 17, 2020 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
19
Mixed:
4
Negative:
2
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Critic Reviews
There’s never been anything quite like it — an exquisitely crafted work of cinematic art putting radiant black-and-white photography (by Vladimír Smutný) in the service of indescribably shocking images that reflect the darkest of human impulses, as well as the unquenchable will to survive.
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The Czech writer-director Václav Marhoul has done an astonishing job of adapting Kosinski’s novel in all its brutality (and its moments of humanity), lensing the story through timeless, dream- and nightmare-like 35mm monochrome and delivering a near-masterpiece epic that will leave you exhausted after its 169-minute running time — but grateful you’ve seen one of the most memorable movies of the year.
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As in the book, the shock effect of coldly detailed incest, bestiality and sexual abuse, beatings, killings and mutilation is furiously nonstop in a film of nearly three hours. Rather than numbing the viewer, however, the parade of evil is presented in a dismaying crescendo of horror that offers no escape.
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The film’s sheer unblinking stamina is as impressive as its pristine formal composure, though it has to be said that at nearly three hours — somewhat surprising, considering the novel’s brevity — its blunt-instrument force doesn’t yield much fresh perspective on oft-dramatized atrocities.
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IndieWireJul 16, 2020
The Painted Bird spirals between fairy tale and history lesson as if it were trying to fly with a clipped wing. Several passages create a stomach-churning sense of inertia, but only during the very last shot does the whole thing manage to get high enough off the ground to offer a valuable perspective.
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All of this agony is captured with great skill and artistry. Shot in Cinemascope, in crisp 35mm black-and-white, The Painted Bird is beautiful just to look at, even when its content is unspeakably ugly; there are images that will burn themselves onto your memory, whether you want them to or not.
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The PlaylistJul 21, 2020
The Painted Bird is the kind of exploitative cinema that thinks drowning its viewers in increasingly drastic scenes of torture and brutality is inherently righteous. “Look at our terrible history!” “The Painted Bird” screams, but the film’s unrelenting onslaught of revolting ghastliness makes each chapter less impactful than the last.
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There is beauty in the 35mm black and white landscapes and framings of this painterly widescreen feature, but it stands in stark contrast with the alienating narrative and tone of a film which, like Kosinski’s book, takes a strange relish in charting the descent of simple country folk of a never-named country into sexual depravity and joyless cruelty.
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