| Vertical Entertainment | Release Date: December 6, 2024 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
30
Mixed:
7
Negative:
0
|
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Critic Reviews
RogerEbert.comDec 6, 2024
Unlike most other true-crime films, "The Order" isn't out to titillate or digress into exploitation. The film instead heeds to a strict hold on tone, mood and pacing that doesn't aim to manipulate the viewer but to slowly unravel them to the point of feeling as hollowed out as Husk. In the process, it furiously tears us apart
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Adam Arkapaw’s dynamic cinematography, the pulsing electronica of the director’s regular composer (and brother) Jed Kurzel, and a snarling script make for a taut and gritty thriller that could pass for a moody, rediscovered early-1970s classic originally shot sometime between The French Connection and Death Wish.
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The Observer (UK)Aug 31, 2024
As for Law – sporting a bristling moustache and some girth that evoke the weariness that Husk must fight in himself – he gives a sometimes warm, sometimes commandingly irascible performance that shows this actor moving confidently into middle-career authority. He and Hoult’s icy-eyed adversary combine to somewhat mythical resonance; a wrestle-with-the-demon duo that actually fits the political context to pointed effect.
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Screen RantAug 31, 2024
Kurzel's film can be watched at face value, and anyone inclined to like this type of movie will enjoy it. But as it chugs along, it also shows us what hate can look like and what it can do. Like Husk's story, it is a warning, and it leaves us with the chilling sense that the events depicted haven't, or maybe can't, come to an end.
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The end result, however, whether pruned during the scripting stage or in the editing room, is a taut and compelling piece of cinema whose release in the wake of the 2024 election may have some viewers pondering Winston Churchill’s 1948 warning: “Those that fail to learn from history are doomed to repeat it.”
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The Film StageSep 3, 2024
Where other filmmakers fall flat with the same material, Kurzel nails every emotional beat, wrenches your gut more than a few times, and immerses you in a primal modern history you likely don’t know this well. He weds the cinematic elements to a relatively memorable whole that envisions the past with clarity and hyper-relevance as only film can.
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The GuardianDec 25, 2024
The fight against fascism is a serious business, now more than ever, and it is right that Kurzel treats it seriously, but this means his movie feels constrained tonally and the finale is weirdly protracted and even anticlimactic. Yet The Order maintains a drumbeat of tension to the last.
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A brooding, muscular FBI procedural that occasionally explodes into Point Break-y action, Aussie director Justin Kurzel’s (Snowtown) true-life thriller delves, pungently and topically, into the inner workings of white nationalism in America before deciding that squealing tyres and shootouts are a lot more fun.
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The Order is a sombre, steadily paced, conventional drama. It's superbly acted by its charismatic cast, the locations and the period are evoked beautifully, and, best of all, the violent robberies and shoot-outs are staged with a nerve-jangling ferocity that recalls Michael Mann's Heat. But it isn't quite as gripping as the events deserve.
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