| Walt Disney Studios Motion Pictures | Release Date: November 2, 2018 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
4
Mixed:
21
Negative:
13
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Critic Reviews
A movie that should be seen on the big screen, in order to fully appreciate its special effects, this Disney production will likely enchant lots of little girls and boys while also tugging at the heartstrings of grown-up sons and daughters who still value all that was given to them by their departed parents
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The GuardianOct 31, 2018
I have to admit to being helplessly enchanted – or suckered – for the most part. There’s wit here and The Nutcracker will take you from zero to Christmas jumper in the opening sequence. What’s missing is the melancholy darkness of ETA Hoffmann’s story. Instead, schmaltz-merchant director Lasse Hallström tugs at the heartstrings and ladles on the syrup.
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There’s nothing inherently wrong with this greatest-hits patchwork approach or the correct racially diverse, girl-power script from Ashleigh Powell. There’s also nothing new or necessary about this jumbled, pretty mess of a movie, which barely covers the seams between its varied pilferings.
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So much care has gone into each of the departments, from Guy Hendrix Dyas’ exquisite production design to Jenny Beavan’s micro-detailed costumes to composer James Newton Howard’s loving update of the Tchaikovsky score, and while any one of these elements might be tasteful in and of itself, it’s all too much to take in at once — the kind of overkill for which Liberace was known.
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Movie NationOct 31, 2018
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