ImaginAsian Pictures | Release Date: June 28, 2006
6.9
USER SCORE
Generally favorable reviews based on 17 Ratings
USER RATING DISTRIBUTION
Positive:
12
Mixed:
3
Negative:
2
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4
[Anonymous]Aug 1, 2006
starts out decent and evenntually falls out flat with a bad plot and a dull screen presence.
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10
JoeK.Oct 14, 2006
Great first feature! Not for the type of audience that needs everything spelled out. Lots of stuff going on in there. I've seen it a couple times now and I keep finding new layers. Definitely worth seeing at least once.
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6
RobinHoodAug 1, 2006
Kinda Dull and Boring but a good enough plot to be watchable.
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8
sistertycoonAug 1, 2006
Excellent acting and directon by robert wooosie. Go see it. I loved it. Could have been better but its really fun.
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4
KenG.Sep 2, 2006
Flat, kind of drab movie, and there are problems with 2 of the main characters. The kid is simply too nerdy and wimpy to be likable, and the male guest who takes him under his wing is seriously underwritten. Plus, it is never clear why this Flat, kind of drab movie, and there are problems with 2 of the main characters. The kid is simply too nerdy and wimpy to be likable, and the male guest who takes him under his wing is seriously underwritten. Plus, it is never clear why this guest becomes so interested in the kid. Expand
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7
ChadS.Mar 20, 2007
What "The Motel" has in common with a seemingly disparate film like Justin Lin's "Better Luck Tomorrow" is that the universality of people begets a common ground that preordains genre as largely being colorblind. This little gem is more What "The Motel" has in common with a seemingly disparate film like Justin Lin's "Better Luck Tomorrow" is that the universality of people begets a common ground that preordains genre as largely being colorblind. This little gem is more of a coming-of-age film than it's an Asian-American one, but make no mistake, "The Motel" is a quietly important indie that knowingly acknowledges, then eschews the stereotypes which hinder Asian-American characters from being real people. "The Motel" opens at a Chinese restaurant, but interestingly, we never go inside it. This occupational staple of the "Oriental" is where the protagonist's dream girl(Christine, as played by Samantha Futerman) works. We follow Ernest(Jeffrey Chyau) to his family business, and it's not a Chinese laundry service. Like the characters in "Better Luck Tomorrow", there's more to Ernest and Christine than being mere bookworms. The boy is interested in porn. The girl likes to drink and smoke. It's brilliant how these polluting influences prevent "The Motel" from being too sweet, too easy to love. This film smartly shows how pornography retards the relationships between men and women. Even though the rocky relations between mother and son ends in mutual atonement, predictably mawkish, replete with tears; and too much time is devoted to Ernest's mentorship with a Korean motel-guest(Sung Kang), "The Motel" is most definitely worth checking out. Or is that checking in? Expand
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