The Monster

A24 | Release Date: November 11, 2016

6.0	USER SCORE Mixed or average reviews based on 36 Ratings

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johnbobs1Dec 12, 2020

This review contains spoilers, click expand to view. A film of two halves; In two different ways. One half is the distinctly horror themed atmosphere and plot, and the second half concerns the relationship between our main mother and daughter character duo. For the first half of the film, I watched avidly as the atmosphere and dread of the dark forest took hold, and the dynamic of the mother-daughter relationship proved genuinely interesting. Sadly, the second half of the film threw all this potential away, with sloppy horror tropes and predictable scares, and an ultimately depressing, over acted and unoriginal conclusion to the story and dynamic of the main characters. Give it a miss.… Expand

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DeanomiteJan 15, 2020

Zoe Kazan gives another pretty good performance, Ella Ballantyne also did well for a little kid. The photography was a little too dark and the script just didn't work for me. I am always ready to accept dumb actions of characters in crisis,Zoe Kazan gives another pretty good performance, Ella Ballantyne also did well for a little kid. The photography was a little too dark and the script just didn't work for me. I am always ready to accept dumb actions of characters in crisis, but there is a limit. Really, when characters use their fight or flight response and adrenaline gives them courage or super strength or maniacal fear, that's what makes a good movie, not having that robs the audience of a relatable experience. I think movies like this would benefit from giving the creature some personality, a little goes a long ways. Also, too much melodrama, i really got the Titanic-Jack-on-a-door-you're-gonna-have-babies vibe.… Expand

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BITESCREENJun 21, 2017

Zerbrechliche Figuren erleichtern die Identifikation – vor allem im Horrorfilm. Denn wer mitfühlt, leidet auch mit – und schreit im Idealfall vor Angst. Bryan Bertino greift für The Monster auf denselben Trick zurück – und verpasst seinemZerbrechliche Figuren erleichtern die Identifikation – vor allem im Horrorfilm. Denn wer mitfühlt, leidet auch mit – und schreit im Idealfall vor Angst. Bryan Bertino greift für The Monster auf denselben Trick zurück – und verpasst seinem subtilen Creature-Feature eine stark angeknackste Hauptdarstellerin: In tiefster Nacht düst eine alkoholkranke und überforderte Mutter durch den verregneten Forst – um die Tochter feige bei Papa abzuladen. Die Strafe folgt prompt: Erst zwingt ein angefahrener Wolf den Wagen in die Knie, dann attackiert ihn ein schleimiges Monster. Es folgt eine Mischung aus Alien und Cujo: Im Auto und auf offener Straße beginnt ein dicht inszeniertes Duell, wobei Bertino erfreulicherweise in beiden Räumen für klaustrophobische Spannung sorgt. Leider verliert das Karren-Kammerspiel an Schrecken, sobald das Monster seine fiese Fratze zeigt, während Flashbacks in die schnapsgetränkte Vergangenheit im actionreichen Finale etwas deplatziert wirken.… Expand

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