| Netflix | Release Date (Streaming): December 11, 2020 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
17
Mixed:
21
Negative:
4
|
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Critic Reviews
The hiccups resulting from the back-and-forth switches between two disconnected stories are no more than a minor irritant when one considers the wider scope. In making this film, Clooney has accomplished something rare and unusual in today’s cinema – an epic science fiction motion picture that focuses on characters and ideas.
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Shifting with grace and narrative equilibrium between the Arctic and a mission returning from Jupiter, this is a desolate elegy for a diseased planet and a prayer for the creation of life elsewhere in the universe. Flanked by a strong supporting cast, Clooney delivers a thoughtful reflection on the toll of environmental devastation.
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There are several arresting visual set pieces . . . And there's the more ordinary pleasure, too, of seeing this many good actors, snug and earnest in their jumpsuits, go to work. But the film often feels less like its own distinct narrative than a sort of greatest-hits amalgam of movies like The Martian, Gravity, Interstellar, Ad Astra, and all the others that came before.
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The PlaylistDec 9, 2020
Shrouded in an elegiac reverie, The Midnight Sky is a frequently beautiful movie, from the mechanical ballet of the bird-like Aether to the brief glimpses of K-23, where Jupiter looms in a purplish night sky. But its inability to make a strong connection between the separated stories, and a tone that slips sometimes from poetic quietude to sentimentality, keep the movie from taking a long and honest look at the devastation its reticent mood only suggests.
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SlashfilmDec 9, 2020
The Midnight Sky is ambitious in its attempts at pathos. There’s the germ of something beautiful buried in here; a story trying to tell us that every last life is worth saving even if all seems lost. That’s something worth hearing, but The Midnight Sky fails to even get the conversation going.
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Clooney wants to direct actors who aren’t himself, which I’m sure is why we spend so much time with the crew of the spaceship. But if Clooney weren’t directing, that director would have probably realized that the story thrives in those small moments with Clooney. It’s almost like the director George Clooney is the actor George Clooney’s worst enemy.
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As a director, he’s always been more about conjuring a mood than telling a story, about immersion rather than suspense. Filled with large, empty rooms, great blank stretches of barren landscape, and forlorn glimpses of the lonely vastness of space, The Midnight Sky is a movie you’re supposed to lose yourself in, at least a little bit. And on a small screen — even on a really big small screen — that’s practically impossible.
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Movie NationDec 23, 2020
“Midnight” is “Martian” without the whizbang humor and optimism, so downbeat it’s like the saddest parts of “Gravity” and all of “Solaris.” And while Clooney & Co. make it watchable, it’s so derivative and over-familiar as to be akin to watching paint dry — richly-tinted, shiny acrylic paint, if that’s any consolation.
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RogerEbert.comDec 9, 2020
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