| Walt Disney Pictures | Release Date: November 10, 2023 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
23
Mixed:
25
Negative:
9
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Critic Reviews
Here’s the main thing you need to know about The Marvels, the 33rd movie in the Marvel Cinematic Universe: It’s fun. That shouldn’t be revelatory since comic book movies are supposed to be uplifting blockbuster entertainment, but it’s both a surprise and a relief that Nia DaCosta’s MCU debut is genuinely enjoyable.
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The Marvels is a triumph. Its depth can be seen not just through its characters, but through its story as it explores war's complicated fallout; the difficulty of being a human when you are perceived as a monolith; and the hilarious and complicated virtues of family. Both funny and heartfelt, Nia DaCosta’s MCU debut will have you asking when she and her leading ladies are coming back immediately after the credits roll. It’s a pity that the villain isn’t given much to do, though.
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It delivers many of the ingredients expected of a Marvel movie—cheer-worthy cameos; cute, fuzzy sidekicks courtesy of the catlike Flerkens, and a truly exciting mid-credits scene that’ll spawn countless speculative blog posts about the MCU’s future—while also keeping a keen focus on its characters.
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ColliderNov 8, 2023
The Marvels is the shortest film in the MCU so far, and it’s great that DaCosta has made a movie that is short, sweet, and yet, ends up being more impactful and playful than most Marvel films. In a universe that often feels suffocated by the amount of history, dense storytelling, and character awareness needed to enjoy these films, DaCosta figures out how to handle all of that in one of the most fun Marvel films in years. It’s kind of a marvel.
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It’s not a perfect movie, but it certainly is good enough. Perhaps the most surprising thing about The Marvels is that it shows that the Marvel movie formula, an often-critiqued aspect of the studio, isn’t broken. In fact when it works, that formula is still capable of making magic.
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Too often the movie’s franchise mechanics and green-screen overload have a way of dragging “The Marvels” into generic sequeldom. But the stars give us something to hang onto, even if Larson — so good in so many films — has yet to master the useful trick of looking neutral yet invested in her many, many reaction shots.
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