| Warner Bros. | Release Date: April 10, 2019 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
12
Mixed:
13
Negative:
0
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Critic Reviews
Of course, Gilliam’s quest to make his Don Quixote film mirrors the original novel, and the movie he finally made is like a funhouse mirror version — filled with wonderfully, sometimes disturbingly strange imagery as tragedy meets comedy meets romance meets the noble glory of the artist sacrificing nearly everything in the quest to make lasting art.
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And so while Gilliam has undoubtedly made better films and certainly greater films than The Man Who Killed Don Quixote, there is something about the ridiculous effort and mixed results that make this arguably the most Gilliam-esque. For anyone struggling with whether to give up, concerned that the result will not match the effort, Gilliam seems to be planting a flag — or more accurately charging a windmill — to say the effort is the reward.
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Does The Man Who Killed Don Quixote live up to the anticipation built by a nearly 30 year-long wait? Probably not. Is it still a film worth seeing, with something to say about following your dreams and being a filmmaker, with meta commentary about its own production? It’s hard not to say yes, if only to witness a man’s decades-long obsession finally bear fruit.
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The PlaylistMay 18, 2018
It is certainly too long and too messy, too indulgent in some parts and too starved in others to be an unqualified success. But the surprise of it is that there are times, like the inspired first act, when it really does work, when it seems to have a kind of manic energy, a sheer joy at existing, which certainly makes it a far more engaging picture than Gilliam’s last.
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