The Man from Elysian Fields
Samuel Goldwyn Films | Release Date: September 27, 2002 CRITIC SCORE DISTRIBUTION
57
METASCORE
Mixed or average reviews based on 26 Critic Reviews
Positive:
11
Mixed:
12
Negative:
3
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Critic Reviews

Critic scorePublicationBy date
60
TV Guide MagazineMaitland McDonagh
It's Jagger's bone-dry, mournfully brittle delivery that gives the film its bittersweet bite. Michael Des Barres and Anjelica Huston make the most of their supporting roles. Read full review
60
The New York TimesDana Stevens
By the end, after an hour and a half of wondering -- sometimes amusedly, sometimes impatiently -- just what this strenuously unconventional movie is supposed to be, you discover that the answer is as conventional as can be. Read full review
60
L.A. WeeklyJohn Patterson
Despite its dry wit and compassion, the film suffers from a philosophical emptiness and maddeningly sedate pacing, and, in the end, the only aspect of the movie that truly commands attention is Jagger's desperately inexpressive acting, which hasn’t improved one iota since "Ned Kelly." Read full review
60
Chicago ReaderJonathan Rosenbaum
The cast--including Julianna Margulies, Olivia Williams, James Coburn, and Anjelica Huston--keeps this pretty watchable, and casting Mick Jagger as director of the escort service was inspired. Read full review
60
Film ThreatChris Gore
Smart and full of sharply drawn characters and wonderfully snappy dialogue. Read full review
60
SalonStephanie Zacharek
Mick Jagger acts his age, finally, in an entertaining but ultimately disappointing fable. Read full review
58
Seattle Post-IntelligencerWilliam Arnold
Wonderfully cast but underwhelming and never especially believable. Read full review
50
Miami HeraldMarta Barber
Has an elegant feel, with beautiful shots on the beach and engaging camera work. If only Philip Jayson Lasker's writing could match that. Read full review
50
Boston GlobeWesley Morris
Somewhere in this movie, amid the ponderous exchanges and unfortunate O. Henry-style coincidences, there's American tragedy. Read full review
50
Entertainment WeeklyLisa Schwarzbaum
A pompous and garbled parable about how terribly, terribly difficult it is to make it as a creative artist, and how important it is to maintain high standards of haberdashery. Read full review
50
San Francisco ChronicleEdward Guthmann
A listless, predictable effort, occasionally redeemed by witty lines and charismatic performers. Read full review
50
Washington PostAnn Hornaday
May not be perfect but must be given credit for all that it does right. Read full review
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