| Warner Bros. | Release Date: January 29, 2021 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
20
Mixed:
24
Negative:
4
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Critic Reviews
The PlaylistJan 26, 2021
The Little Things has a couple of hair-raising scenes and a few nifty, low-key twists in store, though little about the overall experience of watching it can really be called surprising. I don’t mean that as a knock. The pleasures and comforts of crime fiction, even with the built-in expectations of suspense and revelation, are not always dependent on novelty.
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If the director's generally taut original screenplay settles on an ending too cryptic to be fully satisfying, the performances of Denzel Washington and Rami Malek as cops from the old school and the new who end up having more in common than they anticipated supply enough glue to hold everything together. Add in Jared Leto as the taunting weirdo who becomes their prime suspect in a series of brutal murders, and you have a suspenseful crime thriller with a dark allure.
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It’s got an interesting structure — it’s not just about catching a killer but also about revealing Deke’s story. But it ultimately suffers for that, the dueling narratives not blending together so much as competing. Of course, you could do worse than watch actors like Washington, Malek and Leto work. But at the end of The Little Things, you feel like you could do better, too.
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The Film StageJan 28, 2021
PolygonJan 26, 2021
Hancock, in what might be his best film, grazes with greatness by constructing an enthralling thriller that relies on the talent of its three leading men to mine regret for mystery. But the mawkish little habits, the slow start, and the timid finale just barely get Hancock caught. It’s the little things that tear The Little Things apart.
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SlashfilmJan 26, 2021
As entertaining as it may be to revel in the 1990s setting of it all, not updating the script makes The Little Things feel stale. The bad guys are one-note creeps; the men are stoic and violent; the women only exist to be either background noise or helpless victims. Even some 30 years ago all of this would’ve felt dated. Today, The Little Things has even less to offer.
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Hancock (The Blind Side, The Founder) keeps the action moving briskly and with little tonal confusion, highlighting just what a polished studio-favoured professional can do when given gobs of money and zero intellectual-property obligations. And his trio of leading men are all given ample space to play to their strengths.
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If it’s hard to shake the feeling that The Little Things strives to be Se7en or Zodiac, it still manages to satisfy in a meat-and-potatoes sort of way, delivering its twists and turns effectively while having the confidence to not wrap things up too neatly by the end of its runtime.
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RogerEbert.comJan 26, 2021
It’s a movie that's constantly on the verge of developing into something as intense and haunting as writer/director John Lee Hancock wants it to be, but it never achieves its goals, especially in its final half-hour. Some of the major stuff here works, including a performance from Washington that’s better than the movie around it (yet again), some striking L.A. cinematography, and an effective score, but one could say that it’s the little things that hold it back. A few big things too.
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Maybe the movie would work better if, like Se7en, it were set in an unnamed noir city instead of a real police department with real abuses, or if the script relied on more than genre shorthand to sell its noxious ending. As things stand, however, the only way to enjoy The Little Things is to ignore the big things.
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