| Walt Disney Studios Motion Pictures | Release Date: September 2, 2016 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
24
Mixed:
20
Negative:
0
|
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Critic Reviews
The GuardianAug 31, 2016
The Light Between Oceans isn’t subtle – that swoony title should tip you off – and it’s a fair way from the realist grit of the less obviously commercial pictures Cianfrance has made previously. There’s more corn in the recipe here, a bit more ham and cheese. But he carries it off with forthright defiance and with strong, heartfelt, ingenuous performances from Alicia Vikander and Michael Fassbender.
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If the drama is purely abstract, Vikander didn’t get the memo. Even as her storyline takes on the baggage of metaphor, she plays the emotions real and raw and close — her Isabel visibly brightening as she reads her first love letter from Tom or crumbling as a terrible loss dawns upon her. Nothing symbolic there.
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Writer-director Derek Cianfrance knew he was dealing with a story full of coincidences when he adapted M.L. Stedman’s novel The Light Between Oceans, so he avoided melodrama by holding himself and his excellent actors in check. The result is a movie that crackles quietly without flaring up into an emotional blaze.
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Cianfrance’s gift for allowing his actors to create relationships — with one another, with the camera, and with the stark landscape that surrounds them — makes The Light Between Oceans an unusually captivating romantic drama, at least until that last-act slide into self-sabotaging bathos.
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The Film StageAug 31, 2016
As a morality play that will surely leave the audience contemplating what they might have done in the situation, The Light Between Oceans mostly works. As a layered drama with indelible characters and an intricate narrative, it falls short, giving credence to the more contrived climactic moments while losing specificity.
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The PlaylistAug 30, 2016
A lovely, but uneven moral tale of love, forgiveness and heartrending misdeeds, Derek Cianfrance’s The Light Between Oceans is conceptually sound, and at times, beautifully gut-wrenching. But the plaintive picture often becomes engrossed in conveying at all times just how precious life and love is.
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Life mirroring nature in all its wayward ferocity. Too much? You bet. But Fassbender (Magneto in X-Men) and Vikander (an Oscar winner for The Danish Girl), who fell in love during the making of the film, fully commit to their roles and hold us in their grip. The movie, sad to say, can't keep its head above water.
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