| Focus Features | Release Date: July 26, 2002 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
27
Mixed:
3
Negative:
1
|
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Critic Reviews
I've already seen at least 20 documentaries this year. They've left me amused, sad, informed, bored, pissed-off, whatever. I'm willing to bet, though, that I don't see another this year as richly entertaining or as cathartic as The Kid Stays in the Picture. Is it really that good? You better believe it.
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The best thing the film does is to show us not only what that mind looks like, but how the creative process itself operates: messily, erratically, outside of most people's morality, but with a force and purposiveness that makes the machinations of the rest of us look irresolute by comparison.
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If you ever suspected that assholes are running the world, this documentary adapting producer and former actor Robert Evans's autobiography, narrated with relish by Evans himself--the cinematic equivalent of a Vanity Fair article, complete with tuxes and swimming pools--offers all the confirmation you'll ever need.
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