The Invitation
Sony Pictures Entertainment (SPE) | Release Date: August 26, 2022 CRITIC SCORE DISTRIBUTION
45
METASCORE
Mixed or average reviews based on 14 Critic Reviews
Positive:
2
Mixed:
8
Negative:
4

Critic Reviews

Critic scorePublicationBy date
60
IGNMatt DonatoAug 31, 2022
The Invitation represents everything that makes for a middle-of-the-road vampire experience, but doesn’t deserve to be wholly written off. Read full review
60
Paste MagazineTara Bennett Aug 26, 2022
The Invitation takes way too long getting to its most interesting ideas, leaving us with the distinct feeling of “too little, too late.” Read full review
58
IndieWireJude DryAug 28, 2022
The pace picks up when the slashing finally begins in the third act, but it’s too little, too late to get the blood going. Read full review
55
TheWrapCarlos AguilarAug 26, 2022
Though The Invitation doesn’t land in the “worst of the year” territory given its lead performance and notable flares of style, it’s neither particularly scary, nor sexy enough or as intellectually progressive as it wants to be. Read full review
50
We Got This CoveredScott CampbellAug 26, 2022
The Invitation aims high, and while it's regularly impressive on a visual and aesthetic level, the storytelling lets the Gothic horror down in the end. Read full review
50
SlashfilmChris EvangelistaAug 26, 2022
I want to see more from Jessica M. Thompson, who has an eye for atmospheric creepiness that would be better served with stronger material. And I want Nathalie Emmanuel to land a lead role worthy of her talents. As for The Invitation, there's not much to sink your fangs into. Read full review
40
Austin ChronicleJenny NulfAug 30, 2022
Often too slick and too posh for its own good, there’s nothing really enjoyable about The Invitation. It’s technically fine, but fine is not want you want from your lusty vampire genre. There’s no glitz or glamour to set it apart from the pack, and that’s ultimately its demise. Read full review
40
VarietyJoe LeydonAug 26, 2022
The predictability of events during the film’s first hour of gothic-thriller setup is all the more annoying because of the plodding pace. Evie finally stands up for herself during some modestly clever third-act turnabouts, but, really, that’s not quite enough to regenerate a rooting interest in the character. Read full review
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