Magnolia Pictures | Release Date: April 6, 2012
7.1
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Generally favorable reviews based on 44 Ratings
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FDT44Apr 6, 2012
Though "The Hunter" has an aptly casted protagonist, Willem Dafoe, as fitting for the film as any actor, it fails to consummate any real solution; audiences are left waiting for the hunt through inquisitive lens, are briefly interrupted withThough "The Hunter" has an aptly casted protagonist, Willem Dafoe, as fitting for the film as any actor, it fails to consummate any real solution; audiences are left waiting for the hunt through inquisitive lens, are briefly interrupted with forays into detractingly impertinent melodramma (the remote farmhouse with a grieving drug-addled mother and her two vexatious children), and then are met with poetic, philosophical, and transcendental overtones, which although are redeeming, feel forced and ultimately come too late. What television director, Daniel Nettheim, gets wrong is that he leans too heavily on the flinty, chisel-featured Dafoe, who single-handedly dominates the film's action, with no support from anyone else but Sam Neil, who is confoundingly given too inconsequential a role--he deserves better. As mentioned, Dafoe is great, again solidifying his prowess as a physical actor; he is so engrossing to watch, one can't help but wonder if his maniliness--gathering wood for fire, preparing traps, and taking aim at targets--can be made into his own television show; he's more rugged, raw, and untamed than other reality-TV survivalists. But, perhaps the most captivating element of 'Hunter' is its astounding cinematography from Robert Humphrey, who wonderfully captures the Tasmanian frondescence; the lush Tasmanian buttongrass and enchanting mountain peaks serve as effective backdrops to the increasing unease and dread. Overall, "The Hunter" is an ecological think piece that is aided by a strong lead and wonderous landscape, but suffers to actualize itself into anything but, "what if..." One is likely to leave the theater changed, thinking about it long after the credits have rolled, but such contemplation can't be had without a heaping sense of displeasure over the film's concluding irresolution. Put briefly: "The Hunter" is lean. Expand
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6
JLuis_001Jan 12, 2021
Without pushing himself, Willem Dafoe sustains this slow but entertaining film.

There's nothing memorable about it, but Dafoe's work is a good incentive to see it.
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6
amheretojudgeSep 17, 2018
that good old family drama..

The Hunter The Hunter is a character driven feature about an assassin traveling through newer boundaries to finish the allotted task. The tiny tricks and tactics that is not only slick but much simpler and
that good old family drama..

The Hunter

The Hunter is a character driven feature about an assassin traveling through newer boundaries to finish the allotted task. The tiny tricks and tactics that is not only slick but much simpler and sensible that if not anything but sets the bar wisely. It uses its props to speak volumes along with the physical sequences unlike carrying out the information through verbal sparrings; leave all that, it even draws out most of the investigation through painting. The slow pill in here isn't the makers conveying a message with panache and milking its characters, but is essential for its all the crispiness. The background score is poorly scored, the sound effects aren't that impressive, the art designing is questionable, the cinematography is typical and the editing is decent. Dafoe's relationship with the children in here are the real gem of the features as it is sweet and tender and helps ground such an eerie material which usually may take some time to connect with the viewers. Dafoe's writhing performance is what fuels this feature entirely justifying his stardom on this indie drama. The narrative is elaborative and not at all stretchy with few subtle notions that may grow louder but never pretentious. Despite of being set in a pathos world, the poignancy never communicates as the stakes aren't convoluted but sensible enough to cheat its way out and still won't feel like being cheated. Few sequences are shot beautifully but Nettheim's execution isn't thoroughly convincing. The innocence of the relationship brewed among Dafoe and the children and his stellar performance are the high points of the feature. The Hunter doesn't change a dime on cinema but its impactful yet weary eyes that it stares you with, might leave you shook and rooting more for that good old family drama.
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