The Hot Spot

Orion Pictures Corporation | Release Date: October 12, 1990

CRITIC SCORE DISTRIBUTION

55	METASCORE Mixed or average reviews based on 13 Critic Reviews

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Mixed:

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Critic Reviews

Critic score Publication By date

Staff (Not Credited)

Seeps with atmosphere, unfolds at a deceptively relaxed pace, steadily accumulates noirish grit, then dizzily plunges into a Lynch-like plumbing of the dark passions and nasty secrets at the heart of Main Street, USA. Read full review

Desson Thomson

A crazy, intentionally ludicrous movie that's a lot of film-noir fun. Read full review

Dave Kehr

Pretty silly. The Hot Spot certainly is, and it's occasionally quite entertaining for it, though the picture never really achieves a dimension beyond that of a Playboy Party Joke. [26 Oct 1990, Friday, p.I]

Roger Ebert

Only movie lovers who have marinated their imaginations in the great B movies from RKO and Republic will recognize The Hot Spot as a superior work in an old tradition - as a manipulation of story elements as mannered and deliberate, in its way, as variations on a theme for the piano. Read full review

Mike Clark

An overlong guilty pleasure. [12 Oct 1990, Life, 4D]

Janet Maslin

The Hot Spot, his film noir set in a small, sex-starved Texas backwater, is the closest Mr. Hopper has yet come to working within the bounds of a familiar genre. Nevertheless, The Hot Spot bears the film maker's idiosyncratic stamp all the way. Read full review

Peter Rainer

The pulpiness is less homage than rip-off. There are no tricks up this film's frayed sleeve… Fatalism plus a lot of heavy breathing, and a flash of skin--it's a winning formula, all right. These movies are like Harlequin Romances for slumming highbrows [12 Oct 1990]

Jonathan Rosenbaum

Pretty enjoyable as a piece of campy sleaze--especially for the first half hour, before the storytelling starts to dawdle. Read full review

TV Guide MagazineMaitland McDonagh

Part of the problem is its length; at two hours and ten minutes it meanders rather than building up a head of steam and barreling straight through logic and plausibility on the way to Hell. Read full review

Melissa Pierson

It's also supposed to be atmospheric, noirish, and touched with nihilism. But the director, Hollywood bad boy Dennis Hopper, lays it all on so thick that the film verges on self-parody. Read full review

Hal Hinson

Madsen may not be the most egregiously untalented of the new movie beauties, but she's close to it. As Dolly, she presents a Southern accent as ludicrous as any in captivity; she keeps trying for Blanche DuBois and coming out with Gomer Pyle. Read full review

EmpireKim Newman

Director Dennis Hopper continues the fumbling manner of "Colors" and the forthcoming-but-disowned "Catchfire," drawing out what ought to be a 72 minute B-picture into two hours and ten minutes of sweaty silliness with three pretty stars who can't quite bring themselves to be camp enough for the material. Read full review

Judy Stone

A case of ho-hum humping leading to boring betrayal. The ingredients are predictable and the snail's pace is punishing. [26 Oct 1990, Daily Datebook, p.E3]