| Sony Pictures Classics | Release Date: October 10, 2018 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
14
Mixed:
11
Negative:
1
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Critic Reviews
EmpireJun 18, 2018
Even if his prosthetics make him look a bit like James May, Everett is near-flawless, and his film is a superb showcase for an actor whose celebrity has at times overshadowed his talent. There’s been plenty of due diligence in terms of the details, and anyone who thinks Wilde was just the Stephen Fry of his day will learn a lot here.
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Wilde’s mighty struggle with himself, with his heavenly talent and earthly lusts, and the meaning of it all resonates so strongly with the direction and performance that The Happy Prince is easily elevated past period Victoriana (and that wallpaper) to move and engage in equal parts.
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RogerEbert.comOct 10, 2018
Everett overdoes the lachrymosity right at the end, the one part of the film where a more subdued rigour would have served him better. At the very least, though, it’s a command performance he puts in front of us, an uncompromising feat of empathy in the role he’s made his own more than any other.
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Suffused with a sentimentality that Wilde himself would have deplored, The Happy Prince is narratively mushy and meandering. Yet, beneath the prosthetics, there’s genuine pathos in Mr. Everett’s portrayal of a man bitterly aware that his talents are unreliable armor against the perceived sin of his homosexuality.
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Despite its undercurrent of anger at Wilde’s mistreatment by fashionable English society, the film feels like a vanity production—and Everett clearly fears that it may be perceived that way, as he opts to bill himself fifth (non-alphabetically) in the cast, despite appearing in almost every shot. Such false modesty ill suits a flamboyant legend like Oscar Wilde, even in a perverse account of his slow fade to black.
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