Paramount Pictures | Release Date: March 24, 1972
9.2
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Universal acclaim based on 4123 Ratings
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10
koopa86Jul 16, 2018
This really is one of the greatest movies of all time, hands down. The performances of the actors, the plot, scenery, music. Everything ties together in this epic, epic movie. Anyone who has some form of sense and a love for cinema would loveThis really is one of the greatest movies of all time, hands down. The performances of the actors, the plot, scenery, music. Everything ties together in this epic, epic movie. Anyone who has some form of sense and a love for cinema would love this movie.

Engaging from the first scene to the last, the only movie in the world that is equal to this or even better is the Godfather part 2. If I could I would give this movie more then a ten.
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10
AndremaxJul 10, 2018
One of the best movies of all time, perhaps the best. Such a emotional history, such a killer cast, an epic movie start to end
1 of 1 users found this helpful10
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5
HagueJul 7, 2018
The Movie of "The Godfather" delivers a very cliche and overall sadistic message to all those who decide to watch it. Either way, I recommend this film for people looking for a good, and unusual, drama film.
1 of 4 users found this helpful13
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10
kieranallan0074Jun 30, 2018
As soon as people heard that Francis Ford Coppola was going to make the classic bestselling novel "The Godfather" into a movie, we already knew that a classic was imminent, and boy did it deliver. It truly shows people dangerous those daysAs soon as people heard that Francis Ford Coppola was going to make the classic bestselling novel "The Godfather" into a movie, we already knew that a classic was imminent, and boy did it deliver. It truly shows people dangerous those days were, with the Mafia in charge. And the performances of the cast was immensely terrific, Marlon Brando and Al Pacino for example were two of the best. The Godfather is and will always be Francis Ford Coppola's masterpiece. Expand
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10
alirezaabbasiMar 31, 2018
everything is matched for a movie as screenplay,cinematography,best stars(marlon brando,Al pacino)and specially coppola
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10
cesky_hracMar 24, 2018
Nejlepší film co jsem kdy viděl. Výborné výkony herců, skvélá kamera, střich a mnoho dalšího. Co bych měl ještě dodávat? Zkrátka hodnocení mluví za vše.
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10
ilmi_Mar 12, 2018
Yang kasih rate 0-3 berarti sengaja menjatuhkan karya orang lain, lu pikir bikin film itu mudah ? lu pikir penilaian sebuah film bagus atau tidak cuma dinilai dari plot nya / ceritanya saja misalnya ? kalo mau kontribusi kasih rate yangYang kasih rate 0-3 berarti sengaja menjatuhkan karya orang lain, lu pikir bikin film itu mudah ? lu pikir penilaian sebuah film bagus atau tidak cuma dinilai dari plot nya / ceritanya saja misalnya ? kalo mau kontribusi kasih rate yang objektif lah, pertimbangkan aspek2 lain dalam film tersebut (unsur2 intrinsik film). Saya pribadi sangat tidak suka dengan orang2 yang tidak menghargai karya orang lain, dengan melakukan penilaian hanya dari aspek2 tertentu, tidak menilainya secara keseluruhan (semua aspek yg ada dinilai) serta memberikan penilaian secara obyektif, bukannya berdasarkan emosi/perasaan sendiri semata, alias subyektif. Expand
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10
devildarkheadFeb 21, 2018
This is my favorite movie of all time. Even though i like the book better, the movie did justice to the story line. And hats off to Marlon Brando and Al Pachino
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10
merijnjFeb 21, 2018
(100/100)
Best Crime/Mafia movie there is. Best movie there is even. The Godfather will be remembered as the movie you need to watch if you want to be a director, cinematographer or scriptwriter. This movie is something truly amazing.
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8
hypertitan1Feb 15, 2018
This review contains spoilers, click expand to view. Its a fantastic story with amazing performances, but there are to many side stories, and an expectation to have knowledge of multiple characters within the first watch of the movie. Its 3 hr run time is unjust and this movie easily could have been 30 min shorter if they removed pointless filler and the scenes where Mikey is in Italy. It is a great film and definitely worth a watch. Expand
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10
FilipeNetoFeb 12, 2018
This film tells the trajectory of the Corleone family and its leader, the "godfather" Don Vito Corleone. Rich, powerful and socially well-placed, this family leads one of the most important criminal cartels in New York, as one of the Mafia'sThis film tells the trajectory of the Corleone family and its leader, the "godfather" Don Vito Corleone. Rich, powerful and socially well-placed, this family leads one of the most important criminal cartels in New York, as one of the Mafia's "five families". Inadvertently drawn into a war with another family, the Corleone's will, throughout the film, showing their human side, as well as they will be able of the most cruel and vindictive acts.

Directed by Francis Ford Coppola, this film needs no introduction. It's the cinema adaptation of a novel by Mario Puzo, who collaborated in the writing of the script, which is one of the best scripts of twentieth century cinema. In addition to this director and this script, we should highlight the cast, full of stars (Marlon Brando, Al Pacino, Robert Duvall, Diane Keaton and others) who gave us an "offer we cannot refuse": a masterpiece that anyone should watch at least once.

If there is a movie where there is no possible negative note, is this: the suspense is permanent, the Nino Rota's soundtrack is unforgettable and even the light contributes to the heavy and gloomy atmosphere that makes us wait for the moment we'll hear the next gun shots. Winner of three Oscars (Best Picture, Best Leading Actor and Best Adapted Screenplay), five Golden Globes (Best Film, Best Leading Actor: Drama, Best Screenplay, Best Original Score and Best Director) and a BAFTA (Best Soundtrack), this film received several other nominations and awards and is considered by many the best gangsters movie ever, and one of the best films of the twentieth century. Those who love good cinema must see this film.
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9
ScorsescockJan 16, 2018
The movie doesn't start out great, mainly just character introductions telling us about what type of people they are and their relations with the mafia. After that though the plot kicks in, and it really gets going, the violence is menacing,The movie doesn't start out great, mainly just character introductions telling us about what type of people they are and their relations with the mafia. After that though the plot kicks in, and it really gets going, the violence is menacing, the story is engaging, and Al Pacino's character development is wonderful. Basically if you're willing to get passed the first thirty minutes or so, it's a great watch. Expand
0 of 3 users found this helpful03
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9
auburnnJan 16, 2018
Unexpected death constantly interrupted by elegant music and scenes of rose garden. It is a little bit annoying how dumb women in this movie appear to be.
4 of 5 users found this helpful41
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8
KingCrasherJan 8, 2018
The film serves as a teleport into the American/Italian criminal underworld of New York during the 1940s and 1950s. We are introduced to a world of trust and mistrust where all involved have to have eyes in the back of their head to survive.The film serves as a teleport into the American/Italian criminal underworld of New York during the 1940s and 1950s. We are introduced to a world of trust and mistrust where all involved have to have eyes in the back of their head to survive. Brando is an iconic patriarch of the Corleone family whose son, Michael, played by Pacino becomes inevitably embroyled in the battle of wits to protect his family's interests. Expand
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10
GrazhopperJan 4, 2018
There's only one word to discribe this movie... MASTERPIECE !!!
It's just perfect in every way, a true "American Classic"
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10
azhar_Dec 30, 2017
this is a best movie ever, one of the best movie ever, very recommended movie to watch and to learning.
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10
sharathegde1995Dec 23, 2017
If I have to choose one American film to see before an apocalypse, it has to be this one.
Probably the Greatest film ever made and Mr. Marlon Brando's last epic role.
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9
TrailesqueDec 21, 2017
Yes, it is one of the all-time greats, even if it is not very inspiring and presents a fairly dark view of life. Puzo and Coppola make us feel sympathy for the Corleones - yes, they are gangsters and killers, but they only kill those whoYes, it is one of the all-time greats, even if it is not very inspiring and presents a fairly dark view of life. Puzo and Coppola make us feel sympathy for the Corleones - yes, they are gangsters and killers, but they only kill those who want to kill them. They refuse to get into heroin distribution, preferring to stick with the supposedly harmless businesses of gambling and prostitution, and this is what leads to a gang war. They are mindful of their place in society, and are respected in their community. Some great male acting here - Caan, Duvall, Brando, Sterling Hayden too as a crooked police captain. I supposed I didn't totally buy Michael's transformation from rejecting the family business to becoming its leader - it just seemed like he wanted something else. Expand
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10
KadeemluvmusicDec 4, 2017
I dare Hollywood not to remake one of the most important movies that still can be talked for a generation. The Godfather, the Citizen Kane of Gangster movies, and of course, the J.R. Ewing of American cinema.
2 of 2 users found this helpful20
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3
inaneswineNov 14, 2017
I'm not going to try and insult audiences who have loved this film for over 40 years by telling you this is a bad film - it was just never meant for me. I personally found it to be one of the most intensely boring films I have seen in aI'm not going to try and insult audiences who have loved this film for over 40 years by telling you this is a bad film - it was just never meant for me. I personally found it to be one of the most intensely boring films I have seen in a while. I suppose it's the genre I have a problem with: crime and gangster films seldom interest me. This one is no different. Expand
5 of 18 users found this helpful513
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10
MegaKritikNov 6, 2017
Marlon Brando is the true Godfather. As much as people say that the second movie was better, I disagree. This right here is pure genius. The sequel was good, don't get me wrong, but Al Pacino simply doesn't carry the movie as well as BrandoMarlon Brando is the true Godfather. As much as people say that the second movie was better, I disagree. This right here is pure genius. The sequel was good, don't get me wrong, but Al Pacino simply doesn't carry the movie as well as Brando does.

No need to say any more. This movie has turned 45 years this year, and most people already know it. But if you're one of those who never saw it, please do. Your view of quality cinema will inevitably be changed... the bar is set high with this one.
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10
ALIREZA13Oct 28, 2017
One of the most brutal and moving chronicles of American life ever designed within the limits of popular entertainment.Brando made Don Vito something we rarely see in movies: a tragicomic villain-hero, a vulnerable hood.
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9
KeithDowJun 9, 2017
'The Godfather' is routinely considered one of the greatest films of all time for good reason. Francis Ford Coppola shot 90 hours of footage, whittling it down in the editing room to 3 hours of run-time, turning what the studio expected to'The Godfather' is routinely considered one of the greatest films of all time for good reason. Francis Ford Coppola shot 90 hours of footage, whittling it down in the editing room to 3 hours of run-time, turning what the studio expected to be a pulpy gangster flick into a soaring epic. Brando and Pacino and Caan and Duvall and Shire and Cazale and Keaton all get well-deserved credit for lending their talents to the film. But make no mistake--it's Coppola that makes this marionette puppet dance. His screenplay--written alongside Mario Puzo--is masterful. His camerawork throughout the movie is ingenious. And his editing of the film is legendary.

Sure, a lot of people consider 'The Godfather: Part II' to be on equal footing, but I'll go to my grave arguing that the original was the purer and more compelling picture between the two.
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10
VirgonoShakaMay 28, 2017
It's difficult to truly score a movie like this, mostly because you have to assign full round numbers. I was not sure if this is truly a 10 or more like a 9.7 or something like that, but what it's definitely true is the fact that this movieIt's difficult to truly score a movie like this, mostly because you have to assign full round numbers. I was not sure if this is truly a 10 or more like a 9.7 or something like that, but what it's definitely true is the fact that this movie is a masterpiece, done with the utmost care and ability, and that it represents the best that can be offered in the big screen. With a cast that can be said the best ever, some of the most recognizable lines and tropes of cinema, iconic sets and scenes, a music score that makes you feel and relive the scenes as you are listening, and a conclusion that even without the sequels, feels like a full and total emotional and deep story, with characters so real that they almost leap out of the screen, Mr. Coppola is truly to be commended for creating such and incredible and fascinating ride. Recommending this movie is truly an offer that can't be refused. A must watch for any person that even considers a moviegoer. Extraordinary!! Expand
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10
GukaJijeishviliApr 11, 2017
Reguarded as THE Greatest Movie of all Time. Movie That Everyone Has To Watch, This Cinematic Masterpiece Tells a Story of Corleone Family and Their Involment in the Mafia.
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10
DextrusMar 21, 2017
This review contains spoilers, click expand to view. This film is simply a classic, look at Brando, the only disappointment for me is that, this is the only film he features in!. It is the making of Al Pacino, he graces the screen, the Godfather perverts Pacino into the dark side, but the process proceeds to ebb away at him . Robert Duval sits in the back ground, but his loyalty to the family shines through, he doesn't win best supporting for this , but easily could have!. Quite frankly, watch this film, a few times, eventually all the detail soaks in. It really is one of the best of all time, once you've seen this, watch the other two, they all for me are classics, learn from them and enjoy!. Expand
3 of 4 users found this helpful31
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10
daviddelnorte23Feb 25, 2017
El padrino es una de las mejores películas que he visto nunca. Absolutamente en todas las facetas, la primera hora del film es absolutamente sensacional.

En mi opinión, después del momento "naranjas" baja y durante el resto del largometraje
El padrino es una de las mejores películas que he visto nunca. Absolutamente en todas las facetas, la primera hora del film es absolutamente sensacional.

En mi opinión, después del momento "naranjas" baja y durante el resto del largometraje no estuve alucinado como con ese principio, en cualquier caso, obra maestra.

En esta película de Coppola, somos testigos de una de las mejores interpretaciones de la historia del cine, Marlon Brando y su 'Don Vito Corleone' es absolutamente legendario, me atrevería a decir que engrisece a todos los demás. Entre ellos un maravilloso Al Pacino.

En conclusión, es una película que me ha costado ver, pero que es de obligado visionado, es una maravilla. Y sí he tenido la oportunidad de verla 35 después de su estreno en cine. Gracias a cine Palafox.

"Le haré una oferta que no podrá rechazar" - Don Vito Corleone.
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10
LukeDzkFeb 5, 2017
This review contains spoilers, click expand to view. The Godfather is a movie that amazes you. It is told perfectly and it is one of the best movies of all time. It was revolutionary and made to captivate audiences everyone. Expand
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10
HappyislandsJan 9, 2017
Perfection from start to finish. Well actually, not quite perfection. There's a bit where Sonny punches Carlo Rizzi and you can clearly see there's about a foot of fresh air between the Sonny's fist and Carlo's face. And Officer McCluskyPerfection from start to finish. Well actually, not quite perfection. There's a bit where Sonny punches Carlo Rizzi and you can clearly see there's about a foot of fresh air between the Sonny's fist and Carlo's face. And Officer McClusky blinks when he's supposed to be dead. Apart from that - perfection. That simple, that complicated. Expand
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8
BroyaxJan 6, 2017
J'avais dû voir ce film en diagonale ou alors je ne m'en rappelais plus (les privilèges de l'âge) et tout ce que j'avais en tête, c'était l'incroyable numéro de Marlon Brando avec ses bajoues, sa voix de vieillard asthmatique et sa diction,J'avais dû voir ce film en diagonale ou alors je ne m'en rappelais plus (les privilèges de l'âge) et tout ce que j'avais en tête, c'était l'incroyable numéro de Marlon Brando avec ses bajoues, sa voix de vieillard asthmatique et sa diction, son phrasé traînant, ses mimiques ou plutôt sa mimique particulière, cette moue perpétuelle qui le fait ressembler à Droopy... alors qu'il parle de respect, de service et d'offre...

Le début du film m'a replongé illico dans ce qui paraît une satire du mafieux archétypal, le mafioso fondateur, le patriarche de sa tribu, en un mot : le parrain ! Drôle donc, hilarant, à se taper le cul par terre... puis les minutes s'égrènent, le personnage se précise et les heures passant (oui, presque trois plombes entières le bousin) la stature de Brando, imposante, s'impose d'elle-même : on ne rit plus, on se tait... et on admire. On respecte.

A posteriori Brando apparaît alors comme le seul acteur capable d'imposer un tel respect à son rôle et à le rendre en fin de compte aussi charismatique qu'humain. Bien entendu, le reste de la distribution... n'est pas en reste avec sa pléthore de jeunes stars (dont Pacino et Caan) et ses rôles secondaires solides comme l'indispensable Robert Duvall par exemple.

La mise en scène de Coppola s'impose également d'elle-même malgré sa tendance à s'étirer un peu trop : elle demeure tirée au cordeau, l'ensemble est cadré avec soin et monté avec intelligence.

Bien entendu, Le Parrain ne serait pas ce qu'il est (une histoire de famille et de fureur) sans la musique enquiquinante de Nino Rota, habituellement abonné aux fariboles de Fellini mais qui livre et module ici deux thèmes nostalgiques et mélancoliques à l'envi.

Le film a donc bien vieilli et ne vieillira plus et fait partie malgré ses tics, des "classiques".
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10
QuijoteDec 14, 2016
Realmente una maravilla a todo nivel, más que una adaptación de una novela, es una creación cinematográfica en sí misma, dada la participación de Mario Puzo. Merecida toda la gloria que tiene. La música se lleva buena parte del mérito, dadaRealmente una maravilla a todo nivel, más que una adaptación de una novela, es una creación cinematográfica en sí misma, dada la participación de Mario Puzo. Merecida toda la gloria que tiene. La música se lleva buena parte del mérito, dada la mística y magia que le aporta. Expand
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10
gDec 6, 2016
A masterpiece. How can the Earth continue without Coppola's The Godfather. One of the most iconic films ever talked about worldwide and acclaimed well by everybody, it's more fun to talk about it.
3 of 6 users found this helpful33
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10
BonnyscottyNov 13, 2016
Absolutely, positively the greatest movie ever made. Every frame is perfection from start to finish. It will never be bettered. There is nothing more to add.
5 of 7 users found this helpful52
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9
duckhostJul 25, 2016
[PT-BR] Esse filme é simplesmente obrigatório na lista de filmes assistidos de qualquer pessoa! É um dos melhores filmes já feitos e até hoje consegue se segurar, qualquer nota abaixo de 9 para esse filme não basta, eu só dou um nove pois a[PT-BR] Esse filme é simplesmente obrigatório na lista de filmes assistidos de qualquer pessoa! É um dos melhores filmes já feitos e até hoje consegue se segurar, qualquer nota abaixo de 9 para esse filme não basta, eu só dou um nove pois a primeira vez que eu vi esse filme achei o seu roteiro meio confuso e somente uma segunda vez vendo o filme consegue compreender totalmente a história. Expand
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9
2016Jun 30, 2016
The godfather reflects what is a movie with a solid script, the best movie of crime, the scenes of shots are just in the most appropriate moment, Francis Ford Coppola directs the best movie of the history apart from the great distribution ofThe godfather reflects what is a movie with a solid script, the best movie of crime, the scenes of shots are just in the most appropriate moment, Francis Ford Coppola directs the best movie of the history apart from the great distribution of luxury that they have Expand
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10
starburnsMay 26, 2016
It doesn't really matter how I feel about this movie. It's over 40 years old and it is directed by one of the most infamous criminal drama movie directors of all time. I still think part 2 is better though. Part three is the worst movie ever made.
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10
aadityamudharApr 17, 2016
Like Babe Ruth is to baseball, like John Steinbeck is to writing, their is no doubt about it, The Godfather is the greatest film of all time. Never before have we seen performances so stellar, by Marlon Brando, Al Pacino, James Caan, RobertLike Babe Ruth is to baseball, like John Steinbeck is to writing, their is no doubt about it, The Godfather is the greatest film of all time. Never before have we seen performances so stellar, by Marlon Brando, Al Pacino, James Caan, Robert Duvall, and everyone else! The Godfather has little life lessons everywhere. Along with an engaging plot, that just completes the most critically acclaimed film of all time. The Godfather is Francis Ford Coppola's masterpiece. Expand
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10
JuanLuisGG14Apr 10, 2016
Incredible classic, full of thrilling moments and extense great soundtrack.
Marlon Brando performance is stunning from start to finish, and mixing it with a perfect plot of the growing kid which Michael (Al Pacino) is to the family Corleone
Incredible classic, full of thrilling moments and extense great soundtrack.
Marlon Brando performance is stunning from start to finish, and mixing it with a perfect plot of the growing kid which Michael (Al Pacino) is to the family Corleone gives the feeling of one of the best cinematography can offer.
10/10
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10
MovieMasterEdMar 22, 2016
Rarely can it be said that a film has defined a genre, but never is that more true than in the case of The Godfather. Since the release of the 1972 epic (which garnered ten Academy Award nominations and was named Best Picture), all "gangsterRarely can it be said that a film has defined a genre, but never is that more true than in the case of The Godfather. Since the release of the 1972 epic (which garnered ten Academy Award nominations and was named Best Picture), all "gangster movies" have been judged by the standards of this one (unfair as the comparison may be). If a film is about Jewish mobsters, it's a "Jewish Godfather"; if it's about the Chinese underworld, it's an "Oriental Godfather"; if it takes place in contemporary times, it's a "modern day Godfather."

If The Godfather was only about gun-toting Mafia types, it would never have garnered as many accolades. The characteristic that sets this film apart from so many of its predecessors and successors is its ability to weave the often-disparate layers of story into a cohesive whole. Any of the individual issues explored by The Godfather are strong enough to form the foundation of a movie. Here, however, bolstered by so many complimentary themes, each is given added resonance. The picture is a series of mini-climaxes, all building to the devastating, definitive conclusion.

Rarely does a film tell as many diverse-yet-interconnected stories. Strong performances, solid directing, and a tightly-plotted script all contribute to The Godfather's success. This motion picture was not slapped together to satiate the appetite of the masses; it was carefully and painstakingly crafted. Every major character - and more than a few minor ones - is molded into a distinct, complex individual. Stereotypes did not influence Coppola's film, although certain ones were formed as a result of it.

The Corleone with the most screen time is Michael (it's therefore odd that Al Pacino received a Best Supporting Actor nomination), and his tale, because of its scope and breadth, is marginally dominant. His transformation from "innocent" bystander to central manipulator is the stuff of a Shakespearean tragedy. By the end, this man who claimed to be different from the rest of his family has become more ruthless than Don Vito ever was.

Despite the likes of Serpico, Dog Day Afternoon, Scarface, ...And Justice for All, and Scent of a Woman on his resume, Pacino is best remembered for the role he created in The Godfather (and subsequently reprised in two sequels). While this is not his most demonstrative performance - indeed, he is exceptionally restrained - the quality of the script makes Michael Corleone notable.

Next to Humphrey Bogart's Rick from Casablanca, Oscar winner Marlon Brando's Don Vito may be the most imitated character in screen history. The line "I'm gonna make him an offer he can't refuse" has attained legendary status, as has the entire performance. With his raspy voice, deliberate movements, and penetrating stare, Brando has created a personae that will be recalled for as long as motion pictures exist.

Don Vito is a most complicated gangster. In his own words, he is not a killer, and he never mixes business with personal matters. He puts family first ("A man who doesn't spend time with his family can never be a real man") and despises displays of weakness. He understands the burden of power, and his wordless sympathy for Michael when he is forced to assume the "throne", is one of The Godfather's most revealing moments (about both father and son).

The Godfather had three Best Supporting Actor nominees, all well-deserved. The first was Pacino (who probably should have been nominated alongside Brando in the Best Actor category). The other two were James Caan and Robert Duvall. In a way, it's surprising that Duvall wasn't passed over. His presence in The Godfather isn't flashy or attention-arresting. Like his character of Tom Hagen, he is steady, reliable, and stays in the background. Not so for Caan's Sonny, whose demonstrative and volatile personality can't be overlooked.

Family responsibility. A father's legacy. The need to earn respect. The corrupting influence of power. These are some of the ingredients combined in Francis Ford Coppola's cinematic blender. They are themes which have intrigued the greatest authors of every medium through the centuries.

We come to The Godfather like Kay Adams - outsiders uncertain in our expectations - but it doesn't take long for us to be captivated by this intricate, violent world. The film can be viewed on many levels, with equal satisfaction awaiting those who just want a good story, and those who demand much more. The Godfather is long, yes - but it is one-hundred seventy minutes well-spent. When the closing credits roll, only a portion of the story has been told. Yet that last haunting image (Kay's shock of recognition), coupled with Nino Rota's mournful score, leaves a crater-like impression that The Godfather Part II only deepens.
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10
PachekoviskMar 16, 2016
MASTERPIECE
One of the greatest films of all time and probably the best mafia film of all time!
The Godfather is surely a timeless film that will live forever as a inspirational movie to countless filmmakers.
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10
domnels234Mar 16, 2016
Old school mafia flick about old school mafiosis. Greatest movie of all time in my and a lot of ohters opinons. Great acting and is still, to this day, very entertaining.
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10
CinemassacreMar 13, 2016
Rarely can it be said that a film has defined a genre, but never is that more true than in the case of The Godfather. Since the release of the 1972 epic (which garnered ten Academy Award nominations and was named Best Picture), all "gangsterRarely can it be said that a film has defined a genre, but never is that more true than in the case of The Godfather. Since the release of the 1972 epic (which garnered ten Academy Award nominations and was named Best Picture), all "gangster movies" have been judged by the standards of this one (unfair as the comparison may be). If a film is about Jewish mobsters, it's a "Jewish Godfather"; if it's about the Chinese underworld, it's an "Oriental Godfather"; if it takes place in contemporary times, it's a "modern day Godfather."

If The Godfather was only about gun-toting Mafia types, it would never have garnered as many accolades. The characteristic that sets this film apart from so many of its predecessors and successors is its ability to weave the often-disparate layers of story into a cohesive whole. Any of the individual issues explored by The Godfather are strong enough to form the foundation of a movie. Here, however, bolstered by so many complimentary themes, each is given added resonance. The picture is a series of mini-climaxes, all building to the devastating, definitive conclusion.

Rarely does a film tell as many diverse-yet-interconnected stories. Strong performances, solid directing, and a tightly-plotted script all contribute to The Godfather's success. This motion picture was not slapped together to satiate the appetite of the masses; it was carefully and painstakingly crafted. Every major character - and more than a few minor ones - is molded into a distinct, complex individual. Stereotypes did not influence Coppola's film, although certain ones were formed as a result of it.

Despite the likes of Serpico, Dog Day Afternoon, Scarface, ...And Justice for All, and Scent of a Woman on his resume, Pacino is best remembered for the role he created in The Godfather (and subsequently reprised in two sequels). While this is not his most demonstrative performance - indeed, he is exceptionally restrained - the quality of the script makes Michael Corleone notable.

Don Vito is a most complicated gangster. In his own words, he is not a killer, and he never mixes business with personal matters. He puts family first ("A man who doesn't spend time with his family can never be a real man") and despises displays of weakness. He understands the burden of power, and his wordless sympathy for Michael when he is forced to assume the "throne", is one of The Godfather's most revealing moments (about both father and son).

The Godfather had three Best Supporting Actor nominees, all well-deserved. The first was Pacino (who probably should have been nominated alongside Brando in the Best Actor category). The other two were James Caan and Robert Duvall. In a way, it's surprising that Duvall wasn't passed over. His presence in The Godfather isn't flashy or attention-arresting. Like his character of Tom Hagen, he is steady, reliable, and stays in the background. Not so for Caan's Sonny, whose demonstrative and volatile personality can't be overlooked.

Family responsibility. A father's legacy. The need to earn respect. The corrupting influence of power. These are some of the ingredients combined in Francis Ford Coppola's cinematic blender. They are themes which have intrigued the greatest authors of every medium through the centuries.

Although the issues presented in The Godfather are universal in scope, the characters and setting are decidedly ethnic. Even to this day, there is an odd romanticism associated with New York's Italian crime families. The word "Mafia" conjures up images of the sinister and mysterious - scenes of the sort where Luca Brasi meets his fate. Francis Ford Coppola has tapped into this fascination and woven it as yet another element of the many that make his motion picture a compelling experience.

We come to The Godfather like Kay Adams - outsiders uncertain in our expectations - but it doesn't take long for us to be captivated by this intricate, violent world. The film can be viewed on many levels, with equal satisfaction awaiting those who just want a good story, and those who demand much more. The Godfather is long, yes - but it is one-hundred seventy minutes well-spent. When the closing credits roll, only a portion of the story has been told. Yet that last haunting image (Kay's shock of recognition), coupled with Nino Rota's mournful score, leaves a crater-like impression that The Godfather Part II only deepens.
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8
BrandonBD85Feb 21, 2016
I understand why this film is popular and i understand how some can like more than other films. What i cant wrap my head around is it being hailed as "the greatest of all time". There many other movies that transcend time more than TheI understand why this film is popular and i understand how some can like more than other films. What i cant wrap my head around is it being hailed as "the greatest of all time". There many other movies that transcend time more than The Godfather and have slightly better plot. Don't get me wrong it is a very good film, but its greatness has been slowly blown up over the years. Expand
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10
JfilmLJan 15, 2016
This is one of my favourite films of all time, it is simply majestic. The acting is phenomenal, the story is brilliant and the music is stunning. It is one of the most if not the most complete film of all time that is a must see for anyoneThis is one of my favourite films of all time, it is simply majestic. The acting is phenomenal, the story is brilliant and the music is stunning. It is one of the most if not the most complete film of all time that is a must see for anyone who enjoys films. Expand
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10
scarfakeJan 8, 2016
movie doesn't continue fast. it tells you everything. you learn about their life. dialogues talk to you. it is very realistic film like our lifes. acting is perfect. i understood again why marlon brando is the best actor. it teachs you aboutmovie doesn't continue fast. it tells you everything. you learn about their life. dialogues talk to you. it is very realistic film like our lifes. acting is perfect. i understood again why marlon brando is the best actor. it teachs you about life lessons. it is summit of all movies Expand
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10
EpicLadySpongeJan 5, 2016
It's too strong to be given a 10 anyways, but I think it deserved the 10 due to how the Godfather managed to get everything a movie has always needed right.
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10
marcelgermannNov 7, 2015
The Godfather
Tolle Musik, gute Schauspieler, spannende komplexe Mafia-Story
Die Charaktere sind klasse, es gibt Konflikte in der Liebe, Familie aber auch im Geschäft. Der Film hat einen sehr realistischen Ton und ist glaubwürdig erzählt.
The Godfather
Tolle Musik, gute Schauspieler, spannende komplexe Mafia-Story
Die Charaktere sind klasse, es gibt Konflikte in der Liebe, Familie aber auch im Geschäft.
Der Film hat einen sehr realistischen Ton und ist glaubwürdig erzählt.
Francis Ford Coppola, Marlon Brando und Al Pacino liefern den besten Film aller Zeiten ab
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10
jedwardsAug 30, 2015
This is an absolutely incredible film that draws you in from the opening and keeps you firmly immersed until the ending. Easily one of the best films i have ever seen and one that everyone should watch at least once.
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9
adamjneveAug 29, 2015
Often advertised to me as the perfect movie, the best movie I'll ever see, and/or the be-all-end-all to movie-dom. It is a damn good movie. There's a reason Marlon Brando, Al Pacino, Robert Duvall, Diane Keaton, and James Caan are householdOften advertised to me as the perfect movie, the best movie I'll ever see, and/or the be-all-end-all to movie-dom. It is a damn good movie. There's a reason Marlon Brando, Al Pacino, Robert Duvall, Diane Keaton, and James Caan are household names. This movie is chock full of stellar performances, beautiful shots, and a compelling family saga. If it is too long (it is), a little slow in places (it is) and somewhat hard to follow in certain places (yep) we can forgive it, because they just don't make movies like this anymore. It isn't perfect, but it is a masterpiece. Do yourself a favor, and let yourself be carried along with the current of this slow-moving, but powerful, bit of culture. Expand
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10
ScreenJunkiesJun 25, 2015
Rarely can it be said that a film has defined a genre, but never is that more true than in the case of The Godfather. Since the release of the 1972 epic (which garnered ten Academy Award nominations and was named Best Picture), all "gangsterRarely can it be said that a film has defined a genre, but never is that more true than in the case of The Godfather. Since the release of the 1972 epic (which garnered ten Academy Award nominations and was named Best Picture), all "gangster movies" have been judged by the standards of this one (unfair as the comparison may be). If a film is about Jewish mobsters, it's a "Jewish Godfather"; if it's about the Chinese underworld, it's an "Oriental Godfather"; if it takes place in contemporary times, it's a "modern day Godfather."

If The Godfather was only about gun-toting Mafia types, it would never have garnered as many accolades. The characteristic that sets this film apart from so many of its predecessors and successors is its ability to weave the often-disparate layers of story into a cohesive whole. Any of the individual issues explored by The Godfather are strong enough to form the foundation of a movie. Here, however, bolstered by so many complimentary themes, each is given added resonance. The picture is a series of mini-climaxes, all building to the devastating, definitive conclusion.

Rarely does a film tell as many diverse-yet-interconnected stories. Strong performances, solid directing, and a tightly-plotted script all contribute to The Godfather's success. This motion picture was not slapped together to satiate the appetite of the masses; it was carefully and painstakingly crafted. Every major character - and more than a few minor ones - is molded into a distinct, complex individual. Stereotypes did not influence Coppola's film, although certain ones were formed as a result of it.

The film opens in the study of Don Vito Corleone (Marlon Brando), the Godfather, who is holding court. It is the wedding of his daughter Connie (Talia Shire), and no Sicilian can refuse a request on that day. So the supplicants come, each wanting something different - revenge, a husband for their daughter, a part in a movie.

The Corleone with the most screen time is Michael (it's therefore odd that Al Pacino received a Best Supporting Actor nomination), and his tale, because of its scope and breadth, is marginally dominant. His transformation from "innocent" bystander to central manipulator is the stuff of a Shakespearean tragedy. By the end, this man who claimed to be different from the rest of his family has become more ruthless than Don Vito ever was.

Despite the likes of Serpico, Dog Day Afternoon, Scarface, ...And Justice for All, and Scent of a Woman on his resume, Pacino is best remembered for the role he created in The Godfather (and subsequently reprised in two sequels). While this is not his most demonstrative performance - indeed, he is exceptionally restrained - the quality of the script makes Michael Corleone notable.

The Godfather had three Best Supporting Actor nominees, all well-deserved. The first was Pacino (who probably should have been nominated alongside Brando in the Best Actor category). The other two were James Caan and Robert Duvall. In a way, it's surprising that Duvall wasn't passed over. His presence in The Godfather isn't flashy or attention-arresting. Like his character of Tom Hagen, he is steady, reliable, and stays in the background. Not so for Caan's Sonny, whose demonstrative and volatile personality can't be overlooked.

Family responsibility. A father's legacy. The need to earn respect. The corrupting influence of power. These are some of the ingredients combined in Francis Ford Coppola's cinematic blender. They are themes which have intrigued the greatest authors of every medium through the centuries.

Although the issues presented in The Godfather are universal in scope, the characters and setting are decidedly ethnic. Even to this day, there is an odd romanticism associated with New York's Italian crime families. The word "Mafia" conjures up images of the sinister and mysterious - scenes of the sort where Luca Brasi meets his fate. Francis Ford Coppola has tapped into this fascination and woven it as yet another element of the many that make his motion picture a compelling experience.

We come to The Godfather like Kay Adams - outsiders uncertain in our expectations - but it doesn't take long for us to be captivated by this intricate, violent world. The film can be viewed on many levels, with equal satisfaction awaiting those who just want a good story, and those who demand much more. The Godfather is long, yes - but it is one-hundred seventy minutes well-spent. When the closing credits roll, only a portion of the story has been told. Yet that last haunting image (Kay's shock of recognition), coupled with Nino Rota's mournful score, leaves a crater-like impression that The Godfather Part II only deepens.
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10
CinemaBlendMay 6, 2015
Rarely can it be said that a film has defined a genre, but never is that more true than in the case of The Godfather. Since the release of the 1972 epic (which garnered ten Academy Award nominations and was named Best Picture), all "gangsterRarely can it be said that a film has defined a genre, but never is that more true than in the case of The Godfather. Since the release of the 1972 epic (which garnered ten Academy Award nominations and was named Best Picture), all "gangster movies" have been judged by the standards of this one (unfair as the comparison may be). If a film is about Jewish mobsters, it's a "Jewish Godfather"; if it's about the Chinese underworld, it's an "Oriental Godfather"; if it takes place in contemporary times, it's a "modern day Godfather."

If The Godfather was only about gun-toting Mafia types, it would never have garnered as many accolades. The characteristic that sets this film apart from so many of its predecessors and successors is its ability to weave the often-disparate layers of story into a cohesive whole. Any of the individual issues explored by The Godfather are strong enough to form the foundation of a movie. Here, however, bolstered by so many complimentary themes, each is given added resonance. The picture is a series of mini-climaxes, all building to the devastating, definitive conclusion.

Rarely does a film tell as many diverse-yet-interconnected stories. Strong performances, solid directing, and a tightly-plotted script all contribute to The Godfather's success. This motion picture was not slapped together to satiate the appetite of the masses; it was carefully and painstakingly crafted. Every major character - and more than a few minor ones - is molded into a distinct, complex individual. Stereotypes did not influence Coppola's film, although certain ones were formed as a result of it.

Despite the likes of Serpico, Dog Day Afternoon, Scarface, ...And Justice for All, and Scent of a Woman on his resume, Pacino is best remembered for the role he created in The Godfather (and subsequently reprised in two sequels). While this is not his most demonstrative performance - indeed, he is exceptionally restrained - the quality of the script makes Michael Corleone notable.

Next to Humphrey Bogart's Rick from Casablanca, Oscar winner Marlon Brando's Don Vito may be the most imitated character in screen history. The line "I'm gonna make him an offer he can't refuse" has attained legendary status, as has the entire performance. With his raspy voice, deliberate movements, and penetrating stare, Brando has created a personae that will be recalled for as long as motion pictures exist.

Don Vito is a most complicated gangster. In his own words, he is not a killer, and he never mixes business with personal matters. He puts family first ("A man who doesn't spend time with his family can never be a real man") and despises displays of weakness. He understands the burden of power, and his wordless sympathy for Michael when he is forced to assume the "throne", is one of The Godfather's most revealing moments (about both father and son).

We come to The Godfather like Kay Adams - outsiders uncertain in our expectations - but it doesn't take long for us to be captivated by this intricate, violent world. The film can be viewed on many levels, with equal satisfaction awaiting those who just want a good story, and those who demand much more. The Godfather is long, yes - but it is one-hundred seventy minutes well-spent. When the closing credits roll, only a portion of the story has been told. Yet that last haunting image (Kay's shock of recognition), coupled with Nino Rota's mournful score, leaves a crater-like impression that The Godfather Part II only deepens.
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10
VinceRocks123Apr 29, 2015
This review contains spoilers, click expand to view. Like the modern Shakespearean tragedy, the Godfather is very symbolic in storytelling that out bests other great movies before and after. The story about the loss of innocence caused by the life of the mafia and loyalty to the family. Its one of those few films that is still clashing with Citizen Kane as the greatest film ever made.

Marlon Brando plays his iconic role well as the Mafia Don Vito Corleone of the Corleone family, a wealthy and powerful family crime syndicate, who falls into despair when his idealistic younger son Michael, in a chilling performance by Al Pacino, decides to turn away from a bright life, when other rival drug lords and fellow gangster organizations declare war against them, and the ending is tragically unbearable as Michael's life of idealism is corrupted by greed, power,and violence as Vito lays dying from the wounds of his assassination attempts.

A film so utterly powerful and legendarily well told, its one of those rare films that has a powerful story and well domineering performances that makes it so great, it is the reason why its talked about everywhere. Francis Ford Coppola has made his mark in cinema history bringing Mario Puzo's shocking gangster fictional novel into a monument of pure entertainment.

A fine film featuring additional A+ performances by Robert Duvall, James Caan, Talia Shire, Diane Keaton and the late John Cazale as Michael's friends who are divided emotionally by innocence and gangster-hood, a important element that makes this a film shadowed with irony and grief.

a important masterpiece of life and sin

and if thought it couldn't be any more tragic wait till you see part 2
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1 of 1 users found this helpful10
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10
CineFilesApr 29, 2015
Rarely can it be said that a film has defined a genre, but never is that more true than in the case of The Godfather. Since the release of the 1972 epic (which garnered ten Academy Award nominations and was named Best Picture), all "gangsterRarely can it be said that a film has defined a genre, but never is that more true than in the case of The Godfather. Since the release of the 1972 epic (which garnered ten Academy Award nominations and was named Best Picture), all "gangster movies" have been judged by the standards of this one (unfair as the comparison may be). If a film is about Jewish mobsters, it's a "Jewish Godfather"; if it's about the Chinese underworld, it's an "Oriental Godfather"; if it takes place in contemporary times, it's a "modern day Godfather."

If The Godfather was only about gun-toting Mafia types, it would never have garnered as many accolades. The characteristic that sets this film apart from so many of its predecessors and successors is its ability to weave the often-disparate layers of story into a cohesive whole. Any of the individual issues explored by The Godfather are strong enough to form the foundation of a movie. Here, however, bolstered by so many complimentary themes, each is given added resonance. The picture is a series of mini-climaxes, all building to the devastating, definitive conclusion.

Rarely does a film tell as many diverse-yet-interconnected stories. Strong performances, solid directing, and a tightly-plotted script all contribute to The Godfather's success. This motion picture was not slapped together to satiate the appetite of the masses; it was carefully and painstakingly crafted. Every major character - and more than a few minor ones - is molded into a distinct, complex individual. Stereotypes did not influence Coppola's film, although certain ones were formed as a result of it.

Despite the likes of Serpico, Dog Day Afternoon, Scarface, ...And Justice for All, and Scent of a Woman on his resume, Pacino is best remembered for the role he created in The Godfather (and subsequently reprised in two sequels). While this is not his most demonstrative performance - indeed, he is exceptionally restrained - the quality of the script makes Michael Corleone notable.

Next to Humphrey Bogart's Rick from Casablanca, Oscar winner Marlon Brando's Don Vito may be the most imitated character in screen history. The line "I'm gonna make him an offer he can't refuse" has attained legendary status, as has the entire performance. With his raspy voice, deliberate movements, and penetrating stare, Brando has created a personae that will be recalled for as long as motion pictures exist.

The Godfather had three Best Supporting Actor nominees, all well-deserved. The first was Pacino (who probably should have been nominated alongside Brando in the Best Actor category). The other two were James Caan and Robert Duvall. In a way, it's surprising that Duvall wasn't passed over. His presence in The Godfather isn't flashy or attention-arresting. Like his character of Tom Hagen, he is steady, reliable, and stays in the background. Not so for Caan's Sonny, whose demonstrative and volatile personality can't be overlooked.

Family responsibility. A father's legacy. The need to earn respect. The corrupting influence of power. These are some of the ingredients combined in Francis Ford Coppola's cinematic blender. They are themes which have intrigued the greatest authors of every medium through the centuries.

Although the issues presented in The Godfather are universal in scope, the characters and setting are decidedly ethnic. Even to this day, there is an odd romanticism associated with New York's Italian crime families. The word "Mafia" conjures up images of the sinister and mysterious - scenes of the sort where Luca Brasi meets his fate. Francis Ford Coppola has tapped into this fascination and woven it as yet another element of the many that make his motion picture a compelling experience.

We come to The Godfather like Kay Adams - outsiders uncertain in our expectations - but it doesn't take long for us to be captivated by this intricate, violent world. The film can be viewed on many levels, with equal satisfaction awaiting those who just want a good story, and those who demand much more. The Godfather is long, yes - but it is one-hundred seventy minutes well-spent. When the closing credits roll, only a portion of the story has been told. Yet that last haunting image (Kay's shock of recognition), coupled with Nino Rota's mournful score, leaves a crater-like impression that The Godfather Part II only deepens.
Expand
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10
MovieManiac83Apr 24, 2015
Rarely can it be said that a film has defined a genre, but never is that more true than in the case of The Godfather. Since the release of the 1972 epic (which garnered ten Academy Award nominations and was named Best Picture), all "gangsterRarely can it be said that a film has defined a genre, but never is that more true than in the case of The Godfather. Since the release of the 1972 epic (which garnered ten Academy Award nominations and was named Best Picture), all "gangster movies" have been judged by the standards of this one (unfair as the comparison may be). If a film is about Jewish mobsters, it's a "Jewish Godfather"; if it's about the Chinese underworld, it's an "Oriental Godfather"; if it takes place in contemporary times, it's a "modern day Godfather."

If The Godfather was only about gun-toting Mafia types, it would never have garnered as many accolades. The characteristic that sets this film apart from so many of its predecessors and successors is its ability to weave the often-disparate layers of story into a cohesive whole. Any of the individual issues explored by The Godfather are strong enough to form the foundation of a movie. Here, however, bolstered by so many complimentary themes, each is given added resonance. The picture is a series of mini-climaxes, all building to the devastating, definitive conclusion.

Rarely does a film tell as many diverse-yet-interconnected stories. Strong performances, solid directing, and a tightly-plotted script all contribute to The Godfather's success. This motion picture was not slapped together to satiate the appetite of the masses; it was carefully and painstakingly crafted. Every major character - and more than a few minor ones - is molded into a distinct, complex individual. Stereotypes did not influence Coppola's film, although certain ones were formed as a result of it.

Despite the likes of Serpico, Dog Day Afternoon, Scarface, ...And Justice for All, and Scent of a Woman on his resume, Pacino is best remembered for the role he created in The Godfather (and subsequently reprised in two sequels). While this is not his most demonstrative performance - indeed, he is exceptionally restrained - the quality of the script makes Michael Corleone notable.

Don Vito is a most complicated gangster. In his own words, he is not a killer, and he never mixes business with personal matters. He puts family first ("A man who doesn't spend time with his family can never be a real man") and despises displays of weakness. He understands the burden of power, and his wordless sympathy for Michael when he is forced to assume the "throne", is one of The Godfather's most revealing moments (about both father and son).

Family responsibility. A father's legacy. The need to earn respect. The corrupting influence of power. These are some of the ingredients combined in Francis Ford Coppola's cinematic blender. They are themes which have intrigued the greatest authors of every medium through the centuries.

Although the issues presented in The Godfather are universal in scope, the characters and setting are decidedly ethnic. Even to this day, there is an odd romanticism associated with New York's Italian crime families. The word "Mafia" conjures up images of the sinister and mysterious - scenes of the sort where Luca Brasi meets his fate. Francis Ford Coppola has tapped into this fascination and woven it as yet another element of the many that make his motion picture a compelling experience.

We come to The Godfather like Kay Adams - outsiders uncertain in our expectations - but it doesn't take long for us to be captivated by this intricate, violent world. The film can be viewed on many levels, with equal satisfaction awaiting those who just want a good story, and those who demand much more. The Godfather is long, yes - but it is one-hundred seventy minutes well-spent. When the closing credits roll, only a portion of the story has been told. Yet that last haunting image (Kay's shock of recognition), coupled with Nino Rota's mournful score, leaves a crater-like impression that The Godfather Part II only deepens.
Expand
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10
HungryHippo123Apr 23, 2015
Just excellent film with great acting on definitely worth your time. Enjoyed from start to finish. It really shows the Italian Mafia. Great work went into this movie.
1 of 1 users found this helpful10
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10
EddyGregsApr 19, 2015
Don Vito Corleone (Brando) is brutally persued when he refuses to sulley the family business with drugs. His eldest, Sonny (Caan), steps in to take the helm in his father's illness, but is riddled with bullets. It is up to Michael (Pacino),Don Vito Corleone (Brando) is brutally persued when he refuses to sulley the family business with drugs. His eldest, Sonny (Caan), steps in to take the helm in his father's illness, but is riddled with bullets. It is up to Michael (Pacino), the war hero and beloved son, to step up redeem the family's honour.

It could be argued that Francis Ford Coppola's film of Mario Puzo's bestseller, at once an art movie and a commercial blockbuster, marked the dawn of the age of the mega-movie. Appropriately, the film is about a similar transition in organised crime, as the gentlemanly but sinister world of Don Vito (Brando) is eclipsed by the more brutal and expedient organisation represented by the doomed Sonny (Caan) and the calculating Michael (Pacino).

With a period setting evoked by amber-tinted photography and Nino Rota's elegantly decadent score, The Godfather has dated a lot less than most films of the early 70s. It paces itself deliberately, making its moments of action and horror more telling for the leisurely paths it weaves between them. With performances, style and substance to savour, this shows how it is possible to smash box office records without being mindless.

With performances, style and substance to savour, this shows how it is possible to smash box office records without being mindless.
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10
EdwardGregoryApr 19, 2015
This review contains spoilers, click expand to view. It could be argued that Francis Ford Coppola's film of Mario Puzo's bestseller, at once an art movie and a commercial blockbuster, marked the dawn of the age of the mega-movie. Appropriately, the film is about a similar transition in organised crime, as the gentlemanly but sinister world of Don Vito (Brando) is eclipsed by the more brutal and expedient organisation represented by the doomed Sonny (Caan) and the calculating Michael (Pacino).

The old gangster movie is represented by Richard Conte and Sterling Hayden in bit parts, while Brando's cotton-cheeked patriarch represents everything about old Hollywood that Coppola aspired to. The younger generation is represented by the then fresh, exciting talents who remain respected names in their profession (Pacino, Robert Duvall, Caan, Diane Keaton). This is a film that has entered popular culture: even if you've never seen it, you know the lines ("Luca Brasi sleeps with the fishes"), and some of the scenes (the horse's head). But there's more to it than moments imprinted on the psyche.

With a period setting evoked by amber-tinted photography and Nino Rota's elegantly decadent score, The Godfather has dated a lot less than most films of the early 70s. It paces itself deliberately, making its moments of action and horror more telling for the leisurely paths it weaves between them. With performances, style and substance to savour, this shows how it is possible to smash box office records without being mindless.

With performances, style and substance to savour, this shows how it is possible to smash box office records without being mindless.
Expand
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5
solomsApr 17, 2015
I don't know what people see in this movie because it's so boring and non-sense. I don't even saw the 2nd and 3rd movie because this is really anoying.
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10
PetrocelliApr 5, 2015
Arguably the greatest movie ever made. A cast of relative unknowns (Pacino, Diane Keaton, James Caan, Robert Duvall and John Cazale) join with the great Brando, who was in a low point in his career. Perfectly written and flawlesslyArguably the greatest movie ever made. A cast of relative unknowns (Pacino, Diane Keaton, James Caan, Robert Duvall and John Cazale) join with the great Brando, who was in a low point in his career. Perfectly written and flawlessly directed. Pacino plays the role of Michael perfectly understated -- so understated that the studio wanted to fire him. (Apparently, he wasn't yelling like an Italian should.) Expand
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10
MattBrady99Mar 26, 2015
Such a freaking classic. Don Vito Corleone: You talk about vengeance. Is vengeance going to bring your son back to you? Or my boy to me?. the godfather to me is a bloody brilliant masterpiece of a film and people may say it is not they cup ofSuch a freaking classic. Don Vito Corleone: You talk about vengeance. Is vengeance going to bring your son back to you? Or my boy to me?. the godfather to me is a bloody brilliant masterpiece of a film and people may say it is not they cup of tea and am okay with that but this movie changed the way that I thought of movies, the story is about a man called Don Vito Corleone who has this big family and big friends and all in the middle of all of that the family and friends don't know that he works with the gangsters, The acting is out of this world and the music is so chilling and moving with a gangster feel mixed with it, R.I.P. Marlon Brando you beautiful man your brilliant actor bring us a strong Character in the movie that you deserved more then one Oscar and this movie deserved more then 3 Oscars it deserved 10 Oscars that's how good to movie is. Expand
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10
DudeUnknownMar 18, 2015
Great movie, although a bit long (VERY LONG). This is still without a doubt, a 10. I haven't watched the next parts, but I hope they're just as good (in all honesty, doesn't seem like it according to others).
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10
AkashVijayJan 23, 2015
One of the greatest crime films ever made. This is what I call golden cinema. The Godfather is dripping with powerful ideas, it's a very poetic depiction of the mafia and the camera movements are simply stunning. The entire cast deliverOne of the greatest crime films ever made. This is what I call golden cinema. The Godfather is dripping with powerful ideas, it's a very poetic depiction of the mafia and the camera movements are simply stunning. The entire cast deliver stunning performances. And most notably, it's a very very unconventionally structured film. This is a masterpiece. Expand
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10
MovieGuysJan 6, 2015
(I apologize for not reviewing this trilogy sooner, but I wanted to wait until I have seen all of them)

"Leave the gun; take the cannolis." The first of The Godfather trilogy is one of the best mafia movies of all time. In fact, it is so
(I apologize for not reviewing this trilogy sooner, but I wanted to wait until I have seen all of them)

"Leave the gun; take the cannolis." The first of The Godfather trilogy is one of the best mafia movies of all time. In fact, it is so accurate in its portrayal of mob families that actual mafia people confirmed it. The acting, especially between Marlon Brando and Al Pacino is electrifying. Almost everything in the movie is believable, and the screenplay is close to flawless. The Godfather definitely deserves all the praise it gets, and is in no way overrated.
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10
MarickJan 1, 2015
The Godfather is a 1972 American crime film directed by Francis Ford Coppola and produced by Albert S. Ruddy from a screenplay by Mario Puzo and Coppola. Starring Marlon Brando and Al Pacino as the leaders of a fictional New York crimeThe Godfather is a 1972 American crime film directed by Francis Ford Coppola and produced by Albert S. Ruddy from a screenplay by Mario Puzo and Coppola. Starring Marlon Brando and Al Pacino as the leaders of a fictional New York crime family, the story spans the years 1945-55, concentrating on the transformation of Michael Corleone from reluctant family outsider to ruthless Mafia boss while chronicling the Corleones under the patriarch Vito. Expand
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10
andrebarrosoDec 19, 2014
It's on kind of those movies that you must watch before and you die, and you're prohibited to hate it.
A forever-classic, "The Godfather" has all the elements of a ground-breaking movie. Astonishing cinematography (excellent choice on
It's on kind of those movies that you must watch before and you die, and you're prohibited to hate it.
A forever-classic, "The Godfather" has all the elements of a ground-breaking movie. Astonishing cinematography (excellent choice on choosing Gordon Willis by the way), carefully directing, superb acting by the entire cast and a marvelous screenplay.
Find this movie as soon as you can, and watch it, and again, and again, and again and again. This one is worth of your time.
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9
jamiecusackDec 3, 2014
it might be a long movie but you dont want it to end. The best gangster film of all time no doubt marlon brando improvisation made this move,and the movie is joined with 2 other amazing films which makes it the best triolgy. Al pacino as perit might be a long movie but you dont want it to end. The best gangster film of all time no doubt marlon brando improvisation made this move,and the movie is joined with 2 other amazing films which makes it the best triolgy. Al pacino as per usual at his best its a young al pacino that you see another rang of his brilliant acting skills Expand
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10
Big_BearNov 21, 2014
I assume the negative reviews of this movie are people having a laugh. Its one of the greatest movies ever made, FACT.

After reading some of the reviews I just had to write my own, one particular 'review' by, lets call him Brian McInnis,
I assume the negative reviews of this movie are people having a laugh. Its one of the greatest movies ever made, FACT.

After reading some of the reviews I just had to write my own, one particular 'review' by, lets call him Brian McInnis, is the most moronic piece of rubbish I have ever read, what an idiot.

Anyway its definitely the best gangster film ever made, its actually almost perfect, miles better than anything from Scorsese. Unbelievable cast featuring undoubtedly the greatest actor of all time, Marlon Brando in an unforgetable performance. There has never been another movie like it and there never will.
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10
SolidSnake15220Nov 13, 2014
A very powerful and well done movie! So unpredictable, so suspenseful, so full of offers you cannot refuse. A masterpiece that changed cinema as we know it! There is no way anybody could ever consider this movie boring unless they expectA very powerful and well done movie! So unpredictable, so suspenseful, so full of offers you cannot refuse. A masterpiece that changed cinema as we know it! There is no way anybody could ever consider this movie boring unless they expect explosions every 10 minutes. Expand
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10
LokathorNov 4, 2014
This movie is fantastic, but it is old. I say that because I mean to say that it is of a style that's not so popular any more in Hollywood movies, where tone and feel take priority over raw action. So if you need action on a drip feed toThis movie is fantastic, but it is old. I say that because I mean to say that it is of a style that's not so popular any more in Hollywood movies, where tone and feel take priority over raw action. So if you need action on a drip feed to avoid falling asleep then this movie isn't for your situation. It's a methodical story, over a long time period, and even is a little fuzzy on how much time is passing at a few points. I don't think it takes away from the arc of the film. I do understand if a person isn't always ready to watch a slower film though, so my advice if you can't stand the opening section is to turn it off and try watching it another time. This is a quality film, but the modern audience has been trained away from this style quite a bit, so wait for the moment to strike you instead of forcing it. Expand
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10
googolendtimesNov 2, 2014
What can be said? 'The Godfather' is one of the masterpieces of cinema, where every element is perfected and congeals to create something that is a work of art - the score, aesthetics, characterisation, directing, script and acting. ItWhat can be said? 'The Godfather' is one of the masterpieces of cinema, where every element is perfected and congeals to create something that is a work of art - the score, aesthetics, characterisation, directing, script and acting. It catapulted Francis Ford Coppola to the forefront of the New Hollywood wave, was the breakthrough for such stars as Al Pacino, James Caan, Robert Duvall, Talia Shire, Diane Keaton etc. and cemented Marlon Brando's status in the pantheon of cinematic legends, though his work as Vito Corleone here is more supporting than leading. There is dissent over whether this is rightly considered to be one of the greatest movies of all time. For me, it is not the greatest movie but is among them and the length is certainly felt - when first watched, 'The Godfather' is a draining experience. But it ages well with repeat viewings. It meets the definition of classic and then some. It is memorable and masterful. If Part II overshadows it, it is only because Part I was so damn great nobody thought it could be topped. Expand
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9
wawanOct 21, 2014
The movie just like the water flow in the head. Fresh, cool, and in the same time it blow, but it doesn't make me "dead-man" with the blind-eyes. This is the moment when the masterpiece talked, even the movie sometimes make me a little bitThe movie just like the water flow in the head. Fresh, cool, and in the same time it blow, but it doesn't make me "dead-man" with the blind-eyes. This is the moment when the masterpiece talked, even the movie sometimes make me a little bit blowing -that's mean confused- but the movie has never wrong. In turn, it take some capable of beauty, and I say "the movie was rising, a thousand thumbs up" Expand
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10
RegOzSep 30, 2014
Absolutely brilliant! That is all I can say! This is in my top 10...this film is perfection! A classic! If you haven't watch it yet, you have to do it! I could expand and say more but I don't really want to...judge yourself!
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10
GarfoodleSep 23, 2014
The best,most quotable,well done,gory, Romantic,amazing you will ever see. I'm just going to wait here until you go and see it.
Even if you don't bother with the other two Godfathers,this one is worth seeing
Some day I may call upon you.
The best,most quotable,well done,gory, Romantic,amazing you will ever see. I'm just going to wait here until you go and see it.
Even if you don't bother with the other two Godfathers,this one is worth seeing
Some day I may call upon you. That day may never come,but for now,consider this a gift,on my daughters wedding day.
That day has comme, and I nose call upon you to watch this movie
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10
Mosh603Sep 21, 2014
The thing I love about The Godfather is the accurate portrayal of the mafia. There aren't gratuitous scenes or extreme Hollywood drama. It is a timeless classic, and honestly I have seen it 50+ times and never get sick of it. Marlon Brando'sThe thing I love about The Godfather is the accurate portrayal of the mafia. There aren't gratuitous scenes or extreme Hollywood drama. It is a timeless classic, and honestly I have seen it 50+ times and never get sick of it. Marlon Brando's performance as Vito Corleone is impeccable and some of the best acting I have ever seen. Expand
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10
beingryanjudeAug 27, 2014
When it comes to The Godfather, there is no matching it. No mafioso gangster film will ever be able to surpass it. It's devastating action and complex family moments are intricately designed. A classic and an unparalleled ensemble.
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10
SpartaCommandAug 24, 2014
The first Godfather was the movie that set and saved the Directors carrier. The cinematography makes amazing use of the cameras at the time. The development of the characters are slow yet very well done. the only thing I have to say is thatThe first Godfather was the movie that set and saved the Directors carrier. The cinematography makes amazing use of the cameras at the time. The development of the characters are slow yet very well done. the only thing I have to say is that some of the scenes in Sicily were not needed for the story. Expand
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9
CPD98Aug 19, 2014
El Padrino ya es un clásico del cine. Sin duda una gran película y la mejor de las tres por varias razones:
Marlon Brando (que se marca un papelón), Al Pacino, que en mi opinión está mejor que en las dos siguientes por su papel de iniciado
El Padrino ya es un clásico del cine. Sin duda una gran película y la mejor de las tres por varias razones:
Marlon Brando (que se marca un papelón), Al Pacino, que en mi opinión está mejor que en las dos siguientes por su papel de iniciado en el mundo mafioso, y la trama, creo que tiene un punto interesante que a la 2 le faltó y no digamos ya a la 3. Se puede hacer algo pesada por su duración, pero tiene grandes escenas y diálogos poderosos.
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10
KristianBKAug 13, 2014
Often considered one of the best movies ever made, this movie wouldn't be too long if it was 24 hours long. It shows you it's world, you enter it, and sadly after "just" three hours it ends. Perfectly directed, brilliant screenplay, flawlessOften considered one of the best movies ever made, this movie wouldn't be too long if it was 24 hours long. It shows you it's world, you enter it, and sadly after "just" three hours it ends. Perfectly directed, brilliant screenplay, flawless performances, timeless. Expand
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10
ns0lAug 11, 2014
That's a movie to always remember. It becomes alive every time you watch it. The story is a diamond necklace. And with the finest actors it becomes the finest movie of all time. I really feel ashamed not to give it a 10. It's the greatest inThat's a movie to always remember. It becomes alive every time you watch it. The story is a diamond necklace. And with the finest actors it becomes the finest movie of all time. I really feel ashamed not to give it a 10. It's the greatest in my opinion. Expand
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10
johnbobs1Aug 9, 2014
My favourite film of all time, and the true ''Godfather'' of the gangster film genre. This film has it all; memorable characters and scenes, terrific acting all round (James Caan as Sonny Corleone and Al Pacino as Michael are amongst the bestMy favourite film of all time, and the true ''Godfather'' of the gangster film genre. This film has it all; memorable characters and scenes, terrific acting all round (James Caan as Sonny Corleone and Al Pacino as Michael are amongst the best acting performances I've seen) and a wonderful and gripping storyline. And it's all beautifully filmed; the dark and smoky interiors of the Corleone's retreat (complete with Godfather sitting in the corner in his armchair, face shadowed), the family wedding, Michael's exile in Sicilly and of course the tense scenes at the hospital, and the famous restaurant scene, where Michael turns killer for the first time.
Totally memorable, and no other film I've seen is quite as perfect, polished or stylish as the Godfather.
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9
FullmetalCowboyJul 24, 2014
Review Date: July 24, 2014. Movie Review #1: The Godfather

If I ever get a job offer to write Movie Reviews and get paid for it, it is an offer I can't refuse. This movie is often quotable to those that have seen it and it is no surprise
Review Date: July 24, 2014. Movie Review #1: The Godfather

If I ever get a job offer to write Movie Reviews and get paid for it, it is an offer I can't refuse. This movie is often quotable to those that have seen it and it is no surprise that this film affected pop culture to a certain degree. There was a time where it got a lot of dough and was a hit which in turn became the highest grossing motion picture at a time back in the 1970's when The Godfather succeeded in the box office. Times have changed and this film is no longer the highest grossing motion picture but still to this day, it still remains as a remarkable film. Is there anything that has not been said about The Godfather? Probably not, but that is not going to stop me from sharing my thoughts regarding Francis Ford Coppola's masterpiece.

The Godfather is a tale of a New York Mafia family and their struggle to protect their empire from rival families as the leadership switches from the father to his youngest son which carries a heavy weight.

This film often gets praised for its acting and that's no surprise there. Even though The Godfather ended up as a trilogy, Most of the cast may have left a huge impression in the second Godfather film but the first movie still has terrific acting throughout the entire film. Marlon Brando's performance as Don Corelone is very likely and arguably his best role in his film career. Even though the late Marlon Brando was a well-respected actor before and since The Godfather, He was not the only reason that The Godfather is a great film. The casting is a rather interesting one since it contains actors that either have been around for a number of years or actors that are quite new but had a couple roles. James Caan plays a hot-tempered Sonny, Robert Duvall has a great voice of reason in playing Tom Hagen, Diane Keaton plays her supporting role quite fittingly as Kay Adams, and Al Pacino's performance really makes Michael Corleone an intriguing character in the film and that carries on in the later films. The entire performance of every cast member feels natural even if there were a number of takes shot in the movie. Some may say that this movie has some of the greatest acting in the history of cinema, but I think that would be a bit of a stretch to make that claim. The entire cast makes all the characters believable and realistic in their portrayal. The Godfather might not be the most realistic portrayal of the Mafia, but it is certainly the most romanticized Mafia movie. However there are some realistic moments which is the brutality that The Godfather portrays, and Khartoum was the first example of this film's brutality. I also don't think that the brutality is a way of glorifying violence in the film, it is first and foremost a cinematic portrait of the Mafia, and it also serves as a thought provoking character study which carries on in the later films. It may be a romanticized portrait of the Mafia, and it may be a bit realistic in its brutal moments, but it doesn't feel out of place. Considering the film is set in the 1940's with the notion that it is a romaticized portrayal of the Mafia, there's a theme of moral ambiguity that allows the viewer to think and question about the character inside the movie, I find it strange that outside of the movie, it is possible that a viewer (and myself if I may add) finds the moral ambiguity fascinating in The Godfather. It carries on in the story that is told in the film.

One of the fitting touches is the music by Nino Rota and it's a bit predictable that it has that Italian sound but it is extremely fitting to the film. Like the film itself, Nino Rota's Film score to The Godfather is highly regarded as one of the greatest film scores in cinema, I can say it's hard not to like. It definitely has the Italian feeling and it compliments the movie perfectly. I should add an interesting additional note that Carmine Coppola (the father of Francis Ford Coppola) did compose some of the additional music I find this kind of interesting considering that the Father and Son relationship between Michael and Vito was intriguely written. If that isn't interesting enough, Francis Ford Coppola put his daughter Sofia in the movie too with a cameo appearance as a baby boy. Some members of the family may have been involved in this movie and even the later Godfather films, but family also plays a theme in The Godfather. Another nice element that gives the film its elegance is Gordon Willis' cinematography. The film is shot well, the movie looks like it is in the 1940's. The cars you will see in the movie were cars made in the 1940's and this movie was only made in 1972 so it wasn't too difficult to find vehicles like that. The design is fitting for this film because of its setting. Overall, The entire movie is shot extremely well. Even though this is an adaptation of Mario Puzo's novel of the same name published in 1969. Mario Puzo and Francis Ford Coppola did write the screenplay, and regardless if the movie faithfully follows the book from the first page to the last, Francis Ford Coppola and Mario Puzo are contempt with the changes that are there from Book to Movie. Even though The Godfather is a considered one of the greatest movies ever made. I was very close in rating this film a 10 out of 10, but I noticed a couple hiccups in the film, even though they are small errors they are not influencing me to change my mind that I find The Godfather to be a terrific film, those who saw the movie at face value can unanimously agree that The Godfather is a great film. My philosophy of "The 10 rating" is that it is as great as it is ever going to get. They are not perfect because of a rating like that. There could be some mistakes, and some miniscule flaws that can be found but are excused. Even if that were the case, they don't ruin the movie whatsoever. There really is no such thing as a perfect movie. Francis Ford Coppola pulled the strings with the terrific acting, excellent cinematography, fitting music, believable characters, and an intriguing plot. It is not only one of Francis Ford Coppola's masterpieces, it is one of the masterpieces in cinema

This film gets my Thumbs Up, it's a 5-star film.

My overall rating of The Godfather is a 9.9 out of 10, it is an excellent film.
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10
chwJul 18, 2014
The Godfather is a really really good movie. Through the 175 minutes of The Godfather, there is never a part that is boring or doesn't make any sense.
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8
Tss5078Jun 23, 2014
I'd never seen the Godfather prior to this weekend. A friend of mine asked how I can consider myself a movie reviewer, when I haven't even seen the film that is widely considered to be the best of all-time. He had a point, so I decided toI'd never seen the Godfather prior to this weekend. A friend of mine asked how I can consider myself a movie reviewer, when I haven't even seen the film that is widely considered to be the best of all-time. He had a point, so I decided to rent it and my verdict is it. While the Godfather is a tremendous epic drama, I really don't see how it is considered to be the best film ever made. It's a great story, with a superstar cast, which set the genre for all the mafia films that followed, but that in and of itself means the film is going to have problems. As with other mafia films, it's difficult to keep track of who's who in the large cast. It also moves rather quickly and viewers like myself are going to have a very difficult time of trying to follow the erratic timeline of the film. Some parts move at a snails pace, while other just fly by, and what is with the music? The soundtrack is almost as acclaimed as the film, but honestly if I had to hear that song one more time, during this three hour epic, I may have gone out and killed someone myself. For those unfamiliar with the story, it follows the evolution of the Corleone family, as they transition from one leader to the next. The story is fantastic and is the furthest thing from predictable that you will ever find. It is filed with classic scenes and renowned performance from Marlon Brando and Al Pacino, but I really have a hard time calling such a complicated story with that much violence, the best of all-time. The Godfather is a terrific movie, and I'm glad that I finally got to see it, but in a word, the film is overrated. Expand
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10
DariobeatleJun 19, 2014
An absolute masterpiece. This adaptation of Mario Puzo's novel is perfectly directed and masterfully acted. A never-aging classic that proves that cinematography can be an art.
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9
EnricoDandoloMay 20, 2014
All though those three hours were a bit exhausting to me, I would still say that watching "The Godfather" was exiting and thrilling, and I would recommend it to everyone, just so everyone could see what the buzz over this film is all about.
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10
JuliagiaApr 25, 2014
This review contains spoilers, click expand to view. I love this movie over 5 years now. I've seen a lot of movies since that time and none of it will ever compare to this masterpiece. Al Pacino is the best gangster ever! It did changed my ideology. Just a few movies could do that and that is one of them! Expand
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10
carloswalnutsApr 16, 2014
En su época esta película fue muy reveladora con el tema de pelis de Gangster, gran escenografia en retratando esos años 40, unas interpretaciones soberbias, la banda sonora, una historia muy cruda y a la vez maravillosa. Imprescindible.
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10
futuretvApr 10, 2014
This review contains spoilers, click expand to view. The Godfather Review
by Al Carlson

The Godfather is a film considered by most to be one of the greatest ever made. From The American Film Institute to as voted by users on the Internet Movie Database (IMDB) it is consider to be one of the best. As a film that ranks as high as other masterpieces including Citizen Kane, Pulp Fiction and 12 Angry Men, The Godfather is an exceptional piece of cinema excellence that is flawless and is simply the pinnacle crime drama.
The Godfather revolves around the Corleone’s, an Italian family with deep roots in the New York City mafia. The head of the Corleone’s is Don Vito Corleone, a man who takes care of his family and demands respect in return. His son Michael however, who just returned home from World War II, doesn’t want to become involved with the family business. The Sollozzo’s, a family of drug dealers, confront Don and request protection in exchange for profits from the Sollozzo’s drug sales. But Don declines the offer, for he is against selling narcotics. The rejected offer starts what turns into an all out mafia war between the two families with Michael diving deep into the mafia lifestyle.
The characters are portrayed by a legendary all-star cast including Marlon Brando as Don, Al Pacino as his son Michael and James Caan as Don’s oldest son Sonny. The casting for this film has been considered by many to be the best casted film in history for their astonishing performances. All three main actors were nominated for an academy award, but only Marlon Brando won an Oscar for best actor in a leading role. It’s fascinating to watch how these characters change over the course of the movie, with one in particular changing drastically.
Directer Francis Ford Coppola, being raised in an Italian-American family in New York, understood Italian culture exceptionally and made the film very authentically. Everything from the wedding dances to the cuisine to the terms used by the characters in Sicilian come from Coppola’s first-hand knowledge of Italian-American culture. Italian composer Nino Rota did an outstanding job making the soundtrack for the film, despite not getting the Oscar for best music (but he did win an Oscar for his work in the sequel, The Godfather: Part II). Virtually everyone recognizes that iconic trumpet solo once it starts playing. He also wrote the score for another great Italian film 8 1/2.
This film should be immediately followed up by it’s sequel, The Godfather: Part II, which also won best picture. The series still holds the title of most best picture awards for a film series to this day. They’re both flawless crime dramas and have earned their titles as some of the best pieces of cinema ever. I will guarantee you won’t be able to see this film only once, as it gets better after continual viewings. There is really nothing more to add other than if you haven’t seen this movie yet, it’s about time you did. The Godfather is a movie you can’t refuse.
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10
therynoApr 1, 2014
Masterfully done, and I am not just saying that. I watched the whole thing, and I couldn't take my eyes off the screen until the credits rolled. Summary, BEST MOVIE EVER.
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10
muaz-ashrafMar 11, 2014
The Godfather is unarguably the greatest film of all time. It dominates all its predecessors and its successors. Great acting performances also contribute to its magnificence.
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10
sivaruthvikMar 7, 2014
This review contains spoilers, click expand to view. one of the greatest movies ever made... and also the best gangster film ever .. strong performance from the cast and good crew. excellent direction from ff coppala. Expand
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10
craneo98Mar 6, 2014
The Godfather is the Coppola´s masterpiece, for many the best movie ever made. In my opinion the best movie ever made. The book writen by Mario Puzo is it self a masterpiece and the adapted screenplay is GREAT.
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10
SwatiMar 6, 2014
Inspired by the Five Families of New York City, The Godfather tells the story of how the Corleones are pushed against the wall by their rivals and other upcoming gangsters who want to make money by sources Don Vito deems beneath him, andInspired by the Five Families of New York City, The Godfather tells the story of how the Corleones are pushed against the wall by their rivals and other upcoming gangsters who want to make money by sources Don Vito deems beneath him, and their retaliation and its consequences. Alliances are formed in secret, murders are plotted, enemies are butchered or blown to pieces without remorse.

Don Vito (Marlon Brando) and his sons Sonny (James Caan) and Michael (Al Pacino) are the main characters. The actors bringing them to life have succeeded in their jobs so supremely that these characters have become the stuff of legend. Don Vito's backstory from the novel was pushed into The Godfather Part II, and that was a practical decision as the movie was already three hours long. Sonny and Michael display their acumen for running criminal activities when the reins are handed to them in their turn. Tom Hagen (Robert Duvall) is the consigliere, or the most trusted adviser, of the Don.

We are transported from 1940s NYC ripe with Mafia bosses one-upping each other, to Sicily and Las Vegas. The characters are never shown to traverse great expanses of land or sea in search of destiny or whatever. Neither are they shown to be engaging in life-or-death situations where they have to come out on top using their wits or physical strength or endurance. But the change of settings does meet the requirements of the epic genre. Even though we don't get to see large scale gunfights or something like that, the fact that the Corleones are in all these places helps to form that opinion. The story is essentially about a single family, and you get the impression that the message here is that family is important, and that the lengths you're willing to go to to protect them knows no bounds.

The Corleones' peace is fazed when a gangster offers them a deal in drugs. Don Vito expresses his disgust and refuses. This triggers an unexpected ploy for gaining power and upper hand and turns the conflict into a fully fledged gang war. Some characters are displaced, forced to take up arms, or caught in the crossfire. Another calamity strikes when things seem to have cooled down. Finally, the Corleones deal with their enemies effectively and ruthlessly. The victory is theirs, but if it is worth it is for the audience to decide.

The Godfather's success lies in its rich story and characters. Often times, great stories come about by accident. The setting complements the plot and the characters, and becoming a character itself, creates a blend that is greater than the sum of its parts. These characters and plot could quite easily have worked in a medieval setting of dynasties warring for control over a kingdom, or any other setting for that matter, but the fact that the setting was New York City and the control over the city meant control over the most lucrative criminal activities, which is a decadent scheme, and immediately paints even the good guys in a bad light, was what in my opinion made The Godfather much more intriguing and enduring.

There are many enemies to deal with. The film doesn't develop them at all. The Corleones are the only ones who are explored and developed as characters. At first it seems like it is a story of a group of people who have virtually everything they could ever want and the film would only chronicle their exploits as they vanquish this enemy and that. This changes as we move forward and witness the bloodshed.

No good movie can come into being without good plotting, believable characterization, classy cinematography and memorable dialogue, and here it is all brought together nigh perfectly. The production design was impressive. The houses and their interiors, and the cars and costumes were fascinating and left me with a desire to be able to witness that world firsthand. The secondary characters may not have seemed to be given much screen time to develop them but the cast is so huge that if they had done it the movie would have been at least an hour longer. The score is so simple and true to the story that you don't need me to tell you that it may be the most memorable score ever.

A lot of time is spent in contemplation and silence, as the characters decide what the best course of action should be in response to a particular problem. The dialogue fleshes out the characters very well. The Godfather is essentially a film that looks into the lives of the gangsters at the top of the hierarchy. We only see the comings and goings, and not the handiwork, of the men who carry out the orders of their bosses. No shootouts during the gang war are shown. The intrigue that directly affects the main characters is in itself so destructive and deadly that not once the exclusion of the ordinary mobsters bother me in any way.

The Godfather cannot be dismissed as being merely about a mob family and a bunch of criminals. Given his later career, I think it's safe to venture that Coppola was born to make this movie.
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8
FilmVirtueFeb 14, 2014
This film was amazing. With great and true honesty it was, however I do believe it might be overrated just a bit. I liked it. From start to finish the story line was enough to keep someone watching. Without a doubt one of the greatest filmsThis film was amazing. With great and true honesty it was, however I do believe it might be overrated just a bit. I liked it. From start to finish the story line was enough to keep someone watching. Without a doubt one of the greatest films I've seen. But In my opinion overrated. Expand
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10
jack977Feb 1, 2014
Cold, calculative and distant; The Godfather's deliberate pacing, restrained acting and unemotional cinematography make it much more than a great gangster-crime drama - It's a fascinating study of the human psyche. Perhaps, the only dramaticCold, calculative and distant; The Godfather's deliberate pacing, restrained acting and unemotional cinematography make it much more than a great gangster-crime drama - It's a fascinating study of the human psyche. Perhaps, the only dramatic aspect in this movie, at least in the conventional sense is Nino Rota's haunting score. Expand
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10
gmnzJan 31, 2014
One of the best movies of all-time. You need to watch this before you exit this earth. Every character on this film is a fit. A good balance of drama and thriller. It keeps you on the edge of your seat. A true classic.
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8
python2000Jan 18, 2014
Everybody knows how good The Godfather is meant to be, and while the 100% may not be fully justified it is definitely a work of surpassing excellence. Francis Ford Coppola perfectly chronicles the late life of Don Vito Corleone also known asEverybody knows how good The Godfather is meant to be, and while the 100% may not be fully justified it is definitely a work of surpassing excellence. Francis Ford Coppola perfectly chronicles the late life of Don Vito Corleone also known as The Godfather. Simply witnessing all of the hugely famous scenes and impeccably written lines is an enjoyable experience. Yes it goes on for 3 hours but sitting through the whole thing is undeniably worth it. Some scenes are much more gripping than others, basically Marlon Brando's screen time is the best thing about it. However every second is interesting and almost deserves the 100%, I found it to be masterfully acted and with some brilliant direction, but the most impressive aspect of The Godfather is undoubtedly how engaging every second is despite going on for 180 minutes. I would say it's worth watching but it's cult status ensures you were going to anyway. Expand
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10
adyneghinaJan 6, 2014
One masterpiece i dunno any cons for this movie
Epic movie which shows you the America of 30's and the sins of the american dream
One of the best mafia movies ever seen and the best from the trilogy
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9
moviebuff_420Dec 23, 2013
This review contains spoilers, click expand to view. I have had this movie for many months but i never got time to watch it.
Yesterday i did and i think ,like everybody say ,it is one of the best movies made ever.
Al Pacino who was not very popular at that time make his breakthrough performance and he is just great in the role of Michael Corleone.
About the legend Marlon Brando,he is just phenomenal,his facial expressions and husky voice just make his role one of the best characters.
It is based on Mario Puzo's novel about five fictional mafia families and Must say he did a great job on screenplay too.
There are some great as well as shocking scenes in this movie i.e.
When Woltz wake up and finds a real severed head of a horse.
Sonny beats up his brother-in-law Carlo.
Prolonged fight between Connie and Carlo.
Death of Apollonia Vitelli-Corleone.
Death scene of Sonny ambushed by gang members at toll.
The killings of all the other heads of Mafia families,Moe Green,Tesiso and Carlo.
I loved the setting and style.
James Caan,Richard S. Castellano,Robert Duvall,Diane Keaton & Talia Shire did great jobs too.
Despite the many Anachronisms,this movie is just marvellous.
I have read everything that Coppola dis to make this movie so outstanding.
Maybe the best gangster movie ever made.
Thanks Paramount,Francis Ford Coppola and every Cast-crew member related for producing this chef-d'oeuvre.
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10
jpwelsh101Dec 21, 2013
Greatest movie of all time enough said... about 5 of the best actors of our life time all give oscar performances.. best acted film of all time and not to mention the best screenplay of all time.. love pacino in this but brando, caan, andGreatest movie of all time enough said... about 5 of the best actors of our life time all give oscar performances.. best acted film of all time and not to mention the best screenplay of all time.. love pacino in this but brando, caan, and duvall also give us oscar perfor.. does not get any better than this.. at least i havent seen it yet Expand
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