The Flying Scotsman
Metro-Goldwyn-Mayer (MGM) | Release Date: December 29, 2006 CRITIC SCORE DISTRIBUTION
49
METASCORE
Mixed or average reviews based on 18 Critic Reviews
Positive:
5
Mixed:
11
Negative:
2
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Critic Reviews

Critic scorePublicationBy date
75
Chicago TribuneMichael Wilmington
A sports bio movie that I really enjoyed about a sport and sports hero I barely knew existed: the World Hour Record competition for bicyclists and its gutsy, tormented and most unusual champion, Graeme Obree. Read full review
75
New York PostKyle Smith
It's an underdog story with teeth. Read full review
75
Philadelphia InquirerSteven Rea
Boasts exciting competitive track cycling footage. Read full review
67
Seattle Post-IntelligencerWilliam Arnold
Obree's psychology is fascinating and, even though the competitive scenes mostly involve him racing against himself in a spectator-free indoor track, the movie manages to give its audience a suitable adrenaline rush here and there. Read full review
63
Boston GlobeTy Burr
How many bicycling movies are there, let alone ones that know from frame geometry? "Breaking Away" is probably the champ, followed by "American Flyers," the hilariously awful Kevin Bacon bike-messenger movie "Quicksilver," and then we're already into "The Bicycle Thief " and "Pee-wee's Big Adventure." It's a small pack, and The Flying Scotsman rides close to the front by default. Read full review
60
Washington PostSarah Kaufman
Miller is key to the film's success, with his earnest, sweet-faced looks and evident dark side. He plays Obree with just the right understated intensity, a believable competitor who fights back fiercely with his wits and a few tight-lipped words. Read full review
60
EmpireAlan Morrison
A typically engaging performance from Johnny Lee Miller takes this slightly above the usual underdog movie cliche. Read full review
50
VarietyEddie Cockrell
Helmer Douglas Mackinnon does what he can to make the most of emotional bullet points and gloss over the lack of connective tissue. Read full review
50
The A.V. ClubKeith Phipps
There's real triumph to Obree's story, and real adversity, too, but the film contents itself with the pretend versions of both. Read full review
50
Chicago ReaderAndrea Gronvall
Brian Cox does sturdy work as the minister who helps Obree combat depression, and first-time director Douglas Mackinnon gets a big assist from Obree himself, who doubled for Miller in some shots and filmed others with a camera strapped to his handlebars. Read full review
50
TV Guide MagazineMaitland McDonagh
It's a shame it's not a better movie, but its small virtues include an uncompromising performance by English actor Jonny Lee Miller. Read full review
50
The Globe and Mail (Toronto)Jason Anderson
While the world of competitive cycling can be extremely exciting, not every one of its events is captivating. A well-intentioned biopic about Scottish cycling maverick Graeme Obree, The Flying Scotsman is hampered by the fact that its hero earned his greatest renown for riding around and around on a velodrome … alone … for an hour. Read full review
50
The New York TimesStephen Holden
A conventional underdog sports movie that should have been much more gripping. Read full review
50
San Francisco ChroniclePeter Hartlaub
The filmmaking is unremarkable, but the obsessiveness of the lead character is infectious enough to make this drama passable entertainment. Read full review
50
Baltimore SunChris Kaltenbach
Graeme Obree was a champion bicycler who, by all accounts, rarely took the easy way out. Too bad this movie version of his life doesn't follow suit. Read full review
40
Los Angeles TimesMark Olsen
Scotsman not only lacks vision, a true sense of how to mesh Obree's sporting triumphs and personal setbacks, but it also lacks passion. What it needs, as strange and tacky as it may sound, is a bit more madness. Read full review
38
New York Daily NewsJack Mathews
For a much better film about a similar story, rent "The World's Fastest Indian," with Anthony Hopkins on a motorcycle.
30
L.A. WeeklyScott Foundas
It has a terminal case of the cutes crossed with the labored earnestness of a disease-of-the-week melodrama. Read full review
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