| Sony Pictures Classics | Release Date: March 8, 1996 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
18
Mixed:
2
Negative:
1
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Critic Reviews
Almodovar, who in the past has made dark comedy out of jealousy and infidelity and even rape and suicide, here casts a less absurdist, more empathetic eye on his characters. The world they navigate is still full of bizarre coincidences and random cruelties, but the filmmaker's stance is a little less distant, the laughter degrees warmer and the emotions correspondingly magnified.
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Far from abandoning his trademark humor, however, the writer-director skillfully enlists it in the service of an emotional story, charting the heroine's journey from loss and torment to rediscovered strength and hope. Propelled by stellar performances and a script that resonates with intelligence, subtlety and surprises, this is by far Almodovar's best film in years.
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Beautifully wrought and wonderfully acted, The Flower of My Secret is in fact the kind of film that George Cukor often made - and he surely would have been delighted at Almodovar's deft blend of humor, tenderness and wisdom. [13 Mar 1996]
If Leo's situation seems like a typical opening gambit by the director of "Women on the Verge of a Nervous Breakdown" and "Tie Me Up! Tie Me Down!", little else in this tight, quiet, razor-sharp film will feel familiar. [12 Apr 1996]
Secret isn't the usual romp, but it's Almodovar's most committed work in years. [7 Mar 1996]
The Flower of My Secret is a return to form, although not a return to the sort of campy, transgressive comedies that rocketed Almodovar to the top of Spanish cinema during the liberated post-Franco early 1980s. [12 Mar 1996]
The movie's metaphorical dimensions rarely interfere with the concrete, quirky pleasures of its story. The Flower of My Secret is Mr. Almodovar's most entertaining work since his phenomenal "Women on the Verge of a Nervous Breakdown." [15 Mar 1996]
In short, Almodovar opens some new doors to his artists here, and they respond in surprising, captivating ways. [29 Mar 1996]
It's not nearly as good as "Women," but it's still his most likable film since, and there is some definite magic in it. [5 Apr 1996]
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