| Briarcliff Entertainment | Release Date: December 25, 2020 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
17
Mixed:
1
Negative:
0
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Critic Reviews
The Dissident feels essential. This is a somber piece of work; it’s not likely to cheer anyone up. But if the details of the Khashoggi case aren’t for the faint of heart, facing the facts squarely is at least somewhat cleansing. And as the story of a man who put his life on the line for his ideals, it’s as bracing a narrative as any novelist could invent.
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The TelegraphMar 12, 2021
What with all this material, and the focus on Cengiz and Abdulaziz as key players in the ongoing story, The Dissident has a lot to juggle. We can forgive Fogel if his portrait of Khashoggi himself seems a touch incomplete: with its restless style of activism, the film arguably builds on his legacy better than it would have done as a work of retrospective biography.
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For all its wealth of detail and thematic ambition, The Dissident is a good documentary that never quite becomes great. Because Fogel spends a lot of this film re-reporting a story that was in all the papers, all over the world, for months, watching The Dissident at times feels like hearing someone summarize a bestselling murder-mystery novel, while ominous “true crime” music plays incessantly on the soundtrack.
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Thorough and competent, The Dissident works as an essential political documentary. It covers Khashoggi’s assassination in detail, and very clearly makes it known that Saudi Crown Prince Mohammed bin Salman is the one behind it. However, it’s certainly a step down for Fogel, and while its production is glossy and polished, the lack of inertia keeps The Dissident from reaching its full potential.
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