| A24 | Release Date: December 1, 2017 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
39
Mixed:
5
Negative:
0
|
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Critic Reviews
The Disaster Artist is a hilarious and heart-wrenching ode to outsider art, with a baffling story that would be impossible to believe if it weren’t apparently true. James Franco directs the film with sensitivity and painstaking detail, and gives a fantastic performance as one of the worst filmmakers - and one of the most unusual human beings - ever.
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The PlaylistMar 14, 2017
IndieWireMar 13, 2017
From laugh to laugh — and there are many — you might question the target of the jokes, but that’s often because The Disaster Artist rarely works on one level: There’s meta humor, self-referential gags, and human reverence paid to the earnest pursuit of a Hollywood dream. Such are the layered joys of this exuberant — if surprisingly conventional — buddy comedy about the making of the worst movie of all time.
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The case could be made that The Disaster Artist is a little too sunny for a movie about a clearly damaged man whose lifelong drive to create something beautiful only led to his becoming a symbol of grand-scale failure. But in addition to making me laugh, hard, at a time when cathartic laughter is all but a medical necessity, this portrait of the artist as a not-so-young weirdo struck me as peculiarly moving.
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Wiseau’s odd appeal is the only reason anything in The Disaster Artist is remotely believable, even though it’s based on a true story. James Franco is magnetic in the role, so committed to precisely replicating Wiseau’s unique presence, that you understand why so many people went along for the ride with him.
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How’s the movie? Extremely entertaining and fairly pointless, and it will probably be taken for a classic by a generation that has likewise never heard of Tim Burton’s “Ed Wood” (1994), a movie that plumbed the wayward soul of its misbegotten moviemaker to depths The Disaster Artist never manages to touch.
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Movie NationNov 20, 2017
It’s more clever than brilliant, more respectfully mocking than affecting, and it allows us to step back and consider the wisdom of the whole enterprise — hurling legions of stars and lots of Hollywood cash at a movie about making a really bad — though not the “worst ever made” — motion picture.
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This sweet, affectionate (and unapologetically slight) comedy is an all-too-rare homage to harmless, hilarious incompetence, at a time when there is plenty of the more hurtful kind to go around. If it isn’t quite up to the standards of “Ed Wood,” Tim Burton’s 1994 tribute to the auteur of such misbegotten fruits of moviemaking as “Plan 9 From Outer Space,” it is nonetheless a much-needed distraction.
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Not only does Franco entertainingly capture all the attendant insanity -- as written about by "The Room" co-star Greg Sestero in the 2013 book on which The Disaster Artist is based -- but he has fun with it. He also, however, takes the opportunity to dig a little deeper and find the humanity at the root of it all.
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Franco has a fan’s affection for Wiseau’s mannerisms, but if his objective was to lionize him as an outsider auteur à la Ed Wood, then he’s failed. The idea that The Room’s strange and bitter qualities are very personal and rooted in some deep pain is obvious to anyone who’s seen the film—except, it seems, to the star and director of this movie.
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