The Disappearance of Eleanor Rigby: Them

Weinstein Company, The | Release Date: September 12, 2014

6.1	USER SCORE Generally favorable reviews based on 41 Ratings

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AvrilSep 22, 2014

A beautiful, Intriguing character study of a couple's struggle with adversity. Deeply moving, beautifully acted with a somewhat flawed script. Not an entirely perfect film, but definetly worth the watch for Jessica Chastain's flawlessA beautiful, Intriguing character study of a couple's struggle with adversity. Deeply moving, beautifully acted with a somewhat flawed script. Not an entirely perfect film, but definetly worth the watch for Jessica Chastain's flawless performance, and the ensemble supporting cast who all shine in their own way.… Expand

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JLuis_001Sep 7, 2017

This is the conclusive work of The Disappearance of Eleanor Rigby. Them is the sum of the two films in a more concise and edited form, its theme and development may be a little less digestible for people who enjoy romantic comedies where loveThis is the conclusive work of The Disappearance of Eleanor Rigby. Them is the sum of the two films in a more concise and edited form, its theme and development may be a little less digestible for people who enjoy romantic comedies where love always triumphs and suffering is only temporary, here is a certain realism and is shown in a more dynamic and much more serious approach.… Expand

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amheretojudgeSep 12, 2019

Just for the performance and the chemistry, you can go through this therapy again.

The Disappearance Of Eleanor Rigby Ned Benson, the writer and director, sings a love song of two stanzas in this trilogy. A love story told from theJust for the performance and the chemistry, you can go through this therapy again.

The Disappearance Of Eleanor Rigby

Ned Benson, the writer and director, sings a love song of two stanzas in this trilogy. A love story told from the perspective of both the partners, the film is properly balanced. Going through the script Benson's most of the time is spent upon just doing that. Balancing it. And as much effortful it would be, it is equally easy on the screen. And that is his biggest achievement and probably compliment too. The film looks easy. It flows smoothly. The supporting characters makes sense, the conversations necessary and the circumstances falls into place naturally. And maybe that's why the individual chapters speaks more to you. The complex nature of the other side is thrown right at your face which you aren't expecting, especially in a film like such, of a genre like such.

The film divided itself visually in two colours. These colors represent the nature of the characters that steers the film. For instance the blue shade that James McAvoy carries is the suppressed emotional background that never makes him decide anything. And if it does, it is not his favourite position to be at. He can't choose. Jessica Chastain is quite opposite on that note. Her sunny shaded colour signifies the active nature of hers on that relationship, where her good or bad deeds and self-appointed position of choosing things; deliberately or accidentally, lights the fire.

Them

This final chapter- not actually- doesn't serve a purpose beyond the fact that if you wish to know what actually happened. And as a result, you have to watch the first two chapters. But if you do, then 90 percent of the film is already in your pocket. Yet, with crisp clean editing, you can learn from the film, how a first draft of a script is edited out.… Expand

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