Weinstein Company, The | Release Date: October 10, 2014
7.5
USER SCORE
Generally favorable reviews based on 26 Ratings
USER RATING DISTRIBUTION
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20
Mixed:
4
Negative:
2
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6
lasttimeisawMar 5, 2015
The sadness of being an incorrigible completist, I have to finish all these three films before writing my review, Ned Benson’s ambitious feature-length debut is a post-trauma story of a young couple Conor (McAvoy) and Eleanor (Chastain) inThe sadness of being an incorrigible completist, I have to finish all these three films before writing my review, Ned Benson’s ambitious feature-length debut is a post-trauma story of a young couple Conor (McAvoy) and Eleanor (Chastain) in New York after losing their child in an unspecified accident, HIM centres on Conor and HER centres on Eleanor in the same time period, then interweaves these two versions together, there arrives THEM, one can get an overall view of their paralleled life. So basically, I have watched the same movie twice, and certain scenes three times where the path of Conor and Eleanor converges.

to keep reading my review, google my blog: cinema omnivore, thanks
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4
BogKidFeb 7, 2015
OK, call me insensitive. I simply could not make myself interested in this movie. I found Conor and Eleanor to be supremely uninteresting and uninvolving people. I simply did not care. I must admit that the only positive aspect I foundOK, call me insensitive. I simply could not make myself interested in this movie. I found Conor and Eleanor to be supremely uninteresting and uninvolving people. I simply did not care. I must admit that the only positive aspect I found in this film was Ciaran Hinds in the case. I also have to admit that there is a disconnect between myself and Jessica Chastain. I doubt that she is worried about this, but I simply do not find her to be believable in most of her characterizations. Expand
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1
BroyaxJan 17, 2017
Il s'agit d'un triptyque et je me demande si j'ai commencé par le bon numéro, car on n'y comprend pas grand'chose, rien pour ainsi dire sauf vers la fin... si on a tenu jusque là... ce qui n'est pas gagné ! Mais on comprend éventuellementIl s'agit d'un triptyque et je me demande si j'ai commencé par le bon numéro, car on n'y comprend pas grand'chose, rien pour ainsi dire sauf vers la fin... si on a tenu jusque là... ce qui n'est pas gagné ! Mais on comprend éventuellement pourquoi sa copine se met à chier des pendules à toute heure tout-à-coup. C'est au moins l'occasion d'apprécier cette actrice pleine de charme et d'un talent certain, Jessica Chastain... parce que l'autre quiche McAvoy, c'est un peu la buse du 7ème Art : il serait mieux au sous-sol.

A part ça, on se fait hyper chier dans cette sentimentalerie à deux balles, on se fait tellement chier qu'on se croirait... dans un psychodrame français. Tiens, la preuve : y a même Isabelle Huppert dedans, si c'est pas un signe, ça ! Le chassé-croisé entre ces deux imbéciles est particulièrement usant : Jessica revient, Jessica s'en va... puis elle revient et puis... gnagnagna. Le coup de grâce vient, pour sa part, des dialogues, lequels sont à s'attacher les balloches au cul d'une Glof TDI au contrôle anti-pollution.
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7
JLuis_001Sep 7, 2017
This film is a job well done but with its failures, the biggest is that by its concept and the way in which it is portrayed, it is impossible to feel that you are seeing an incomplete movie, regardless of whether you are or not aware of theThis film is a job well done but with its failures, the biggest is that by its concept and the way in which it is portrayed, it is impossible to feel that you are seeing an incomplete movie, regardless of whether you are or not aware of the film that complements this work.
But under all circumstances, The Disappearance of Eleanor Rigby: Him is not a bad choice at all and the truth in my opinion is worth seeing even if it entails watching another movie to absorb its full story.
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7
amheretojudgeSep 12, 2019
McAvoy did choose to be something and everything in every scene, the only common thing would be his moving performance.

The Disappearance Of Eleanor Rigby Ned Benson, the writer and director, sings a love song of two stanzas in this
McAvoy did choose to be something and everything in every scene, the only common thing would be his moving performance.

The Disappearance Of Eleanor Rigby

Ned Benson, the writer and director, sings a love song of two stanzas in this trilogy. A love story told from the perspective of both the partners, the film is properly balanced. Going through the script Benson's most of the time is spent upon just doing that. Balancing it. And as much effortful it would be, it is equally easy on the screen. And that is his biggest achievement and probably compliment too. The film looks easy. It flows smoothly. The supporting characters makes sense, the conversations necessary and the circumstances falls into place naturally. And maybe that's why the individual chapters speaks more to you. The complex nature of the other side is thrown right at your face which you aren't expecting, especially in a film like such, of a genre like such.

The film divided itself visually in two colours. These colors represent the nature of the characters that steers the film. For instance the blue shade that James McAvoy carries is the suppressed emotional background that never makes him decide anything. And if it does, it is not his favourite position to be at. He can't choose. Jessica Chastain is quite opposite on that note. Her sunny shaded colour signifies the active nature of hers on that relationship, where her good or bad deeds and self-appointed position of choosing things; deliberately or accidentally, lights the fire.

Him

James McAvoy as a definitive, boundary lined, wanna-be-something is a difficult character to portray. Most importantly because I know a person like him and the vulnerability that he has captured is something that I connect with instantly. And adding more to the troubles, he is then, in the film, told to select what kind of a person he wishes to be, that part of this three part story is my favourite.
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