| A24 | Release Date: June 19, 2026 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
16
Mixed:
15
Negative:
2
|
Critic Reviews
Jun 11, 2026
This “Robin Hood” transitions into contemplative, philosophical registers while never slacking in suspense. It is, at its core, a redemption story, simple in persuasive ways yet richly complicated by difficult personalities and atrocious revelations. Coincidences that would seem narratively convenient in lesser narratives are imbued with a classical feeling of fate.
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Screen RantJun 19, 2026
It's a strong third film by Michael Sarnoski, even if it has some shaggy edges that could have been improved. Filmed with a moody sense of atmosphere and bolstered by strong performances, The Death of Robin Hood has terrific depth and thematic richness that keeps the movie from ever feeling too downbeat to stop being compelling.
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Next Best PictureJun 11, 2026
[Sarnoski's] greatest accomplishment is crafting beautifully intimate portraits of these earnest subjects, set within aesthetically pleasing arenas that highlight impressive craft and alluring performances. It’s an inventive take on Robin Hood to strip away the merry men, nasty sheriffs, and pining love interests. This presentation is much more somber, yet in a way that conveys a far greater significance. It’s what turns what could have been a needless adaptation into a profound experience.
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IndieWireJun 11, 2026
The Death of Robin Hood isn’t revisionist history — it’s a history of revisionism. One that fittingly creeps further into fiction with every claim it makes towards “the truth,” as Sarnoski’s ultra-austere effort to cut through a millennium of myths can’t help but create a hard-to-swallow fable of its own along the way.
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Jun 18, 2026
It is the sort of film to which you want to apply the word “visionary,” which is to say that it’s clear the filmmaker had a vision and stuck to it admirably. Nothing in the movie is easy or comforting. Little about it even feels like a gesture toward those enamored of other Robin Hood tales.
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SlashfilmJun 11, 2026
As The Death of Robin Hood crawled towards its inevitable conclusion, I found myself growing wistful, though I can't quite say why. It wasn't that I felt a particular emotional connection to any of the characters. It was more that the narrative was so abundant with feelings of regret and loss that it drilled down into my chest and brought out a vague sense of pensive sadness.
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Jun 11, 2026
The Death of Robin Hood holds our attention for the sheer severity of its reinvention, the rooted, hessian-rough vividness of its ruined world, and its earnest, complex preoccupation with matters of the soul — a vanishingly rare virtue in the multiplex in general, let alone in the realm of endlessly repurposed IP.
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Jun 11, 2026
The brooding pace and relative silence that characterize writer-director Michael Sarnoski’s The Death of Robin Hood is more evocative of his standout debut film Pig than it is his far more mainstream A Quiet Place: Day One, making this elegiac but brutal period piece his most niche and least accessible film yet. Still, its heady mix of mournful drama and murderous action certainly distinguish it from the litany of other Robin Hood films in existence.
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