The Dark Knight Rises
Warner Bros. Pictures | Release Date: July 20, 2012 CRITIC SCORE DISTRIBUTION
78
METASCORE
Generally favorable reviews based on 45 Critic Reviews
Positive:
37
Mixed:
6
Negative:
2
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Critic Reviews

Critic scorePublicationBy date
100
The PlaylistTodd GilchristJul 23, 2012
A cinematic, cultural and personal triumph, The Dark Knight Rises is emotionally inspiring, aesthetically significant and critically important for America itself – as a mirror of both sober reflection and resilient hope. Read full review
100
St. Louis Post-DispatchJoe WilliamsJul 19, 2012
The conclusion of Christopher Nolan's superhero trilogy is a hugely ambitious mix of eye candy and brain food. If it doesn't have the haunting aftertaste of the previous serving, that's only because Nolan couldn't clone Heath Ledger. But beefy substitute Tom Hardy is a hell of a villain. Read full review
100
SalonAndrew O'HehirJul 18, 2012
If The Dark Knight Rises is a fascist film, it's a great fascist film, and arguably the biggest, darkest, most thrilling and disturbing and utterly balls-out spectacle ever created for the screen. It's an unfriendly masterpiece that shows you only a little circle of daylight, way up there at the top of our collective prison shaft - but a masterpiece nonetheless. Read full review
100
Los Angeles TimesKenneth TuranJul 18, 2012
Potent, persuasive and hypnotic, The Dark Knight Rises has us at its mercy. A disturbing experience we live through as much as a film we watch, this dazzling conclusion to director Christopher Nolan's Batman trilogy is more than an exceptional superhero movie, it is masterful filmmaking by any standard. Read full review
100
Miami HeraldRene RodriguezJul 18, 2012
This is not the sort of movie you can just leave behind in the theater. And like any true finale to a trilogy, the picture doesn't work nearly as well if you haven't seen the previous two installments: It's not designed to stand alone, and it pays off all that has come before with an exuberant, thrilling high. Read full review
100
New York PostLou LumenickJul 18, 2012
Christopher Nolan's dramatically and emotionally satisfying wrap-up to the Dark Knight trilogy adroitly avoids clichés and gleefully subverts your expectations at every turn. Read full review
100
TimeRichard CorlissJul 16, 2012
"The Avengers" is kid stuff compared with this meditation on mortal loss and heroic frailty. For once a melodrama with pulp origins convinces viewers that it can be the modern equivalent to Greek myths or a Jonathan Swift satire. TDKR is that big, that bitter - a film of grand ambitions and epic achievement. The most eagerly anticipated movie of summer 2012 was worth waiting for. Read full review
100
EmpireNev PierceJul 16, 2012
With spectacle in abundance and sexiness in (supporting) parts, this is superhero filmmaking on an unprecedented scale. Rises may lack the surprise of Begins or the anarchy of Knight, but it makes up for that in pure emotion. Read full review
100
Total FilmMatthew LeylandJul 16, 2012
A smart, stirring spectacle that faces down impossible expectations to pull off a hugely satisfying end to business. Read full review
100
The Hollywood ReporterTodd McCarthyJul 16, 2012
Makes everything in the rival Marvel universe look thoroughly silly and childish. Entirely enveloping and at times unnerving in a relevant way one would never have imagined, as a cohesive whole this ranks as the best of Nolan's trio, even if it lacks -- how could it not? -- an element as unique as Heath Ledger's immortal turn in The Dark Knight. It's a blockbuster by any standard. Read full review
91
The A.V. ClubScott TobiasJul 18, 2012
The miracle of Nolan's Batman trilogy is the way it imprints those myths with the dread-soaked tenor of the times. Read full review
90
VarietyJustin ChangJul 16, 2012
While The Dark Knight Rises raises the dramatic stakes considerably, at least in terms of its potential body count, it doesn't have its predecessor's breathless sense of menace or its demonic showmanship, and with the exception of one audacious sleight-of-hand twist, the story can at times seem more complicated than intricate. Read full review
88
Boston GlobeTy BurrJul 18, 2012
Nolan brings his Batman trilogy to a close with a majestic, almost completely satisfying crash. Everything feels epic about the film: the characters, the effects, the emotional stakes - even the missteps (and there are more than a few). Read full review
88
The Globe and Mail (Toronto)Brad WheelerJul 17, 2012
It's not only packed with high-toned classical and contemporary cultural allusions, but manages to wear its popcorn inspirations on its sleeve. Read full review
88
Washington PostAnn HornadayJul 17, 2012
Most important, does The Dark Knight Rises achieve the impossible, which is to bring a cherished cinematic chapter to a close, yet manage to leave fans feeling not desolate but cheered? To that all-important question, the answer is an unequivocal yes. Read full review
88
ReelViewsJames BerardinelliJul 17, 2012
The Dark Knight Rises ultimately justifies its length (in fact, a good argument could be made for a longer cut) and the last 45 minutes is nothing short of spectacular. From the point where the narrative takes a leap of faith, it never lets up. Read full review
88
Rolling StonePeter TraversJul 16, 2012
The sheer scope of Nolan's vision – with emotion and spectacle thundering across the screen – is staggering. The Dark Knight Rises is the King Daddy of summer movie epics. Read full review
85
NPRBob MondelloJul 20, 2012
As you might expect from the creator of "Inception" and "Memento," there are surprises both in the story and in the storytelling. But the biggest surprise may just be how satisfying Nolan has made his farewell to a Dark Knight trilogy that many fans will wish he'd extend to a 10-part series, at least. Read full review
80
The New York TimesManohla DargisJul 18, 2012
Believable and preposterous, effective as a closing chapter and somewhat of a letdown if only because Mr. Nolan, who continues to refine his cinematic technique, hasn't surmounted "The Dark Knight" or coaxed forth another performance as mesmerizingly vital as Heath Ledger's Joker in that film. Read full review
80
New York Daily NewsJoe NeumaierJul 17, 2012
While director Christopher Nolan and star Christian Bale's epic of criminality and all-consuming conviction ultimately falls a bit short - missing, for instance, a villainous face a la Heath Ledger's Joker - their Batman trilogy ends with a suitably thrilling mix of guts and glory. Read full review
80
Arizona RepublicBill GoodykoontzJul 17, 2012
The Dark Knight Rises brings the Batman story to a close in enormous, satisfying fashion, not just on the huge scale it builds for itself, but on a human level as well. Read full review
80
Wall Street JournalJoe MorgensternJul 16, 2012
It's spectacular, to be sure, but also remarkable for its all-encompassing gloom. No movie has ever administered more punishment, to its hero or its audience, in the name of mainstream entertainment. Read full review
80
The GuardianXan BrooksJul 16, 2012
The Dark Knight Rises may be a hammy, portentous affair but Nolan directs it with aplomb. He takes these cod-heroic, costumed elements and whisks them into a tale of heavy-metal fury, full of pain and toil, surging uphill, across the flyovers, in search of a climax. Read full review
78
Austin ChronicleMarc SavlovJul 19, 2012
I said once before that every generation gets the superhero it deserves, and Nolan's darkest of dark knights is surely ours – and no more so than in this current incarnation. (Granted, this doesn't bode well for society, but hey, things are bleak all over.) Read full review
75
MovielineMichelle OrangeJul 19, 2012
The Dark Knight aspires to the epic and reaches it on a number of impressive and less impressive levels. That it is a frequently, unnervingly glorious triumph of brawn over brains is not despite but in spite of Nolan's admirably stubborn - if persistently, risibly serious - insistence that the modern superhero can have it all. Read full review
75
Charlotte ObserverLawrence ToppmanJul 19, 2012
Director Christopher Nolan, who wrote the script with brother Jonathan, gets so many of the big things right that I wished they had taken more time with the little ones. Read full review
75
Portland OregonianShawn LevyJul 19, 2012
The Dark Knight Rises is reasonably accomplished as a gigantic superhero movie; as a meditation on capital and its personal and social discontents, it's strictly from the funny pages. Read full review
75
USA TodayClaudia PuigJul 18, 2012
While it's the most ambitious of the three films, it's not as mesmerizing as 2008's "The Dark Knight." The plot is occasionally murky, its archvillain lacks charismatic menace, and the last hour is belabored. Read full review
75
Philadelphia InquirerSteven ReaJul 18, 2012
If you just give yourself over to Nolan's sweeping, symphonic Cowled Crusader saga, The Dark Knight Rises is, well, a blast. Read full review
75
Slant MagazineNick SchagerJul 18, 2012
Christopher Nolan's capper of his Batman trilogy is a summer blockbuster of grand inclinations in both form and content. Read full review
75
Chicago Sun-TimesRoger EbertJul 17, 2012
The film begins slowly with a murky plot and too many new characters, but builds to a sensational climax. Read full review
75
Tampa Bay TimesSteve PersallJul 17, 2012
The Dark Knight Rises declares its importance with each scene but seldom backs up the claims. It is a climax more fitful than fulfilling, solemn to a fault and begging the Joker's question: "Why so serious?" Read full review
75
Entertainment WeeklyLisa SchwarzbaumJul 17, 2012
Chaos reigns for much of The Dark Knight Rises, often in big, beautiful, IMAX-size scenes that only Nolan could have conceived. Yet when the apocalyptic dust literally settles on this concluding chapter, the character who lingers longest in memory is an average Gotham City cop named John Blake, wonderfully played with human-scale clarity by Joseph Gordon-Levitt. Read full review
75
IndieWireEric KohnJul 16, 2012
A spectacular noir epic that's equal parts murky, bloated, flashy and triumphantly cinematic. Four years after Nolan's "Batman Begins" sequel "The Dark Knight" rattled audiences with a similar audiovisual overload, the new movie falls into the same rhythm and remains viscerally satisfying even when the story falters. Read full review
70
The New YorkerAnthony LaneJul 23, 2012
Christopher Nolan, for all his visionary flair, wants to suck the comic out of comic books; Anne Hathaway wants to put it back in. Take your pick. Read full review
70
Boxoffice MagazineAmy NicholsonJul 16, 2012
A fine film in a strong summer, but it lacks the spark that made its immediate predecessor a masterpiece. Read full review
63
Chicago TribuneMichael PhillipsJul 17, 2012
Now comes The Dark Knight Rises, which makes "The Dark Knight" look like "Dora the Explorer" and is more of a 164-minute anxiety disorder than a movie. Read full review
60
New Orleans Times-PicayuneMike ScottJul 18, 2012
Doesn't rise as much as it flounders and frustrates, in what would appear to be a case of a filmmaker prioritizing ego over efficiency, and engaging in generally muddled storytelling. Read full review
60
Time OutDavid FearJul 16, 2012
Grand scale or no, this feels like a blockbuster on autopilot more often than not, curiously detached and self-importantly somber even by the director's standards - and without the cerebral heft of his best work. Read full review
58
Christian Science MonitorPeter RainerJul 20, 2012
Were it not for Anne Hathaway's Catwoman-ish Selina Kyle, there wouldn't be a single character in "Rises" who cracks a smile. I'm not arguing that "Rises" should be "Singin' in the Rain." But its Wagnerian ambitions are not matched by its material. It hasn't earned its darkness. Read full review
50
San Francisco ChronicleMick LaSalleJul 18, 2012
Moments are stretched. Every recollection must be illustrated by a flashback. Character motivations shift on a dime, and if you understand even half of what's going on - not generally, but specifically - you'll be doing better than most. Read full review
40
SlateDana StevensJul 19, 2012
At over two hours and forty minutes long, with repeated scenes of bone-crunching violence and a maddeningly unrelenting percussive score by Hans Zimmer, The Dark Knight Rises is something of an ordeal to sit through. Read full review
40
Village VoiceNick PinkertonJul 17, 2012
The Dark Knight Rises is a shallow repository of ideas, but as a work of sheer sensation, it has something to recommend. Read full review
30
Chicago ReaderJ.R. JonesJul 20, 2012
The script, by Nolan and his brother Jonathan, takes a few vague pokes at Wall Street and the financial elite but mainly revives the ponderous psychodrama of the first movie. Read full review
25
ObserverRex ReedJul 18, 2012
Halfheartedly, I give The Dark Knight Rises - the third and final Batflick in the Nolan trilogy - one star for eardrum-busting sound effects and glaucoma-inducing computerized images in blinding Imax, but talk about stretching things. Read full review
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