The Conformist

Paramount Pictures | Release Date: October 22, 1970

7.8	USER SCORE Generally favorable reviews based on 88 Ratings

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GaborA.Jan 3, 2007

A visual masterpiece, but also completely unabsorbing. The scenery and characters are a joy to look at, but its impossible to get into their heads because nothing they do makes sense in the least bit. This seems to be true about most A visual masterpiece, but also completely unabsorbing. The scenery and characters are a joy to look at, but its impossible to get into their heads because nothing they do makes sense in the least bit. This seems to be true about most Bertolucci films. Luckily Coppola snatched Vittorio Storaro away from him for a few years and gave us a true masterpiece both visually and in terms of storytelling called Apocalypse Now.… Expand

1 of 1 users found this helpful

Serrao_BrochadoAug 9, 2012

Good acting performance and cast. The movie sets and the production are also striking. And that's it... Only visual stuff. In my opinion, the movie is overrated, perhaps, because of the stigma post-fascism and post-Nazi, still felt in theGood acting performance and cast. The movie sets and the production are also striking. And that's it... Only visual stuff. In my opinion, the movie is overrated, perhaps, because of the stigma post-fascism and post-Nazi, still felt in the 70's. By this I mean that a film like this, which casts a harsh critique of fascism, would be easily remarkable at a time when in Europe there were still "scars" of World War II. The message is, nonetheless, very interesting and important to impart. But I do not think this movie deserves the same score of Lawrence of Arabia and The Godfather ... Overrated my friends...… Expand

1 of 1 users found this helpful10

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DomgwyDec 20, 2017

Until I watched The Conformist my only experience of Italian filmmaker Bernardo Bertolucci was 2003‘s The Dreamers starring Eva Green and Michael Pitt. Needless to say I found The Dreamers an easier watch, not least because the majority ofUntil I watched The Conformist my only experience of Italian filmmaker Bernardo Bertolucci was 2003‘s The Dreamers starring Eva Green and Michael Pitt. Needless to say I found The Dreamers an easier watch, not least because the majority of that film is in English. The same cannot be said for The Conformist Bertolucci’s 1970 political drama. Spoken in Italian and French the film focuses on Marcello (Jean-Louis Trintignant) a young man starting a career in the Mussolini government. The film centers around Marcello’s mission to assassinate his former University Professor Quardri (Enzo Tarascio) who has fled to France. While this mission provides the essential plot, the film is essentially a character study of Marcello, the Conformist of the title. Through a number of flashbacks, Marcello’s childhood, marriage and his relationship with his parents are explored in detail.

The flashbacks form the first half of the film and while they inform the events that follow the non-liner time frame along with the language barrier can be confusing at times. By exploring certain traumatic incidents in his childhood as well as the strained relationships with his morphine-addicted mother and his mentally ill father, we understand why Mercello is the way he is and why above all he strives to conform to the world around him, socially, politically and sexually.

Mercello’s mission is further complicated by the presence of his new wife Giulia (Stefania Sandrelli) who believes that they are traveling to Paris for their honeymoon. The character of Giulia is deliberately irritating and when the Professors young wife (Dominique Sanda) is introduced she provides a huge contrast. The film then goes through a period of a becoming a love-quadrangle of sorts between Mercello, Quardri and their wives while the two men try to figure each other out. This in itself could have provided the basis for an entire film and in the wider context of the running time it feels a little rush.

All the same everything that has gone before makes the climatic scene in the French mountains all the more powerful and we are now so deeply invested into Mercello’s character that he doesn’t need to speak.

In a final dénouement the film flashes forward to the end of Mussolini’s dictatorship and we witness Mercello struggling to come to terms with his past. To reveal more than this would be a spoiler but lets just say the incident with the professor is not the only skeleton in Mercello’s closet.

Your enjoyment of the film to some extent depends on your attitude towards subtitles. To me the only issue with subtitles is that it detracts from the performances, as your focusing on the text rather than the actor speaking. With repeat viewings this becomes less of an issue though and given its depth and complexity The Conformist definitely needs revisiting.… Expand

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