| Warner Bros. | Release Date: December 25, 2023 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
34
Mixed:
15
Negative:
0
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Critic Reviews
Director Blitz Bazawule does well to draw out multifaceted performances from his cast, particularly Barrino and Brooks, and with them the big emotional beats all manage to land well enough. Yet the musical flights of fancy feel creatively bound by the stage adaptation and lack a certain eccentric pizazz.
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It’s far from a ham-fisted, tasteless Bialystocky nightmare. But neither does it avoid some jarring dissonance, as Celie, a young Black woman in 1900s Georgia, goes from a deep personal hell to some hard-won peace via slickly choreographed saloon-bar stompers, banjo-picking blues numbers, and an awkwardly-staged soul ballad framed within an RKO-style dream sequence.
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The Color Purple is not a particularly intimate or introspective musical; its numbers are big, very much meant to be sung to a big audience, maybe even to have the audience sing them back to the stage or the screen. For both movie and play, it feels as much like a trip to church as it is a trip to the theater.
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For the first two hours, it’s absorbing: big song-and-dance numbers and emotional set pieces, dynamic performances from everyone, and a feeling of reverence for the story and what it’s meant for 40 years give it gravitas and heart. . . Yet by the end it’s clear that the story remains slippery to would-be adapters.
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The GuardianDec 19, 2023
The Color Purple offers some entertaining moments, however the sum of it is much less than some of its standout parts. Bazawule clearly had a vision in adapting this story once more, and he’s aided by excellent work from cinematographer Dan Lausten and costume designer Francine Jamison-Tanchuck, yet that vision never fully coheres.
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