The Cider House Rules

Miramax Films | Release Date: December 10, 1999

8.5	USER SCORE Universal acclaim based on 127 Ratings

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ahmedaiman1999Apr 7, 2020

While I get the moral of the story and I think the protagonist's character narrative arc ـــ besides that I was invested in it as a whole ـــ do the moral justice, the touchy themes that are tackled here feel utterly awkward and evenWhile I get the moral of the story and I think the protagonist's character narrative arc ـــ besides that I was invested in it as a whole ـــ do the moral justice, the touchy themes that are tackled here feel utterly awkward and even strangely disturbing, especially given the sentimental tone the film approaches its story with. That overall resulted in a film that there's no right demography for. I wonder whether John Irving's novel itself is muddled like this or is it the screenplay, also written John Irving, intentionally glossed over said themes in order to match Hallström's sweet-natured direction, which I have no problem with to be clear. One last issue I have, I think the first 15-20 minutes are slightly overly-expository, unfocused and jumpy, and therefore it took me a while to be invested in the story.

However, I think I liked it a little. I was quite invested in the character of Homer Wells as I mentioned but other than that, I think all all the performances are great: Paul Rudd really surprised me in this dramatic role; Michael Caine is great as ever even if I still believe Tom Cruise deserved the Oscar for best supporting role in Magnolia more than him; Charlize Theron really brought her character to life; and Tobey Maguire delivered one of his best performances to say the least. Moreover, I was somewhat moved by the many storylines that concern the orphanage. (6.5/10)… Expand

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PatC.Nov 30, 2006

A "Summer of 42" for intellectuals. Tedious in some spots, too polished in others, and upon reflection smacks of an insidious agenda glorifying situational ethics. Oh, and not one character is completely developed. Other than that, nothing A "Summer of 42" for intellectuals. Tedious in some spots, too polished in others, and upon reflection smacks of an insidious agenda glorifying situational ethics. Oh, and not one character is completely developed. Other than that, nothing majorly wrong with this film.… Expand

0 of 0 users found this helpful