The Brass Teapot
Magnolia Pictures | Release Date: April 5, 2013 CRITIC SCORE DISTRIBUTION
43
METASCORE
Mixed or average reviews based on 16 Critic Reviews
Positive:
3
Mixed:
9
Negative:
4
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Critic Reviews

Critic scorePublicationBy date
60
NPRStephanie ZacharekApr 4, 2013
The Brass Teapot too often devolves into stale slapstick. Read full review
60
Film.comJordan HoffmanApr 2, 2013
Despite the numerous patchy moments The Brass Teapot by and large squeaks by as an enjoyable entertainment. Read full review
50
New York PostSara StewartApr 4, 2013
Temple and Angarano, entertaining enough, never quite sell the idea that this goodhearted couple would be so easily transformed by greed. Read full review
50
Wall Street JournalJoe MorgensternApr 4, 2013
Alice and John are good company — especially Alice, thanks to Ms. Temple's buoyant humor and lovely poignancy. The problem comes when the couple gets greedy, the gods grow angry and the tone turns dark. It doesn't stay dark, but getting back to the brightness is a painful process. Read full review
50
The Hollywood ReporterFrank ScheckApr 3, 2013
While its supernatural premise might have fueled a perfectly good Twilight Zone episode, The Brass Teapot strains to fill its feature-length running time. Read full review
50
ObserverRex ReedApr 2, 2013
Far from the offbeat satire on the American dream gone sour it aims to be, The Brass Teapot is more like a dark flirtation with the American nightmare that backfires. Read full review
50
Slant MagazineNick McCarthyApr 1, 2013
Imbued with a buoyant mysticism, the film is more gag-friendly than idea-based, primarily relying on the considerable charm of its leads to ground its supernatural conceit. Read full review
50
The PlaylistMark ZhuravsyMar 1, 2013
With the help of a talented cast, The Brass Teapot is able to coast on charm for the first hour, but then the fairytale idea that powers the film runs out of juice, and the last forty-five minutes hurtle toward a wrap-up that feels both awkward and overwrought, needlessly portentous and arriving much too late. Read full review
40
The New York TimesNicolas RapoldApr 4, 2013
The movie’s best bits lose out to the requisite moral turnaround. Read full review
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