The Black Cauldron

The new boys know how to create wonderful transformations in a character's expression with a deft stroke or two, and they have mastered the deliciously parodistic plasticity required by the movements of their ever twisting-turning-tumbling creatures. Their pastoral scenes still glow with the old Disney sweetness, and the ones of foreboding glower with the old relish for the grotesque. They satisfy an older viewer's nostalgic feeling for his childhood's delight while fulfilling the younger crowd's need for a kind of magic the movies too rarely even try to provide of late. It is never too early to learn that animation is still the best special effect. Read full review

A noble project, directed by Disney veterans and performed by superb actors like John Hurt and Freddie Jones. It is a carefully wrought and thoroughly enjoyable film based on the "Chronicles of Prydain" by Lloyd Alexander, the American Tolkien. [26 July 1985, p.23]

But there's still a great deal to love in The Black Cauldron. The untested animators Don Bluth left behind created some amazing sequences, including a dramatic scene of Taran's oracular pig, Hen Wen, being captured by pterodactyl-like gwythaints...For all its flaws, The Black Cauldron was a movie ahead of its time. Read full review

A fun-but-uninspired swords-and-sorcery story. Read full review

Despite its drawbacks as entertainment, it remains one of the best technical cartoon features ever produced by Disney. Read full review

It's quite good, though by the impossible standards the film sets for itself it inevitably falls short: the character design is a little smudgy, the backgrounds are somewhat unimaginative, and the secret of Disney animation's unique depth—its impeccable perspectives and shadings—seems to have been irretrievably lost. Read full review

Technically brilliant though short on narrative, The Black Cauldron is a painless, old-fashioned way to take out the kids, and a triumph for the animation department at the Disney studio, where it has been in development for almost a dozen years. Read full review

The essential problem with The Black Cauldron is that the central human character in the story is a complete drip, making it difficult to root for his success at saving the world from ruination. Read full review

If you care about animation as an art form, it is impossible not to be thrilled by Disney's "The Black Cauldron." [27 July 1985, p.1]

This is the 25th full-length animated feature from Walt Disney studios, and professionally put together as it is, many of the ingredients may seem programmed to those who have seen some of the others. Read full review

As usual it is technically excellent, but the charm, characterisation and sheer good humour that made features like Pinocchio and Jungle Book so enjoyable are sadly absent. Read full review

The Black Cauldron is the unthinkable -- a Disney animated feature to which it is inappropriate to take a 4-year-old. Admirers of complex animation will no doubt relish the careful work. But those who believe in fairies may not clap their hands. [24 July 1985, p.D6]

While more grim than most Disney films, it's not bleakness that gets in the way of The Black Cauldron succeeding; unmemorable protagonists, annoying sidekicks, an awkwardly episodic plot, and animation that ranges in appearance from impressive to cheap to unfinished take care of that. Read full review

By any hard measure, the $25 million animated Cauldron is not very original. The characters, though cute and cuddly and sweet and mean and ugly and simply awful, don't really have much to do that would remain of interest to any but the youngest minds. Read full review

Possibly not the worst animated feature the House Of Mouse has produced, but certainly stumbling around the darker recesses of the Disney vault. Read full review

In the end the taste of the brew is inferior to the bouquet, and while it's true that the cauldron is a splendiferous container, the dregs at the bottom are bitter. How 12 years and $25- million could be lavished on a movie with narrative holes big enough to swallow the film's major creation, a prophetic pig, is a conundrum that must have Uncle Walt spinning in his cryogenic crypt: this is a movie that knows how to do everything but tell a story. [26 July 1985]