The Bitter Tears of Petra von Kant
Filmverlag der Autoren | Release Date: October 12, 1973 CRITIC SCORE DISTRIBUTION
73
METASCORE
Generally favorable reviews based on 9 Critic Reviews
Positive:
8
Mixed:
1
Negative:
0
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Critic Reviews

Critic scorePublicationBy date
88
Slant MagazineEd Gonzalez
Bitter Tears offers a sensory feast that’s expanded on by the elaborate dialogue, which is poetic even as translated into English, and by the astonishingly sensual and fluid movements of the actors and the camera. Read full review
83
The A.V. ClubMike D'Angelo
It functions reasonably well as a straightforward, agonized melodrama, but it’s first and foremost a master class—co-taught by famed cinematographer Michael Ballhaus (Goodfellas, The Fabulous Baker Boys, Quiz Show), who got his start with Fassbinder—in the dynamic visual use of a constricted space, and proof that a tiny budget is no excuse. Read full review
80
Time OutStaff (Not Credited)
Coldly described, the set and costume design and the hothouse atmosphere represent so much high-camp gloss; but once again this careful stylisation enables Fassbinder to balance between parody of an emotional stance and intense commitment to it. He films in long, elegant takes, completely at the service of his all-female cast, who are uniformly sensational. Read full review
75
Chicago ReaderDave Kehr
A lesbian love triangle becomes a schema of sexual power plays in Rainer Werner Fassbinder’s most harshly stylized and perhaps most significant film. Read full review
75
TV Guide MagazineStaff (Not Credited)
The intentionally artificial campiness of the story eventually becomes touching, as it's played out against the sound of The Platters singing Smoke Gets in Your Eyes and The Great Pretender. Read full review
70
SlateLucy Sante
Every detail of staging, movement, and utterance is studied, affected to the highest degree, while the lust, anger, malice, and grief are wildly, shockingly real. Read full review
70
The IndependentRyan Gilbey
A berserk, angry, funny and exhausting analysis of sado-masochistic power games masquerading as loving relationships. Read full review
70
Los Angeles TimesStaff (Not Credited)
A demanding, harrowing drama of agonized love laced with sardonic humor. [19 Apr 1992, p.9]
40
The New York TimesNora Sayre
Clearly, the director was awash in his fantasies about lesbianism. Read full review
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