20th Century Fox Home Entertainment | Release Date: February 11, 2000
8.0
USER SCORE
Generally favorable reviews based on 266 Ratings
USER RATING DISTRIBUTION
Positive:
210
Mixed:
40
Negative:
16
Watch Now
Stream On
Stream On
Buy on
Stream On
Stream On
Expand
Review this movie
VOTE NOW
0 1 2 3 4 5 6 7 8 9 10
Check box if your review contains spoilers 0 characters (5000 max)
4
RobwinzJun 28, 2020
Don't get me wrong Leonardo DiCaprio gives a really good performance throughout this movie and the movie's got the class song from Pure Shores - The Beach. Apart from those good things about the movie, it's just not a very good one, it's gotDon't get me wrong Leonardo DiCaprio gives a really good performance throughout this movie and the movie's got the class song from Pure Shores - The Beach. Apart from those good things about the movie, it's just not a very good one, it's got decent scenes throughout but that's later on and they really don't seem to work right for some reason and the plot is just confusing, don't get me started on that. Expand
1 of 3 users found this helpful12
All this user's reviews
6
TyranianDec 1, 2019
Has many story and screenplay issues but has kinetic energy and bold themes.
0 of 5 users found this helpful05
All this user's reviews
5
danippMar 13, 2015
Leonardo DiCaprio rarely does bad films but The Beach is definitely one of the worst choices he's ever made in his career. He's fine in it, soundtrack is superb (every time I listen to "Porcelain" I remember this film) but the story is badlyLeonardo DiCaprio rarely does bad films but The Beach is definitely one of the worst choices he's ever made in his career. He's fine in it, soundtrack is superb (every time I listen to "Porcelain" I remember this film) but the story is badly developed and characters are boring. Entertaining, yeah, but there are plenty more better films about adventures that are worth seeing. Expand
0 of 15 users found this helpful015
All this user's reviews
4
MovieMasterEddyApr 2, 2016
Is it time to throw Leo to the lions? The Beach, in which Leonardo DiCaprio plays a backpacker in Thailand who thinks he has found a map to paradise, is going to piss off a lot of people just because he's in it. After his unprecedentedIs it time to throw Leo to the lions? The Beach, in which Leonardo DiCaprio plays a backpacker in Thailand who thinks he has found a map to paradise, is going to piss off a lot of people just because he's in it. After his unprecedented Titanic splash two years ago, DiCaprio took a vacation from acting, presumably to party, but in the media he was a constant source of backlash-building fascination: all Leo, all the time. The Beach returns DiCaprio, 25, to the screen, not as the talented kid who held his own against Robert De Niro in 1993's This Boy's Life but as a Hollywood player with Titanic-size box-office clout.

And so The Beach comes to the screen freighted with enough Leo baggage to make the movie seem beside the point. It isn't. The Beach, for all its lapses of judgment and failures of nerve, has its strong points. DiCaprio is one of them. His Richard is a pop-culture junkie, constantly pushing the video games he plays to the next level of difficulty and living his life the same way. Traveling alone in Thailand, he checks into a Bangkok flophouse, where the night sounds include a sexy French couple — Francoise (Virginie Ledoyen) and Etienne (Guillaume Canet) — and a suicidal Scot named Daffy (Robert Carlyle), who rambles about a map to a perfect beach on a hidden island. The next day, Richard finds Daffy's bloody corpse and the map. Note: Daffy returns with a vengeance in dream sequences, one of which shows him and Richard gunning down tourists. Yikes.

It's a solid setup, faithful to Garland's book and alive with visuals that evoke Richard's Digital Age obsession with Vietnam movies, especially Apocalypse Now (clips are included), with its images of tracer fire and smoking grass through a rifle barrel. Boyle knows that Richard is Game Boy incarnate and directs the film with a video enthusiast's love for creating obstacles: Can Richard, along with Francoise and Etienne, swim to the island without being torn to pieces by sharks? Can they dodge the armed guards who protect marijuana fields lush enough to pop the peepers of Cheech and Chong? Can they find the small commune of young utopians who have established a stoner's paradise?

Of course they can, or there's no movie. The Beach is colorful and exciting, as far as it goes. But Boyle and Hodge pull back on their usual wit and grit. The actors — shirtless whenever possible — look suitably awed by the beach, which cinematographer Darius Khondji (Seven, Evita) lights almost as sensually as he does DiCaprio. Ledoyen has her own share of natural resources, and the eye contact between Francoise and Richard suggests that Etienne will soon be history. In the book, Richard's lust went unrequited, creating effective sexual tension. On film, he nails her, a decision motivated less by logic than by the divine right of stardom that Titanic conferred on Leo: If there's a babe, he boffs her.

That goes for another babe as well. The island commune is ruled by Sal, played by the superb British actress Tilda Swinton (Orlando, The War Zone). Sal is fortyish, with her own man, the jealous Bugs (Lars Arentz Hansen), and the tough job of keeping the peace. The settlers in this new Eden get testy when their video games break down due to dead batteries. On an Energizer run to the mainland, Sal brings Richard along as her sex slave. A way to exert her power? Maybe, but the lovemaking — not in the book — plays like another excuse to depant DiCaprio.

These extraneous scenes let the air out of the movie. Just when the suspense should be escalating, The Beach stops to raise familiar moral questions about the sins of man and technology. Things improve when Richard becomes unhinged. Put on sentry duty by Sal, he has violent hallucinations that turn real when the island's drug commandos mow down a new crop of backpacking intruders. Richard, seeing himself as a pawn in his own video game, runs to save his ass.

DiCaprio delivers strongly, showing Richard as selfish, manipulative, cowardly and dangerously naive — all of which makes the young man's hard-won maturity in the end more affecting. But Richard is the only flesh-and-blood character in a sea of stereotypes. Why don't these travel freaks get bored to death with being bogged down on the beach? The movie has no clue. Instead of a breakneck pace, it settles for lofty attitudinizing about the nature of betrayal. Instead of the book's climactic Lord of the Flies mutilation, it offers a derivative Deer Hunter game of Russian roulette. Don't blame DiCaprio, who seems eager to explore Richard's heart of darkness. It's the movie that wants to protect its investment. The Beach, designed to provoke audiences, stops for too many Hollywood moments to get the job done. Penalty. Game over.
Expand
0 of 4 users found this helpful04
All this user's reviews
4
BroyaxMay 1, 2021
Le jeune bellâtre amerloque Di Carpaccio et ses deux amis franchouillards (le cave Canet et… oh l’affriolante Ledoyen !) partent pour un Koh Lanta improvisé en Thaïlande, sur une plage coincée entre quelques gros rochers… juste à côté deLe jeune bellâtre amerloque Di Carpaccio et ses deux amis franchouillards (le cave Canet et… oh l’affriolante Ledoyen !) partent pour un Koh Lanta improvisé en Thaïlande, sur une plage coincée entre quelques gros rochers… juste à côté de plantations de cannabis ! c’est donc le ‘paradis’ sur Terre… ou peut-être pas forcément.

Car comme le disait l’autre râleur pontifiant aigri, « l’enfer, c’est les autres » et si t’as pas le totem à Koh Lanta, tu risques de te faire éliminer ! Danny Boyle hésite entre la comédie plus ou moins acide et le drame très dramatique ; il se perd également dans quelques longueurs et un ou deux délires qui tournent à vide, surtout vers la fin…

Di Capoto se révèle un brin énervant et pas vraiment convaincant : il est surtout le jeune tireur de ces dames et demoiselles, ce qui énerve les autres mâles alentour et ça peut se comprendre : moi-même, il m’énerve aussi un brin le petit con.

Grosso merdo, la première moitié du film fonctionne tout de même assez bien et la réalisation du père Boyle reste dynamique et entraînante dans ces décors de carte postale, égratignant au passage avec à-propos les affres du tourisme de masse et des jeunes cons qui sévissent (comme ici) jusque dans les endroits les plus reculés de la planète et qui ne pensent qu’à fumer leurs merdes.

En dehors des autres (cons) que l’on peut trouver, ce que l’on imagine comme le paradis typique de la carte postale peut cacher d’autres réalités moins agréables, voire carrément flippantes et cela, La Plage nous le montre fort bien ici et là et sans trop d’ambages, ma foi.

Le bilan demeure finalement très mitigé, le film ne parvenant pas à trouver son point d’équilibre… il reste donc trop bancal pour être honnête, hélas.
Expand
0 of 1 users found this helpful01
All this user's reviews
4
geewahJan 12, 2021
Dull. The setting is great, but what a waste of a promising premise. Comes across as a pretentious version of "Lord of the Flies'.
0 of 1 users found this helpful01
All this user's reviews