Metro-Goldwyn-Mayer (MGM) | Release Date: January 15, 1953 CRITIC SCORE DISTRIBUTION
86
METASCORE
Universal acclaim based on 17 Critic Reviews
Positive:
16
Mixed:
1
Negative:
0
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100
Los Angeles TimesTerry Atkinson
This slice of (Hollywood) life is among the director's greatest works -- and among the best incisive-yet-affectionate examinations of the movie industry's dark side. [18 Nov 1988, p.25]
88
One of the best-liked backstage dramas, with Douglas shining as egotistical producer Jonathan Shields (said to be based on David O. Selznick) who ruthlessly sheds friends, lovers and colleagues on his way to the top, only to seek them after his fall. [25 Apr 2003, p.C1]
80
The Observer (UK)Staff (Not Credited)
An immaculately cast and acted film that paints a warts-and-all portrait of Hollywood at its zenith. [22 Apr 2012, p.24]
80
The TelegraphStaff (Not Credited)
Magnificent melodrama. [11 Feb 2012, p.34]
70
The director, Vincente Minnelli, has given the material an hysterical sytlishness; the black-and-white cinematography (by Robert Surtees) is more than dramatic--it has termperament.