| Fox Searchlight Pictures | Release Date: March 15, 2019 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
3
Mixed:
23
Negative:
7
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Critic Reviews
Those who enjoy either World War II movies or period dramas likely will enjoy this movie, even if some of the plot twists are predictable. It's an enjoyable deviation from the typical war story, but if there were more layers of warmth and stronger emotional connections between the characters, it could have built to a more satisfying conclusion.
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The result is attractive and diverting, as any well-appointed film starring these actors in mouthwatering period finery could hardly fail to be — though for a story about people rebuilding their lives through grievous personal loss and moral torment, it’s hard not to wonder if its vast reserves of enviable knitwear are counting for more than they should.
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There’s nothing wrong with Aftermath, but for one strange and nagging thing: To watch it is to want to be faraway from its world and everyone in it. The movie draws a circle around itself that holds no attraction or appeal, though it’s in every other way competent, well-acted and reasonably intelligent.
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The melodrama, unfortunately, is not always convincing. The quality of the acting is so strong that the emotional impact is undeniable. Knightley is so gorgeous, Skarsgård, the Swedish heartthrob, is so decent, and Clarke is so noble in the way he hides his vulnerability, that I liked them all.
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Consumed by its own chilliness, The Aftermath is an emotionally constipated movie about emotional constipation. That may come off as a glib way to describe something that purports to explore the paralyzing nature of grief, but James Kent’s romantic historical drama falls so flat that any sense of tragedy is lost; it’s all surface, and stasis.
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