| Universal Pictures | Release Date: January 7, 2022 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
6
Mixed:
27
Negative:
7
|
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Critic Reviews
The 355, directed by Simon Kinberg (“X-Men: Dark Phoenix”) who co-wrote with Theresa Rebeck (“Smash”), is not an instant classic by any means. It is, however, a straightforward and solidly entertaining spy thriller that (mostly) avoids the impulse to pat itself on the back too obviously.
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The 355” is a vigorous formula action spy flick with an out-of-the-frying-pan-into-the-fire plot that mostly holds your attention, periodically revs the senses, and gives its actors just enough to work with to put a basic feminine spin on the genre. I make a point of that because the film does too.
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Showcasing a thrown-together international team of female spies, "The 355" mostly feels like the pilot for a TV series, just with an inordinately good cast. Any movie in this genre that name-checks James Bond can't be all bad, but in terms of justifying a trip to the theater, nor is it good enough.
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Despite some exemplary action sequences, including an impressive chase scene through the streets of Paris and into the subterranean tubes, The 355 fails to shed the tropes of male gaze and the kickass female fetishes of Kill Bill, Charlie's Angels, and every film Luc Besson has made with a female lead.
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Doggedly mediocre actioner The 355 is the cinematic equivalent of gathering together Formula 1’s finest drivers and tossing them the keys to a Yugo. With two Oscar wins and four Oscar nominations between them, Jessica Chastain, Penélope Cruz, Diane Kruger, and Lupita Nyong’o are gonna do some pretty nifty work with a Yugo. Still, actors this capable deserve better gear.
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The filmmaking deserves credit for refusing to leer as the ladies convincingly kick and punch — all focus is on the stunts, not on sex appeal. Yet there’s a sense that “The 355” felt forced to pick between being sincere or being fun. It chose solemnity. As a result, it’s flat-footed even when the setups yearn to be playful.
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The TelegraphJan 6, 2022
The PlaylistJan 6, 2022
Given how poorly made, poorly written, and poorly crafted “The 355” is —with action that is casually visceral, but actually borderline incompetent and super sloppily staged—the final product reeks of superficial vanity project intended to “let girls be badass” rather than trying to circumvent, better, or elevate the genre (or women for that matter).
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