| MUBI | Release Date: August 7, 2026 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
22
Mixed:
0
Negative:
0
|
Critic Reviews
What happens to these spaces when we feel comfortable in our bodies again? Does resurrection always have to require a type of death first? Is there ever a point in our lives where it’s too late to transform? That the film manages to make room for these ideas while lacing it all with enough tacky genre thrills to make it all palatable and thought-provoking is a miraculous feat in its own right.
Read full review
Radio TimesMay 13, 2026
It's an endlessly engaging and often very funny film equipped with arresting imagery, gorgeous design (including some beautiful matte paintings) and no shortage of gleeful gore. Or to put it another way, this is another instant cult classic from Schoenbrun, and it's already fascinating to ponder what they might do next.
Read full review
The PlaylistMay 13, 2026
It is a film that feels movingly personal while speaking to the ubiquitous tussle between duty and desire, and that does so through the gnarling of fresh and guts and bones to find what is buried deep within one’s being: a throbbing vein of wanting, undeniably alive, and that, once freed, will not stop until its thirst is quenched.
Read full review
The Film StageMay 14, 2026
IndieWireMay 13, 2026
You can view the work as a visceral slasher send-up, a stylish academic exercise about gender expression and inquiry in horror iconography, or as just a plain old, super fun, future cult lesbian classic. Either way, it will take multiple viewings of this film to fully embed yourself inside it — body, brains, and all.
Read full review
IONCINEMA.comMay 14, 2026
The inextricable union of victim, victimizer, and witness becomes a metatextual balancing act in Jane Schoenbrun’s formidable third film Teenage Sex and Death at Camp Miasma, a gonzo pop art slice of catharsis which works as both a recovery and discovery of the queer gaze in horror cinema.
Read full review
Next Best PictureMay 15, 2026
It’s easy to feel left behind by the film’s intentions. But no matter viewers’ specific level of interpretation, what Schoenbrun does with the slasher genre, using it as a springboard to explore ideas that clearly resonate with them, is compellingly intelligent and consistently fascinating.
Read full review
Teenage Sex and Death at Camp Miasma sometimes gets tangled up in the rigging of its ideas, and the film blows off course more than once on its way to the ending. But its joyousness, tethered to its deep affection for movies that plenty of people would just call junk, is its guiding spirit.
Read full review
Current Movie Releases
By MetascoreBy User Score











