| Focus Features | Release Date: July 13, 2007 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
24
Mixed:
9
Negative:
0
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Critic Reviews
Someone like Petey Greene made a difference and made a mark, and broadcasting is better because of his transparent honesty. He helped transform African-American stations more, probably, than their mostly white owners desired. And talk talents like Howard Stern, whether they know who he was, owe him something.
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Once Greene achieves fame, neither he nor the screenplay quite knows what to do; the first half-hour of Talk to Me is the most fun. But a vibrant feel for its era and a genuine affection for its characters make the whole thing a solid evocation of a time and a life worth remembering.
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Especially wonderful is Taraji P. Henson as Petey's longtime girlfriend Vernell , a vision in Foxy Brown period clothes with a pixie smile, lollipop legs, and a filthy mouth. After "Hustle & Flow ," this is at least the second movie Henson has stolen, and will Hollywood please do something about it?
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With its R&B soundtrack and footage of civil unrest, Talk to Me might seem to cover familiar ground. But as an intimate portrait of the complex, fruitful and extremely volatile friendship between trailblazing African American men whose daring came to redefine an industry, it's fresh and revelatory.
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The movie always teeters on the verge of something deeper, and Cheadle’s rendering of Greene’s stubborn refusal to be domesticated is funny, exhilarating and then quietly tragic. But Lemmons keeps pulling back into jive-talking shtick, and for much of the time -- I felt as though someone had trapped me in a time-warped episode of "The Jeffersons."
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The early scenes of Greene misbehaving on the air are pretty funny, thanks mainly to Martin Sheen as the apoplectic station manager. But I was bummed out by the movie's trite VH1 cartoon of the black power era--especially coming from Kasi Lemmons, who made her directing debut with the hauntingly ambiguous "Eve's Bayou."
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