| TriStar Pictures | Release Date: March 17, 2017 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
26
Mixed:
16
Negative:
0
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Critic Reviews
In one sense, here’s a sequel to a ‘90s classic that trades heavily on audiences’ appreciation for that previous film. In another, here’s a film that uses that fact in service of an insightful, affecting commentary on how there’s no choice in life but to either move forward or to not.
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The Film StageFeb 15, 2017
Where “Trainspotting’s” dive into the void was targeted, bristling with snarky anger at a Conservative system that provided few lifelines, “T2” — despite landing in a Britain once more under divisive Tory rule — is mostly content to let its characters alternately indulge and excoriate themselves.
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The TelegraphJan 19, 2017
Like the original, T2 is happy enough spending time with its characters whatever they get up to. Very little that happens in the film seems to affect where it’s going, and the few things that do feel dashed off, almost as an afterthought. It’s also littered with callbacks to the first film – some as stirring as they are subtle, others exasperatingly cute.
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The PlaylistJan 19, 2017
It ends up feeling like going to a festival headlining date by a reunited Britpop band. It’s great to see them back together, they look pretty good for their age, and there are transcendent moments when they play the hits. But the set goes on a bit long, and the new material’s a bit forgettable, and they’re sloppier than they used to be, and in the end, you start to wonder if it had been better if you’d been left with your memories from back in the day.
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A missed opportunity on multiple levels, T2 is stylistically an overwrought rehash which relies heavily on over-caffeinated camerawork and flashy effects (cinematographer Anthony Dod Mantle's trademark gritty flair is overwhelmed by a flurry of Dutch angles and freeze-frames) to distract us from its essential paucity of raison d'etre.
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