| Oscilloscope Laboratories | Release Date: May 25, 2018 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
19
Mixed:
0
Negative:
0
|
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Critic Reviews
Ms. Simón, who has used both of her young performers to powerful effect, also wants us to know how resilient children can be. Some creatures are able to grow new limbs. Frida, given more than half a chance after demanding it, achieves something no less remarkable. She grows new joy and hope.
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Anchored by a pair of extraordinary child performances and titled like something you’d scrawl fondly under a faded photograph in a well-thumbed album, Summer 1993 is a delicately brushed memory of confusion and joy, as if the movie itself can only smile awkwardly — and eventually, tearfully — as it looks back trying to make sense of it all.
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In this semi-autobiographical period piece, Simón achieves the rare feat of faithfully recreating the mysterious consciousness of a child. Though her techniques can get repetitive and stall the narrative, more often than not her elliptical editing recreates an innocent’s perception of the slow drift of time.
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RogerEbert.comMay 25, 2018
This is not a film for children, but the camerawork and the emotional undercurrents most often evoke the physical viewpoint, level of understanding and sensory processes of a child. We as adults must deduce the film’s most crucial pieces of information as they fly over Frida’s head.
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