Submarine
Weinstein Company, The | Release Date: June 3, 2011
7.7
USER SCORE
Generally favorable reviews based on 149 Ratings
USER RATING DISTRIBUTION
Positive:
120
Mixed:
22
Negative:
7
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User Reviews

User scoreBy dateMost helpful
9
mbagelyJun 5, 2011
Not perfect by any means, and the main character is odd and destructive to the point of not being relatable - but it's still effortlessly charming for the most part, especially towards the start and the end. Ayoade has better things to come.Not perfect by any means, and the main character is odd and destructive to the point of not being relatable - but it's still effortlessly charming for the most part, especially towards the start and the end. Ayoade has better things to come. Definitely not for everyone… Expand
2 of 2 users found this helpful20
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10
TheGorillaOct 5, 2011
Fantastic in every way.
2 of 2 users found this helpful20
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9
cryhardhumorFeb 24, 2015
While some may complain that the style is over the top, I find that it fits perfectly for the quirky characters. However the real star of the show is the performance of Craig Roberts and the cleverly written and well delivered dialog.
1 of 1 users found this helpful10
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10
ASamsJun 5, 2011
Normally I wouldn't give movies like this a 10, more of an 8 but due to the pretentious-steaming-pile-of-you-know-what people out there giving it a 0 I hae to try an balance it. Also Richard Ayoade is brilliant in everything he's done. MostNormally I wouldn't give movies like this a 10, more of an 8 but due to the pretentious-steaming-pile-of-you-know-what people out there giving it a 0 I hae to try an balance it. Also Richard Ayoade is brilliant in everything he's done. Most notably 'The IT Crowd' and 'Garth Mergingi's Dark Place'. Please if you haven't seen it an only know the premise don't give it a rating. Your screwing with peoples bread and butter when you do.… Expand
5 of 6 users found this helpful51
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6
ShiiraAug 10, 2011
This review contains spoilers, click expand to view. You can't see the submarine in the fish tank that looms in the background of the Tate dining room, but it's there, a submarine transported to the eighties from 1963, straight out of a cornflakes box that a Yorkshire mother bought for her childish adult son. It belonged to Billy Fischer, also known as "Billy Liar", but now it's fifteen-year-old Oliver Tate(Craig Roberts) who must shoulder the burden of navigating the aquatic vessel through the adolescent waters bubbling under at home and school. The secondhand sub comes saddled with the baggage of a less-than-stellar history. Its new owner offers only a slight improvement over the submarine's predecessor. Both pilots, antiheroes to one degree or other, display a tendency to crack under heavy duress, creating an occasion for simulated violence, but whereas Billy imagines gunning down his loved ones in cold blood, Oliver's malevolence is more of the self-inflicted variety. While not an outright fibber like Billy, a would-be scriptwriter for a famous comedian, Oliver, at the very least, is a flagrant hypocrite. Jordana, described by the protagonist as a "moderately unpopular girl", bullies the even-less popular Zoe, who finds herself ostracized from her peers for being fat. Uncharacteristic of the underdog archetype, Oliver participates in the hectoring, because being a lout, he sees, brings him closer to his dream girl. When Zoe falls into the pond, it's as if she was assassinated, since the girl is no stranger to Oliver. She once played a prominent role in his short life, being on the receiving end of his first kiss, which puts her "murder" on par with the known people that Billy opens fire on with a hail of imaginary bullets, discharged from a gun manifested as rage. Oliver, an unaware dissembler, loans out "The Catcher in the Rye" for Jordana to read, even though he has become the sort of phony that Holden Caulfield rails against in the Salinger novel. Clearly, Oliver still sees himself as a victim, a hero of the underclass. On their first date, he takes Jordana to a matinee showing of "The Passion of Joan of Arc"(like Alvy taking Annie Hall to "The Sorrow and the Pity"), the 1928 silent classic about the purported French heretic who was burned at the stake by English decree. But what side is he on? Good or evil? In the Schlesinger film, the kingdom which Billy rules in his head, Ambrosia, etymologically speaking, is of Greek/Roman origin, suggesting the possibility that he models himself after Mussolini(the Italian dictator who killed innocent people for real), and not some benign prime minister. Like Billy, the young Scot, as aforementioned, leads a rich fantasy life, imagining his own celebrated demise, casting himself as a martyr of Wales, the Butler of Swansea, akin to Joan. In one scene, Jordana, a budding pyromaniac, burns the skin on Oliver's leg, but the boy lacks the fealty of a saint, as evidenced by his willingness to make a sacrifice out of Zoe for personal gain. It's Oliver who does the "burning", even Jordana, when in her time of need, he stays away from the hospital, where the girl's mother may be dying of cancer. Both Billy and Oliver use family obligations as an excuse for disappointing their women. In "Billy Liar", the titular character gets off the train to London, he thinks, to console his parents, grieving over the death of the family matriarch, but the truth of the matter is that the borderline sociopath(the grandma is one of his imagined victims) would rather live in Ambrosia's dreamscapes than the real world with Liz. Oliver, possessing some of the same issues as Billy, relies on the perceived eventuality of a parental divorce as the basis for his no-show, putting dad's depression before Jordana's crisis, when in reality it's cowardice, the pressure of living in a submarine, perhaps the very same one that Billy needs for his Ambrosian navy, which keeps the potentially homicidal boy(he had plans on poisoning her dog) away. But when it comes to growing up, the girls have it harder. In a fish tank, it's not the submarine you notice; it's the fish. At the outset of Andrea Arnold's "Fish Tank", Mia, a 15-year-old everyteen trying to survive in the Essex Council Estate, may or may not be subjected to the male gaze of her mother's new beau. Passed out in their bed, Connor carries Mia to the room she shares with her younger sister, and for good measure, strips the girl down to her underwear. This act, vague in its intent, turns out to be replete with sexual intentions, after all, when Connor seduces the child on a living room couch, later on. The filmmaker not only indicts the statutory rapist as amoral, but the moviegoer, too. In the opening scene, we meet Mia, an aspiring dancer, performing in a room where the window is shaped like a fish tank. How are we looking at her: as a dancer or as a sex object? When she auditions as a stripper at a club, the answer becomes obvious.… Expand
0 of 1 users found this helpful01
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8
MarcDoyleJun 6, 2011
Reminds me a bit of Rushmore, but it doesn't feel like it's trying as hard as that film did. And the actors are much more accessible than Anderson's cast was. Love the music and the pacing, and the male lead is terrific. Hope to see him onReminds me a bit of Rushmore, but it doesn't feel like it's trying as hard as that film did. And the actors are much more accessible than Anderson's cast was. Love the music and the pacing, and the male lead is terrific. Hope to see him on the big screen again soon. Some HUGE laughs in the movie as well.… Expand
0 of 0 users found this helpful00
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7
nutterjrAug 16, 2011
Richard Ayoade brings a fresh approach to an otherwise indifferent story of a 15 year old boy trouble with his parents relationship as well as his sexuality. The actors are spot on and particular mention should be made out to theRichard Ayoade brings a fresh approach to an otherwise indifferent story of a 15 year old boy trouble with his parents relationship as well as his sexuality. The actors are spot on and particular mention should be made out to the surprisingly funny Paddy Considine. It is not conventional but definitely worth a watch.… Expand
0 of 0 users found this helpful00
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7
jimmytancrediJun 24, 2012
It's not that it's unsatisfactory - quite the contrary, it has a different approach from the current movies that deal with this same subject, planking a more reflective and somewhat emotional in contrast to the standards of today's youth whoIt's not that it's unsatisfactory - quite the contrary, it has a different approach from the current movies that deal with this same subject, planking a more reflective and somewhat emotional in contrast to the standards of today's youth who cherish the "fied here and now". However you can see a lot of immaturity in the direction and script, especially in the latter it is based, a lot of literary works of renowned intellectual only to tell the difference before the rest of the protagonist of his own track age - a fact that also makes the film takes an air of "cult" which, in my opinion, has not - and makes the movie lose some of its originality. The movement of cameras sometimes tires a little too. Exaggeration of a rookie aside, there are positive sides as the undisputed loyalty to the thinking of young people today - until I saw in some of the crises of the unsafe Oliver, in his paranoia and assumptions without rhyme or reason. The soundtrack is flawless - her voice, lyrics, everything in her talent fits perfectly with the movie and the character. And the photography has gone far from what I was expecting. Anyway, it's a good movie, unruffled and distinct, even with some exaggerations coming from an inexperienced filmmaker. Independent and faithful to the public of Generation Y.… Expand
0 of 0 users found this helpful00
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8
ImUnavailableJan 21, 2012
An original and inventive movie that draws heavily from the likes of Wes Anderson. The acting is great, particularly the lead who successfully portrays a character who is conceited but also likeable. The movie manages to incorporate a rangeAn original and inventive movie that draws heavily from the likes of Wes Anderson. The acting is great, particularly the lead who successfully portrays a character who is conceited but also likeable. The movie manages to incorporate a range of emotions without the audience noticing any tonal shift, a difficult thing to achieve. It's not perfect of course. The two story lines seem to be competing for screen time rather than naturally co-existing and it can be difficult to get to the heart of the central character. The director, Richard Ayoade, nonetheless shows potential and looks set for future success.… Expand
0 of 0 users found this helpful00
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8
HalfwelshmanSep 5, 2011
It's been quite some time since quirky, deadpan comedy has been done so well. It's clever, funny and very British. The film is far more than the conventional take on being a social outcast. Craig Roberts imbues Oliver with a fierceIt's been quite some time since quirky, deadpan comedy has been done so well. It's clever, funny and very British. The film is far more than the conventional take on being a social outcast. Craig Roberts imbues Oliver with a fierce intelligence and a unique take on the world. His self-aware and often comically profound voiceover recalls Audrey Tautou in Amelie. Every character in the film is interesting, and every actor's performance memorable, from the tragic figure of Oliver's seemingly boring dad (Noah Taylor), to his prim mother looking for more excitement in her life (Sally Hawkins) to Oliver's emotionally introverted love interest Jordana (Yasmin Paige) and humongous tool of a life guru Graham (Paddy Considine). Submarine has a lot to say about life, covering every subject from love to divorce and depression, but always discussing these subjects in a profound and comic way. Alex Turner's specially composed songs for the film's soundtrack also comfortably marry with Submarine's indy credentials. The film may drag a little in the final act, but Submarine is undeniably an extremely impressive feature debut from Richard Ayoade, and I eagerly await his next outing as a director.… Expand
0 of 0 users found this helpful00
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8
filmtrashreviewJul 27, 2011
Its corky, funny and completely original. A touching and sensitive look what a high school teenager goes threw. The sound track by Arctic Monkeys does this film no harm either and gives it a push forward.
0 of 0 users found this helpful00
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8
lahaineJul 31, 2011
Easily one of the finest movies I've seen so far this year. It has a distinct style and an effectively told story thanks to its economic screenplay, flavorful direction and shrewd editing. The story becomes a bit more emotional as the movieEasily one of the finest movies I've seen so far this year. It has a distinct style and an effectively told story thanks to its economic screenplay, flavorful direction and shrewd editing. The story becomes a bit more emotional as the movie progresses; as it takes issues in the story (such as teenage angst, marriage and mortality) more seriously and deals with them with greater depths. However, the filmaker was able to maintain the quirkiness and light humor throughout the film, with very little effort. This movie is surely not for everyone, but it sure was good.… Expand
0 of 0 users found this helpful00
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9
EssenceOfSugarJul 25, 2012
I found it quite an artistic interpretation of adolescence. It was stylistic, used to the symbolism of certain ideas and values through art. Considering this stylistic form, you wouldn't be able to compare it to other films like this, neitherI found it quite an artistic interpretation of adolescence. It was stylistic, used to the symbolism of certain ideas and values through art. Considering this stylistic form, you wouldn't be able to compare it to other films like this, neither arty films, like 'The Tree Of Life', though. It has a uniqueness that plays well with having a young-ish director, not to mention the intelligent, cute, perhaps subtly naive look of the protagonist - he made the film feel psychological, as when you're an adolescent, things can seem overwhelming, where you often don't know what's going on and you try and maintain control anyway by doing weird things. As of this, the film was neither too dumb or too clever. It strives for the best, despite the irony of losing a little control over trying to feel like an art form - a few scenes didn't make sense - but I guess that combining genres like these can make them look and feel quite beautiful.… Expand
0 of 0 users found this helpful00
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9
StevenFFeb 24, 2013
Submarine delves into the delicate situations that a typical adolescent teen will most likely face as they approach the age of raging hormones and thinking they have the most difficult life imaginable, and of course, losing their virginity.Submarine delves into the delicate situations that a typical adolescent teen will most likely face as they approach the age of raging hormones and thinking they have the most difficult life imaginable, and of course, losing their virginity.
For the Oliver Tate (Craig Roberts), he often imagines himself outside of his own body, and with an opening segment of how he thinks (or how he wants to believe) that people would react to his death, this sets the tone for this fantastic coming-of-age film which is dangerously funny but subtly charming from debut director Richard Ayoade.
Of course, no teen melodrama is compete without the female presence, and Oliver longs after the broken Jordana (Yasmin Paige) who is, in most ways, the female counterpart of our young protagonist.
The film deals primarily with how an adolescent judges and acts upon common situations, whether it be in their own home or of course at school, and as Roberts narrates in a very detailed and logistic manner, we come to understand his characters life, his mother and fathers failing marriage, his awkward yet romantic relationship with Jordana and his struggles with trying to be accepted in school.
Submarine is told in a very fast-paced and artistic style, with the story-telling left to the talented actors and actresses in the form of Roberts, Paige, Noah Taylor and Paddy Considine.
The film avoids the usual routine of teen movies with the over- abundance of sexual frustration, the film does deal with this head on, but does so in a quirky and unorthodox away that is beneficial not only to the likeable leads, but also to the pacing of the stories and its originality.
Craig Roberts turn as the disgruntled teen is the standout of the film, he captures our imagination as to what crazy but meaningful things we have experimented on or considered in our younger days, and just how fast our mind can work when we are thrown into awkward or uncomfortable situations, he talks fast but gets the point across, and his analysis of scenarios that occur in his life are clever, but they don't try to throw in your face, thus making this film spontaneously funny, sometimes in the 'we maybe shouldn't laugh about that' moments, but his voice makes it seem ok to do so.
A well written, thoughtful and superbly acted film, incorporating dark comedic moments with artistic and unique filming that brings something fresh and intriguing to the teen drama.… Expand
0 of 0 users found this helpful00
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8
TTW107Apr 6, 2012
This is a subtly hilarious movie very artistically filmed and thought out. Oliver is a hilariously introverted character that was fairly easy for me to relate to because of my shyness. He narrated a whole lot in this movie and normally IThis is a subtly hilarious movie very artistically filmed and thought out. Oliver is a hilariously introverted character that was fairly easy for me to relate to because of my shyness. He narrated a whole lot in this movie and normally I would say that is a bad thing but it definitely worked to Submarine's advantage. Watch this movie!… Expand
0 of 0 users found this helpful00
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8
skyminsterFeb 21, 2016
Filled with fantastic performances, namely Craig Roberts, well-written comedy and drama, likable characters, a gripping plot and interesting quirks, this film is proud to be British, and it’s great. Nonetheless, it’s probably not forFilled with fantastic performances, namely Craig Roberts, well-written comedy and drama, likable characters, a gripping plot and interesting quirks, this film is proud to be British, and it’s great. Nonetheless, it’s probably not for everyone, and a little more comedy would have been nice.

83/100.… Expand
0 of 0 users found this helpful00
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9
TehBlooBomberMay 21, 2012
A genuine and beautiful story. I was hooked on this film from start to finish, and Richard Ayoade did not disappoint. The ending had me wanting more and longing for a sequel. This was fantastic work, and it has not gone unnoticed, or unforgotten.
0 of 0 users found this helpful00
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10
AknepElocNov 1, 2013
If you haven't established a philosophy for yourself yet, you will when you watch this movie. As the young man speaks the opening quote of the most realistic words I've probably ever heard, you will stay put in your seat, and sucked intoIf you haven't established a philosophy for yourself yet, you will when you watch this movie. As the young man speaks the opening quote of the most realistic words I've probably ever heard, you will stay put in your seat, and sucked into finishing it. The movie is perfect- realism, detail, breaking the fourth wall (as minimally as possible), romance, humor, disaster, struggle of adolescence, bullying- I simply loved it. Plus, if you have a Netflix account, it is on there and has been for quite a while. I watch this movie at least once a month.… Expand
0 of 0 users found this helpful00
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7
aadityamudharApr 18, 2016
Richard Ayoade brings a fresh approach to an otherwise indifferent story of a 15 year old boy trouble with his parents relationship as well as his sexuality. The actors are spot on and particular mention should be made out to the surprisinglyRichard Ayoade brings a fresh approach to an otherwise indifferent story of a 15 year old boy trouble with his parents relationship as well as his sexuality. The actors are spot on and particular mention should be made out to the surprisingly funny Paddy Considine. It is not conventional but definitely worth a watch.… Expand
0 of 0 users found this helpful00
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9
fuzzyball321Mar 27, 2016
Smart, funny, and stylish throughout, this very charming film is able to make you laugh throughout - but also show a hidden layer of very real emotions within it's characters.
0 of 0 users found this helpful00
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8
DeanomiteDec 31, 2019
Brilliant in moments, a young guy tries to impact those in his life having a kind of fabricated empathy, like a person at his age would have. Empathy is about trial and error, he hits a bullseye with a sweet poem to his girlfriend afterBrilliant in moments, a young guy tries to impact those in his life having a kind of fabricated empathy, like a person at his age would have. Empathy is about trial and error, he hits a bullseye with a sweet poem to his girlfriend after creeping her out. As a character, the protagonist seems to have no feelings whatsoever, apparently due to parents that likewise have no passion in life. His dad is a marine biologist who 'just drifted into it.' They have an aquarium with no fish, and when his mom gets enchanted by a cult leader simply because this is the first guy with an idea, it's more affecting than it at first appears.… Expand
0 of 0 users found this helpful00
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9
enei200Nov 4, 2021
The movie is fantastic. It's over the top, which might not be everyone's piece of cake, but I think it did an amazing job. Oliver's problems can be reletable. His mistakes seem so intolerable to the point you might think that no sane humanThe movie is fantastic. It's over the top, which might not be everyone's piece of cake, but I think it did an amazing job. Oliver's problems can be reletable. His mistakes seem so intolerable to the point you might think that no sane human might make them, but as said, it's made to be like this, too over the top, too extreme. His excessive thinking and ideas shows how he's not a perfect human and is capable of making huge mistakes. But the story is not only about him. His parent's story and Jordana's struggle kept me engaged as well. The only downside I can think off is how abruptly the film ended. I felt there was a little bit more to tell. But perhaps it's for the better. Overall, it's an amazing movie with wonderful camera-work and dialogue. It's something unique to watch.… Expand
0 of 0 users found this helpful00
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9
Asteroidgerm978Sep 16, 2019
Es una excelente película para disfrutar en solitario, si te identificas con el personaje será una completa montaña rusa de emociones y en general muy buena y recomendable
0 of 0 users found this helpful00
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5
NickTheCritickApr 28, 2022
The limit of this film is constituted by a script that fails to sustain an accumulation of events that could be credible if they were not exhibited with a consequentiality devoid of cohesion and any cinematic power.
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