| Universal Pictures | Release Date: August 14, 2015 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
31
Mixed:
10
Negative:
0
|
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Critic Reviews
Straight Outta Compton plays better when it's outside the box, showing us N.W.A power and the consequences of abusing it. Would the movie be better if it didn't sidestep the band's misogyny, gay-bashing and malicious infighting? No shit. But what stands is an amazement, an electrifying piece of hip-hop history that speaks urgently to right now.
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The performances are terrific, and when it’s on its game, which is often, Straight Outta Compton is an explosive look at the creation of a message that had to be delivered by the only people who could deliver it, a message that is, unfortunately, as timely now as when we first heard it.
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Despite Straight Outta Compton’s energetic acting and Gray’s capture of in-studio Eureka! moments, it never manages to transcend biopic hagiography, with characters whose names appear in the production credits – Dre, Cube and Eazy-E’s widow Tomica Woods-Wright – faring best onscreen.
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The PlaylistJul 31, 2015
IndieWireJul 31, 2015
It’s biopic syndrome, this impulse to condense events to hit the high notes, to provide fans with recognizable stories, to essentially act as a greatest hits album, and it sinks the second half of an otherwise compelling, funny and extremely entertaining film with a beat all its own.
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The partying is as bland as any all-purpose music video and feels more like another script signpost (and audience-pandering) than a serious attempt to get out what it means to be young, black, gifted, fabulously wealthy and much desired. Mr. Gray does far better when the story edges into heavier, more dappled realms.
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With a running time of 147 minutes, the film not only runs low on energy toward the end — internecine battles can’t compete with the early excitement of gifted young kids making it big on a national stage — but turns ploddingly sentimental in its sudden focus on Eazy-E’s painful decline, and death, from AIDS.
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