| Fox Searchlight Pictures | Release Date: March 1, 2013 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
24
Mixed:
14
Negative:
4
|
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Critic Reviews
The movie is less to be experienced than to be appreciatively studied, like an insect, a stuffed bird, or the sketch by a gifted artist in the style of an Old Master — in this case, the Master of Suspense. It’s not pure Park or pure Hitchcock but a muted, mildly mesmerizing blend of the two. You might want to take a careful stroll in this Hitchpark.
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Park's methodical but tonally uneven direction too often eschews luridness; it's as if he can't decide exactly how far to push his material into the loopy. Still, his assured and evocative camerawork intimates that peril lurks everywhere, and there's an alien quality to its performances and dialogue that suggests a world slightly unhinged.
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Park is busy treating every frame like a runway model, dressing it up in self-conscious layers of cinematic haute couture. It’s gorgeous to gaze upon but otherwise dessicated – listless, juiceless and ultimately pointless. For all his exemplary camera work, there’s no motion, or emotion, in the picture.
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Wasikowska drabs herself down. Her body is undefined in dowdy clothes, her hair hangs limply. But her eyes usher you into her inner world, with its battle between girlish longing and the impatience to move on and be what she really is — whatever that might be. It’s a richer performance than the movie deserves.
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