| IFC Films | Release Date: November 25, 2020 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
1
Mixed:
12
Negative:
6
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Critic Reviews
IndieWireApr 22, 2020
While there are flashes of originality in the film’s script — which quite artfully builds on Bowie’s worries with a distinctly personal edge — most of it is relatively straightforward, never as psychedelic or sophisticated as its opening shot, which finds Flynn stuck in spacesuit and unable to engage with the world around him.
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How can you recreate the first Ziggy concert in 1972 at Borough Assembly Hall, Aylesbury, and fail to evoke even an ounce of the moment’s dynamism even when you have the moves down? Does Stardust exist solely to make Bohemian Rhapsody seem better by comparison? Why are we still watching this?
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I saw this movie last Wednesday, and I still feel like I’m watching it, like its dry and stuttering dynamic hasn’t yet ended, like I’ll never hear a real Bowie song again. Someone commit me before I’m forced to don my famous alter ego, Lights Camera Jackson, to cope with my insanity.
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