Splitsville
Neon | Release Date: August 22, 2025 CRITIC SCORE DISTRIBUTION
73
METASCORE
Generally favorable reviews based on 31 Critic Reviews
Positive:
25
Mixed:
6
Negative:
0

Critic Reviews

Critic scorePublicationBy date
60
The GuardianAdrian HortonAug 20, 2025
That Splitsville stays on track to the finish is mostly credit to chemistry – that ineffable, unpredictable thing between two, or three, or maybe four people, with just enough variation for each relationship here. Splitsville may take shots at the loose-boundaried, but they’re laced with truth: partnered or single, open or closed, we’re all working with the same raw material. Read full review
50
Little White LiesHannah StrongFeb 20, 2026
It’s a film not without occasional moments of spark, and flits along quite happily, but Splitsville seems continually intent on undermining itself, and in the process becomes totally forgettable. Read full review
50
The New YorkerJustin ChangAug 22, 2025
Covino’s technique, for all its finesse, has a mechanistic quality that soon turns deadening. The movie is less a screwball comedy than a screwball contraption—a madcap farce that the screenwriters have reduced to a math problem. Read full review
50
Los Angeles TimesMark OlsenAug 22, 2025
The entire movie has a disappointing air of smug self-regard about it, with an expectation the audience will adore everything about the characters as much as they do. What at moments feels like a nascent interrogation of contemporary masculinity ultimately suffers from the very impulses it seems to want to parody. Read full review
50
VarietyGuy LodgeMay 21, 2025
The push-pull kinetics keeping these increasingly raddled lovers together and apart eventually turn from manic to strenuous, not least because viewers are likely to be less invested than the film is in their final formation. Read full review
50
Screen DailyTim GriersonMay 21, 2025
While this new film is that rare visually striking indie comedy, the clever dialogue and potentially provocative scenarios eventually fizzle, resulting in an unfocused commentary on the absurdity of modern love that is, itself, far removed from reality. Read full review
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