| Metro-Goldwyn-Mayer (MGM) | Release Date: July 7, 1995 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
7
Mixed:
12
Negative:
6
|
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Critic Reviews
Director Roger Donaldson has a lot of fun with his premise. The top-notch special effects, which use a lot of seamless computer animation, make the climax look very nice. The rest of the film is essentially one long chase sequence with a couple of nude scenes and maulings added to liven up the proceedings. No matter what genre you identify Species as, it's not top of the line, but there's also quite a bit of room beneath it.
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Among contemporary films, fans will recognize extensive borrowings from Terminator and Alien. But Donaldson makes sure we wind up with something more than Alienator: Species shrewdly manipulates some very modern fears of deadly sexual infection and touches a paranoia unimaginable back in the '50s. [07 July 1995, p.03]
By the time the prey turns hunter, however, the tale becomes overly predictable. And it never taps Kingsley's potential as a ruthless father figure to the beauteous, almost-sympathetic creature. Still, Species is a kick to the finish, groaner ending and all. If anyone could make E.T. forget all about phoning home, it's Sil. [07 July 1995, p.12D]
Species is an Alien ripoff, but that doesn't make it a bad movie--not when it contains a plausible premise, a great-looking female villain, a wonderful supporting cast of good guys, and genuine tension. Only a routine chase sequence in sewer tunnels limits the excitement at the end. In other words, we're talking about a solid, surprisingly intelligent action picture here.
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