| Paramount Pictures | Release Date: June 24, 1977 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
7
Mixed:
6
Negative:
0
|
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Critic Reviews
Perhaps the elusive, uncanny soundtrack of Tangerine Dream brings this about, or maybe it’s Friedkin’s juxtapositions of close-ups and stark long shots of the tiny trucks lost in jungle or desert landscapes, but Sorcerer eventually seems to be happening someplace not of this world. Not hell, exactly; maybe Limbo.
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Rather than a fleeting image of violence, however, Friedkin’s cyclical, almost Kafkaesque insistence that politics revolves around now globalized, corporate power delegating hired guns to do under-the-table bidding across national boundaries announces itself through the soundscape, with Tangerine Dream’s electronic basslines substituting for bloodshed. No one escapes the suffocating corrosion of Sorcerer’s polysemous diegesis—not even Friedkin himself, as audiences and industry would have it.
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Friedkin's Sorcerer is just as gripping and spine-tingling an adventure film as The Wages of Fear and, at times, surpasses the original film with breathtaking photography and a superb use of sound (the scene on the bridge is truly amazing). The musical score by German electronic experimental band Tangerine Dream is brilliant and haunting. The eerie electronic music adds immeasurably to the overall effect of the film, complementing the exotic imagery perfectly.
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This lean, hard, ruggedly acted film is hardly ingratiating, but its clenched power has a cruel and compelling beauty. [04 July 1977, p.77]
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