| Netflix | Release Date: December 22, 2023 | CRITIC SCORE DISTRIBUTION | ||
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Positive:
25
Mixed:
8
Negative:
0
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Critic Reviews
PolygonJan 4, 2024
Bayona’s approach to the “triumph of the human spirit” arc — often a broad, four-quadrant, feel-good cinematic flattening of real events — is both scrutinous and rigorous. It turns the concept inside out, presenting the ordeal of 571’s survivors as a murky scenario that we’ve been granted secret, intimate access to.
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It’s a tearjerker at times, sure, but what remains is how much a person can endure under impossible circumstances. How can someone be this resilient? It seems unknowable, but movies like this help us to get closer to the truth of our existence. It’s a difficult watch, but an important one.
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Gifted with a surprisingly large budget (reportedly ~$70M), Bayona is able to effectively recreate not only the crash but the dangers faced by the survivors while seamlessly incorporating on-location footage with studio-based material. The remarkable accomplishment results in a breathtaking motion picture that enthralls across the length of its 140+ minute running time.
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The PlaylistJan 3, 2024
Ambitious, impressive, and genuine, with a great sense of vast scale and awe, as its title suggests, Society Of Snow is not only a three-dimensional cinematic feat of wonder, terror, and emotion-stirring courage but a deeply felt portrait of togetherness, brotherhood, and survival, poignantly commemorating the painful memory of indescribable loss and tragedy.
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As a film that attempts to honor its victims while simultaneously offering graphic details, it both improves upon previous iterations of the material and exposes the limits of the story itself. The result is a movie that wrestles with its very existence—and, perhaps, the existence of based-on-a-true-disaster tales.
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A welcome innovation is the foregrounding of the dead; previous iterations have focused only on the survivors. The casting of mostly unknown Argentine and Uruaguarn actors adds to the novelty, as does the film’s compelling depiction of survivors’ guilt after the “Heroes of the Andes” return to their home country.
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