| United Artists | Release Date: December 17, 1973 | CRITIC SCORE DISTRIBUTION | ||
|
Positive:
10
Mixed:
1
Negative:
0
|
Critic Reviews
With a dearth of psychoanalysis, the jazzy pace barely lets up, but the result - essentially an Allen stand-up show that just happens to be set in the middle of a fascistic, architecturally stunning future society - is no less seminal for its slapstick ebullience: a lesson that the pursuits of making art and making a complete idiot out of yourself are not mutually exclusive.
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A clarinet player who also runs a health food store is frozen and brought back in the future by anti-government radicals in order to assist them in their attempts to overthrow an oppressive government. When he goes off on his own, he begins to explore this brave new world that has Orgasmatron booths to replace sex and confessional robots.
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It's a very even work, with no thudding bad lines and no low stretches, but it doesn't have the loose, manic highs of some of Allen's other films.
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